Tag Archives: custom fabric

Snippets: Chats With Creatives – Series 1, Snippet 10

Snippets’. Chats with Creatives. Here at Digital Fabrics we love everything print, pattern and colour and we love to know what makes designers tick. This series is all about asking some fun and different questions and learning about the inspirations and ideas behind the artist and their work. We hope to inspire others by sharing snippets of these creative stories. We gave the artists and designers featured a varied list of questions to choose from so we will learn something new from everyone involved, should be fun!

Today on Snippets we are talking to Lara Cross, the textile designer behind Glorybox Designs, a bright and eclectic range of fabrics, fashion and jewellery based on prints. She has a vibrant passion for colour and her quirky style is evident throughout her work.

The Snippety Snips:

Tell us a bit about yourself and what your creative practice is, how and when you began:

Looking back on my upbringing, it seems so obvious that I would end up being a textile designer- but really, I didn’t even know it was a thing until I was in my third year of studying fashion. Even fashion design was a late start for me, I had initially planned on being some sort of creative director and studied Drama and Film at uni, then lived in China for five years and came home to ‘start’ my life. It took a long time to find that field where my skills just clicked in to place, but I did have a great time getting there! Being surrounded by beautiful textiles, colours and prints was just normal to me, I didn’t know that I could be ‘good enough’ to do that too. I think I have always struggled to prove to everyone that so-called normal people can love colour, and that just because you’re creative it doesn’t mean you’re an idiot. It’s probably not your experience if you grow up in a city, but I grew up in a small town and there is certain pressure to conform- so a lot of my work and ranges tend to have a story behind them, a little provocation and thought to give it meaning as well as beauty.

I enjoy word-play, puns and often have a bit of tongue-in-cheek when I come up with a new theme- my last range was called ‘Iconoscopy‘ which was a tribute to our aging rock icons, and the next range is battle Armor for modern feminists, so no doubt there will be subtle references to female anatomy as well as some more blatant imagery. I have been compiling war words that we use daily, and I’ll start sketching off those, from there I’ll probably end up in mixed media experimentation and move into digital. I work with both screen and digital prints, but the designs always go through the computer before they get there. Digital design is definitely one of the late great discoveries of my life. I use my prints in my clothing and in my resin jewellery, I am very hands-on.

Which part of the creative process is your favourite and why?

I love colour mixing when I screen print. I don’t really plan ahead I just go in with an open mind and play. I was also pretty surprised to discover how much I love the minutiae of digital design and getting right into the pixels to create repeats. It’s a secret language. There’s lots to enjoy.

What would your dream creative project look like?

The day I get the phone call from Romance Was Born to collaborate on a range….that will be a pretty great day. (Just to be clear, they can also email me)

Which other Australian designers, artists or creative people are you enjoying?

I am thoroughly enjoying the work of Haus of Dizzy and Doodad and Fandango– they are both forging great paths in sticking it to the patriarchy, all while looking awesome. The rise of dressing for yourself is something that really appeals to me and my customers.

In another life what natural talent would you wish for?

I would love to write raunchy high-society books like Jackie Collins and Rebecca Chance. Maybe I still will….

Love your Locals:

City/Town/Village where you currently reside:

Dulwich Hill (Sydney’s hipster Inner West)

Favourite spot for a bite:

IKEA, not a popular choice I know but I get really freaked out by how obsessed people are with “good’ coffee or things served on wooden boards.

Secret Inspirational spot:

I love the run-down and industrial, behind my house there is a derelict lot that has lots of tire piles, runaway bamboo and fabulous rusty things. It’s being demolished bit by bit (there was an amazing old warehouse I could sketch in and spray paint on) but for now it still a bit of a secret garden of crap that I can enjoy.

You can follow what Lara is upto: Website, Instagram, Facebook

Simple Repeat Pattern Tutorial For Beginners

It would be safe to say that most of us are creative, we might love to doodle, paint, and create collages. Whilst these are all wonderful and inventive practices, what if you wanted to start developing these crafts into textile designs but didn’t have the digital design software skills to get your file prepared for fabric printing. What we would say is “learn it’! Learn digital textile design in small bites. Start slowly, from converting your art into a digital format and getting to know basic Photoshop tools. Everything new can be overwhelming, but if you take one step at a time and slowly build your confidence, you will get the hang of it in no time. Below are some simple steps that will help you prepare your art for digital seamless repeat printing.

DIGITIZING – CONVERTING YOUR ART INTO A DIGITAL FORMAT

Start with an artwork painted onto a flat, one colour background that surrounds the artwork. For this tutorial we used a simple white plain background for the purpose of being easy, but any colour is fine.

To convert your artwork into a digital format you need to scan or photograph the artwork. Scanning at a resolution of 300 dpi is preferred. However, if you don’t have a scanner, photograph your artwork laid out flat, indoors with plenty of light (natural day light if best), holding the camera directly above the artwork, making sure there are no shadows of any kind interfering with the artwork.

CLEANING – DELETING UNWANTED ELEMENTS FROM AN ARTWORK

Open your artwork in Photoshop by selecting MAIN MENU > FILE > OPEN > CHOOSE YOUR ARTWORK FILE.

Using MARQUEE TOOL select the object or image that you want to repeat.

Now let’s bring the artwork or image that you want to repeat into a new document so you can start playing with it. While MARQUEE TOOL selection is active, (this will appear as ants running around the selected area) go to MAIN MENU > EDIT > COPY to copy selected area and FILE > NEW to open new document. NOTE: Photoshop is a very smart software. The area that you have selected will now determine the file size of the new document being opened. Click OK.

Whilst in the newly opened document select MAIN MENU > EDIT> PASTE to bring your selected artwork into the new document. It should paste by default in the middle of the new document fitting artwork well within the new document space. Nothing should be cropped out or hidden from view.

Now to clean your artwork. If your white background is slightly messy or the texture of the paper is visible, you will need to clean this up, since whatever you see on the screen will be printed onto fabric. To quickly ‘deep-etch’ or in other words ‘clean-up’, select the layer that you just brought in. Then select the MAGIC WAND TOOL. Change the tolerance to low (we selected a tolerance measure of ‘4’ but you might need to adjust this number as it is based on your artwork). Tolerance is the rate at which the same or similar colours are selected when using the MAGIC WAND TOOL. The higher the tolerance the more of that colour will be found and therefore selected within the artwork.

Make sure the CONTIGUOUS box is ticked, this will ensure that only space around your artwork is being selected, and not that which is inside or a part of the drawn objects. Now once everything is prepared for selection click on the white background to select it. You can see on the image below that only the white background area is selected. While it is selected hit the DELETE button on your keyboard. This will remove the white selected background.

As you can see there is a little bit of another flower peaking through on the left side. Lets clean this up by using the simple ERASER TOOL. You can adjust the size of the eraser as needed at the top left of the screen. You can make the background layer invisible (this will then appear as little white and grey squares as seen below) to check that you have cleaned up all of the image. Simply zoom in to check the edges of your artwork and any potential unwanted marks left behind.

ADJUSTING COLOURS

The image is now clean, but colour wise the artwork is not strong enough. To brighten and intensify the colours of the image select MAIN MENU > IMAGE > AUTO CONTRAST.

You are almost done! To flatten your image select MAIN MENU > LAYER > FLATTEN IMAGE. All layers have now merged into one. Save the image as a JPG high quality file MAIN MENU > FILE > SAVE AS > SAVE.

Now you are done and ready to upload your file to print on to a fabric of your choice!

REPEATING A PATTERN USING OUR FABRIC UPLOADER

Open the Fabric Uploader page.

Drag & Drop your image or click on the SELECT button to upload your ready to print artwork. Once your file is uploaded, you’ll be able to see it in the fabric preview window. You can scale your artwork up or down, simply by typing in and adjusting the artwork to the size you want. Keep an eye on the DPI! This is the resolution and quality of your file. If your artwork is low resolution and is scaled up, the print result can be blurry.

Next step is to choose your Repeat type. This is the fun part! Play around with the different options and see how the variations impact your artwork in the preview window. Compare how the different options distribute your artwork across the width and the length of the fabric. Pick the one that suits your design idea best!

FULL DROP REPEAT

MIRROR REPEAT

Choose how many meters you wish to print simply by typing it into the quantity box and then select the fabric you want to print on. Remember that each fabric stock has a different width so be sure to check that the fabric you choose meets your needs.

P.S. This tutorial is designed to be very basic. If you are still struggling to prepare your artwork files, we recommend you attend one of the workshops on offer at our Digital Textile Design School to help you nail those Photoshop basics!

Snippets: Chats With Creatives – Series 1, Snippet 9

Today on Snippet’s we are talking to Sara Johnson, the artist behind ‘Travelling Alice’ a printmaker based in Sydney who designs and prints her own fabric before making it into unique accessories.

The Snippety Snips:

Tell us a bit about yourself and what your creative practice is, how and when you began:

Travelling Alice is a range of hand printed travel accessories, made in my Sydney Studio.

I studied Fine Arts just out of High School as I just wanted to Draw, while there I learnt Printing (wow ) I could turn my drawings into prints.

At nineteen I got the opportunity to volunteer in India for three months, and this is where my love of fabrics and Crafts came from and of course my travelling obsession began, seeing all these amazing artist, crafts people. Traveling Alice Started from a need to make light weight and colourful travel accessories for myself and friends. I am such an organised traveller I like to pack things so they are easy to find but of course they have to look good as well.

Which part of the creative process is your favourite and why?

Drawing drawing and drawing. My Mum is a sign writer so I have always been around pencils, pens and brushes my whole life so it feels as natural as eating. By the way I have the worst hand writing, so I did not get this talent.

How would you describe your work, and what influences your style?

I design fabric that I can sew into accessories. Travel definitely influences my style and my life. I became obsessed with it when I first travelled to India when I was 19. This was also where my love of Fabrics and pattern came from, you get exposed to colour and patterns, it’s a feast for the eyes.

If you could have your portrait painted by any artist dead or alive, who would you choose?

Louise Bourgeois, that would be amazing and fun, she was known for her Sculptures but I love her printmaking. Louise Bourgeois was also known for her dry humour so we could have a laugh at the same time.

Love your Locals:

City/Town/Village where you currently reside:

Sydney South

Favourite spot for a bite:

I am a Coffee lover so food is a second thought so my favourite place to get coffee is White Horse Coffee in Sutherland

Secret Inspirational spot:

To be honest I find inspiration anywhere and anytime of the day or night. I have numerous note books so I can quickly write the inspiration down.

You can follow what Sara is upto: Website, Instagram, Facebook

Check your artwork repeats seamlessly with Offset Filter in Photoshop.

Open your file in Photoshop. Main menu > File > Open
Check size of your image. Main menu > Image > Image size. Take note of the pixel dimension (PX) at the full resolution size.

Change the resolution to half of its value and take note of the changed pixel dimension. Keep these numbers handy as you will need them to offset your artwork. Don’t click OK at this stage, as you don’t want to change the resolution size, you only need the pixel information.

Once you have pixel dimensions noted you can offset and check your file for seamless repeat. Go to Main menu > Filter > Other > Offset. In the open box enter that half pixel values that you have noted down. Select option Wrap Around and tick the Preview option, so you can preview what is happening to your artwork. The side edges of the artwork will now be visible in the middle and the middle will become the sides. In other words the artworks sides got folded into the middle.

If your artwork in not in seamless repeat, you will see it in the middle of your artwork, through vertically and horizontally missed joins and miss matched lines. In some artwork this will not be obvious and you will need to zoom right in to the joining pixels to spot the issue.

When your artwork repeats seamlessly, there is no miss matched lines and elements of the artwork flows seamlessly.

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If you are at the beginning of your textile and surface design journey you might want to consider our workshops and classes on offer or continue learning more online through our available tutorials.

Holiday Break

This year Digital Fabrics will be closed on 22rd of December and re-opened on 8th of January with a skeleton staff, production commencing on the 15th January 2018.

How about if you still want to order fabric? Don’t worry, we will be accepting all online orders during holiday to be printed when we are back in action in 2018.

After the holiday first orders will be due to dispatch on Wednesday the 17th January.

Stay smart during pre-holiday rush, don’t rely on couriers services, they are busy! If possible, arrange a pick-up of your order from our Marrickville studio, we will be happy to say Hi.

CREATE YOUR OWN FABRIC CREATE YOUR OWN CUSHION COVER

To avoid pre-holiday stress and to receive your fabric before Christmas please note super important dates below:

Cut off times, if you require shipping

· 4th December – for Print and Make orders such as cushion covers, banners, scarves etc

· 11th December – All fabric printing orders that needs to be shipped and delivered before holiday. As much as we would love to, we cannot guarantee that orders submitted after this date will reach to you on time before Christmas.

· 12th December – last Express order for fabric printing or Print and Make orders

Orders for delivery, submitted after 15th December more likely to be printed and dispatched in New Year unless it’s an express order.

Pick-up orders cut off time

· 11th December Print and Make orders such as cushion covers, banners, scarves etc

· 15th December fabric printing orders

· 18th December last express order for fabric printing or Print and Make orders.

3 pm is our daily production cut off time, which means, if you placed an order after 3 pm, your order will be rolled over to the next day. Be that just an extra little careful when planning your fabric printing orders.

And as always, if you have any question, we are only a phone call away.

CREATE YOUR OWN FABRIC CREATE YOUR OWN CUSHION COVER

Palm Springs Competition Winner

Thank you to everyone who entered our ‘Palm Springs’ design competition, we had so many great entries and loved all the different design styles and mediums used to create them. It was a difficult decision choosing the winners but we are happy to announce them today!

The top Ten were chosen by you the public :

The team at DF have chosen the following designs as the 1^st, 2^nd and 3^rd prize winners:

1st Prize goes to Tyago BK – This design was inspired by photographs taken of Palm Springs landscape and architecture.

2nd Prize goes to Sandra K Stewart – This design was inspired by it’s shopping district, vintage boutiques and fashionista vibe including the Coachella festival.

3^rd Prize goes to Lang Matkovic – This design was inspired by a pastel coloured palette and the palms of palm springs.

The prizes are as follows:

Tyago BK

1st Prize $250 worth of custom printing and a 45cm x 45cm cushion with the winning design artwork on it.

Sandra K Stewart

2nd Prize $100 of custom printing and a 45cm x 45cm cushion with the winning design artwork on it.

Lang Matkovic

3^rd Prize $50 worth of custom printing and a 45cm x45cm cushion with the winning design artwork on it.

Thank you to everyone who entered, we are always blown away by the talent in the designs. We shall of course do another one next year so keep your eyes peeled.

Stay creative!

DF team.

Palm Springs – Fabric Design Competition

Exciting news! We have a new competition for all Textile designers out there, budding or experienced. The theme is ‘Palm Springs’. We know, fun right?

Create a fabric design for ‘interiors’ or ‘fashion’ inspired by ‘Palm Springs’ using any method you want. This could be photograph, paint, collage, sketch and could be based on colour, texture, architecture or landscape, there are no boundaries. Let your creativity GO WILD!

There will be 3 winners:

1^st Prize will receive $250 worth of custom printing on a fabric from our stock plus a 45cm x 45cm cushion on waratah with their winning design, insert included.

2^nd Prize will receive $100 worth of custom printing on a fabric plus a 45cm x 45cm cushion on waratah with their winning design, insert included.

3^rd Prize will receive $50 worth of custom printing on a fabric plus a 45cm x 45cm cushion on waratah with their winning design, insert included.

All top ten designs will receive a strike-off of their design.

How it works:

Create it. Design it. Share it! Get your friends to share it too.

Why?

The top 10 designs will be voted for by the public, so share your designs with your friends, get them voting for you!

From the Top 10, there will also be one public voted winner, this will be the design that gets the most likes and the prize will be one 45cm x 45cm cushion with their design. Yay!

The competition will open on Saturday 21st October and close on Thursday 16^th November at 9am Eastern Standard Time. All voting will close at 9am Eastern Standard Time Monday 20th November.

Top 10 will be announced on Monday 20th November on social media and will be featured on our website.

Winners will be announced on Friday 24^th November.

Rules:

Upload your design onto your Instagram account.
Add the tag: #dfpalmsprings and tag us: Digital Fabrics @digitalfabrics so we can find your entry! If you don’t use the correct hash tag we may not see your design.
We love to know the story behind the design and what inspired you so tell us everything!

All designs must be submitted by Thursday 16th November 9am Eastern Standard Time to be included in the competition.

Just a little inspiration for you to enjoy:

Terms and conditions:

This competition for Australian residents only.

Please use the correct hashtag to be included: #dfpalmsprings and tag us @digitalfabrics to ensure we can see your entry.

Only entries with the correct hashtag #dfpalmsprings will be in the running of the competition.

Unlimited entries allowed.

The team at Digital Fabrics will choose the finalists.

The winning prize can be used for one fabric type only from our stock fabric collection.

The 45cm x 45cm cushion will be printed front and back and mailed to you.

We can’t wait to see all the designs!

DF Team

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Snippets: Chats With Creatives – Series 1, Snippet 4

Today on Snippet’s we are talking to Gabby Malpas, an artist with a flair for painting detailed still life of Australian grown flora and fauna with a hint of what Gabby calls ‘chinoiserie.’

The Snippety Snips:

Tell us a bit about yourself and what your creative practice is, how and when you began:

I’m Chinese, I was born in NZ and adopted into a white family of 9 children making me #10. I trained as a potter in Dunedin, after Art school I started using inks and watercolour on paper – as it is very much like liquid glaze. I left NZ in 1988, lived in the UK until 2003 and arrived in Sydney later that year. I’ve been a professional artist since late 2014 but exhibited and painted the whole way through since leaving art school.

I’ve been a digital project manager in agency and corporate since around 1992 – girl’s gotta eat and pay for holidays! These days I license my work, exhibit regularly, work with clients on creative stuff and get involved in a lot of adoption and community causes.

I am still learning how not to be a dick.

Which five words best describe you?

Most can’t be repeated in public but how about: scary, mad, loyal, loud, and dependable.

How would you describe your work, and what influences your style?

My work is figurative watercolours. It has been dismissed as purely decorative but a lot of my work actually communicates my life experiences as a trans racial, Chinese adoptee. Some of the messages are a little hard to swallow – which is why I temper these with lavish and engaging imagery. I am influenced by a lot of artists and things: from Paul Klee, Matisse and Elizabeth Blackadder as European artists, to Japanese woodcuts and traditional SE , Central and West Asian imagery, textiles and ceramic designs.

What would your dream creative project look like?
Anything that gives me free rein to do what I like and I get paid for it… hang on – that’s a lot of what I do now.

Which other Australian designers, artists or creative people are you enjoying at the moment?

Well I discovered Cressida Campbell when I got here and she’s my idol but there are a heap of fabulous designers I follow on Instagram and Facebook – I appreciate artists who just do their thang and are not worried about fashion or what’s hot. Oh and I’ve loved Ken Done since 1988 when I went to Brisvegas expo.

What has been your proudest achievement to date, creative or otherwise?

There have been a few: Getting some artwork into Liberty of London in the 90s, getting into the Affordable art Fair Sydney in 2009 was the first step to getting somewhere in Oz but finally calling myself a professional artist in Dec 2014 has got to be up there after nearly 30 years of slog.

In another life what natural talent would you wish for?

It would be infinitely cool to be good at math.

If you could have your portrait painted by any artist dead or alive, who would you choose?

Not one for portraits but would love to see what Robert Crumb would do.

If you could only use one colour in your work what would it be?

PINK!

Love your Locals:

City/Town/Village where you currently reside:

Alexandria Sydney – yep, a local

Favourite spot for a bite:

Fratelli Fresh, Mitchell Road or Tuki Kanuki Erko. Fave pho place is Phd in Marrickville

Secret Inspirational spot: can I have 3?

The Asian Galleries at the AGNSW, the lotus pond in the botanic gardens and Kinokunya bookshop though I wish they’d let you sit on the step stools.

You can follow what Gabby is upto: Website, Instagram, Facebook

Snippets: Chats With Creatives – Series 1, Snippet 3

Today on Snippet’s we are talking to Darren Church, graphic designer behind ‘Raw Inc’ a street design division based in Australia. Inspired by graffiti and street culture they design and create unique apparel, cushions and accessories.

The Snippety Snips:

Tell us a bit about yourself and what your creative practice is, how and when you began:

I’m currently based out in Penrith in Sydney’s lower Blue Mountains, but personally I enjoy the days out into the city and other areas I have to go, walking between stores and checking out what’s new on the streets in the graffiti scene catching up with shop owners.

How would you describe your work, and what influences your style?

I base 99% of our designs around graffiti and the classic sneaker culture, and we’re all about bold clean lines with fresh colours, using illustrations and different elements in photographs to create for that next cushion design. It’s our little niche and very different to what is out there in the industry.

We find people can relate to our different types of cushions, by bringing out what they grew up with a twist and purely for the love of the novelty of the item. We get contacted all the time by paint companies asking when are we going to do a cushion of their design.

What does a typical day look like for you?

Always finding myself sketching up new designs and redrawing artwork ready for print for clients. And always hunting around Sydney fabric stores to find that perfect fabric to match artwork being printed. Cutting and sewing up fabric for those store orders.

It does get chaotic sometimes and a little stressful but very satisfying and it’s worth it in the end to see people loving the products.

What has been your proudest achievement to date, creative or otherwise?

After many years of Managing retail stores here in Sydney and while living in the UK for 10 years, I got to the point of having enough and had to do something I enjoyed. So I studied Diploma in Graphic Design and a quick 12 month course in Screen Printing and realized I had so much to artwork and ideas I could do.

Now I have people coming up to me here in Sydney and in other states, that don’t even know me and treat me with a lot of respect. When we get emails weekly from European and US stores asking for order forms, it makes your day.

Tell us something people may not know about you

I’ve been doing graffiti since the late 80’s and I like to combine the elements and influences into my work and whilst living in the UK I studied fashion and design for 2 years. It really opens up your eyes to how things are designed and so easily produced.

Love your Locals:

City/Town/Village where you currently reside:

Sydney West

Favourite spot for a bite:

I don’t really have a favourite food spot, I like to try new things all the time and sometimes catch up with friends for lunch or drinks and talk about new projects and ideas.

Secret Inspirational spot:

I’m always out and about in the city. I like to walk around the city and look at all the different graffiti, art, stickers, advertisements and t-shirts people wear, I carry around a little sketch book and I’m always stopping and sit down somewhere doodling ideas down.

You can follow what Darren is upto: Website, Instagram, Facebook

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Snippets: Chats With Creatives – Series 1, Snippet 2

Today on Snippet’s we are talking to Jasmin Owen, the designer behind Jazminbell, a homewares brand that designs and creates heat packs from fabrics she designs and prints.

The Snippety Snips:

Tell us a bit about yourself and what your creative practice is, how and when you began:

Hi there, my name is Jasmin Owen and I am the founder of the jazminbell® brand. The dream of running my own business all started at the age of 4 when I decided that I would work within Australia’s creative industry. After completing my design degree I went on to deliver my products to the world. I never realised how much there is to learn in the world of business and it has been the most amazing journey.

Jazminbell® began as a homewares brand, offering a unique range of cushion covers. With a pile of scrap fabric I sought to make mini hand warmers and they instantly took within the market. I never really saw success until I took the brave initiative to turn the business into a cold/heat pack brand and it has thrived ever since. It is hard to imagine now that it all began with tiny hand warmers – That is the incredible and unpredictable journey of business, I guess!

Working with Digital Fabrics has given me the opportunity to deliver a unique range of textile designs for my products and also create a relationship with another local business within the Australian industry.

Which five words best describe you? Quirky, happy, bright, inspirational, goal-digger.

Which other Australian designers, artists or creative people are you enjoying at the moment? I am forever inspired by the creative practice of Nicola Cerini. Her beautiful studio and printed textiles are so inspirational for me and what I do.

What has been your proudest achievement to date, creative or otherwise? Completing a Bachelor of Design Arts and Graduate Certificate in Accounting, bringing the most wonderful daughter into the world and having the opportunity to work on my business and have the freedom of my own career.

If you could only use one colour in your work what would it be? Pink!

Love your Locals:

City/Town/Village where you currently reside: Canberra, Australia

Favourite spot for a bite: Canberra Yacht Club

Secret Inspirational spot: Lake Burley Giffin

You can follow what Jasmin is upto: Website, Instagram, Facebook

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Tag Archives: custom fabric

Snippets: Chats With Creatives – Series 1, Snippet 10

Simple Repeat Pattern Tutorial For Beginners

Snippets: Chats With Creatives – Series 1, Snippet 9

Check your artwork repeats seamlessly with Offset Filter in Photoshop.

Holiday Break

Palm Springs Competition Winner

Palm Springs – Fabric Design Competition

Snippets: Chats With Creatives – Series 1, Snippet 4

Snippets: Chats With Creatives – Series 1, Snippet 3

Snippets: Chats With Creatives – Series 1, Snippet 2

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