Tag Archives: custom fabric

Palm Springs – Fabric Design Competition

Exciting news! We have a new competition for all Textile designers out there, budding or experienced. The theme is ‘Palm Springs’. We know, fun right?

Create a fabric design for ‘interiors’ or ‘fashion’ inspired by ‘Palm Springs’ using any method you want. This could be photograph, paint, collage, sketch and could be based on colour, texture, architecture or landscape, there are no boundaries. Let your creativity GO WILD!

There will be 3 winners:

1^st Prize will receive $250 worth of custom printing on a fabric from our stock plus a 45cm x 45cm cushion on waratah with their winning design, insert included.

2^nd Prize will receive $100 worth of custom printing on a fabric plus a 45cm x 45cm cushion on waratah with their winning design, insert included.

3^rd Prize will receive $50 worth of custom printing on a fabric plus a 45cm x 45cm cushion on waratah with their winning design, insert included.

All top ten designs will receive a strike-off of their design.

How it works:

Create it. Design it. Share it! Get your friends to share it too.

Why?

The top 10 designs will be voted for by the public, so share your designs with your friends, get them voting for you!

From the Top 10, there will also be one public voted winner, this will be the design that gets the most likes and the prize will be one 45cm x 45cm cushion with their design. Yay!

The competition will open on Saturday 21st October and close on Thursday 16^th November at 9am Eastern Standard Time. All voting will close at 9am Eastern Standard Time Monday 20th November.

Top 10 will be announced on Monday 20th November on social media and will be featured on our website.

Winners will be announced on Friday 24^th November.

Rules:

Upload your design onto your Instagram account.
Add the tag: #dfpalmsprings and tag us: Digital Fabrics @digitalfabrics so we can find your entry! If you don’t use the correct hash tag we may not see your design.
We love to know the story behind the design and what inspired you so tell us everything!

All designs must be submitted by Thursday 16th November 9am Eastern Standard Time to be included in the competition.

Just a little inspiration for you to enjoy:

Terms and conditions:

This competition for Australian residents only.

Please use the correct hashtag to be included: #dfpalmsprings and tag us @digitalfabrics to ensure we can see your entry.

Only entries with the correct hashtag #dfpalmsprings will be in the running of the competition.

Unlimited entries allowed.

The team at Digital Fabrics will choose the finalists.

The winning prize can be used for one fabric type only from our stock fabric collection.

The 45cm x 45cm cushion will be printed front and back and mailed to you.

We can’t wait to see all the designs!

DF Team

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Snippets: Chats With Creatives – Series 1, Snippet 4

Snippets’. Chats with Creatives. Here at Digital Fabrics we love everything print, pattern and colour and we love to know what makes designers tick. This series is all about asking some fun and different questions and learning about the inspirations and ideas behind the artist and their work. We hope to inspire others by sharing snippets of these creative stories. We gave the artists and designers featured a varied list of questions to choose from so we will learn something new from everyone involved, should be fun!

Today on Snippet’s we are talking to Gabby Malpas, an artist with a flair for painting detailed still life of Australian grown flora and fauna with a hint of what Gabby calls ‘chinoiserie.’

The Snippety Snips:

Tell us a bit about yourself and what your creative practice is, how and when you began:

I’m Chinese, I was born in NZ and adopted into a white family of 9 children making me #10. I trained as a potter in Dunedin, after Art school I started using inks and watercolour on paper – as it is very much like liquid glaze. I left NZ in 1988, lived in the UK until 2003 and arrived in Sydney later that year. I’ve been a professional artist since late 2014 but exhibited and painted the whole way through since leaving art school.

I’ve been a digital project manager in agency and corporate since around 1992 – girl’s gotta eat and pay for holidays! These days I license my work, exhibit regularly, work with clients on creative stuff and get involved in a lot of adoption and community causes.

I am still learning how not to be a dick.

Which five words best describe you?

Most can’t be repeated in public but how about: scary, mad, loyal, loud, and dependable.

How would you describe your work, and what influences your style?

My work is figurative watercolours. It has been dismissed as purely decorative but a lot of my work actually communicates my life experiences as a trans racial, Chinese adoptee. Some of the messages are a little hard to swallow – which is why I temper these with lavish and engaging imagery. I am influenced by a lot of artists and things: from Paul Klee, Matisse and Elizabeth Blackadder as European artists, to Japanese woodcuts and traditional SE , Central and West Asian imagery, textiles and ceramic designs.

What would your dream creative project look like?
Anything that gives me free rein to do what I like and I get paid for it… hang on – that’s a lot of what I do now.

Which other Australian designers, artists or creative people are you enjoying at the moment?

Well I discovered Cressida Campbell when I got here and she’s my idol but there are a heap of fabulous designers I follow on Instagram and Facebook – I appreciate artists who just do their thang and are not worried about fashion or what’s hot. Oh and I’ve loved Ken Done since 1988 when I went to Brisvegas expo.

What has been your proudest achievement to date, creative or otherwise?

There have been a few: Getting some artwork into Liberty of London in the 90s, getting into the Affordable art Fair Sydney in 2009 was the first step to getting somewhere in Oz but finally calling myself a professional artist in Dec 2014 has got to be up there after nearly 30 years of slog.

In another life what natural talent would you wish for?

It would be infinitely cool to be good at math.

If you could have your portrait painted by any artist dead or alive, who would you choose?

Not one for portraits but would love to see what Robert Crumb would do.

If you could only use one colour in your work what would it be?

PINK!

Love your Locals:

City/Town/Village where you currently reside:

Alexandria Sydney – yep, a local

Favourite spot for a bite:

Fratelli Fresh, Mitchell Road or Tuki Kanuki Erko. Fave pho place is Phd in Marrickville

Secret Inspirational spot: can I have 3?

The Asian Galleries at the AGNSW, the lotus pond in the botanic gardens and Kinokunya bookshop though I wish they’d let you sit on the step stools.

You can follow what Gabby is upto: Website, Instagram, Facebook

Snippets: Chats With Creatives – Series 1, Snippet 3

Today on Snippet’s we are talking to Darren Church, graphic designer behind ‘Raw Inc’ a street design division based in Australia. Inspired by graffiti and street culture they design and create unique apparel, cushions and accessories.

The Snippety Snips:

Tell us a bit about yourself and what your creative practice is, how and when you began:

I’m currently based out in Penrith in Sydney’s lower Blue Mountains, but personally I enjoy the days out into the city and other areas I have to go, walking between stores and checking out what’s new on the streets in the graffiti scene catching up with shop owners.

How would you describe your work, and what influences your style?

I base 99% of our designs around graffiti and the classic sneaker culture, and we’re all about bold clean lines with fresh colours, using illustrations and different elements in photographs to create for that next cushion design. It’s our little niche and very different to what is out there in the industry.

We find people can relate to our different types of cushions, by bringing out what they grew up with a twist and purely for the love of the novelty of the item. We get contacted all the time by paint companies asking when are we going to do a cushion of their design.

What does a typical day look like for you?

Always finding myself sketching up new designs and redrawing artwork ready for print for clients. And always hunting around Sydney fabric stores to find that perfect fabric to match artwork being printed. Cutting and sewing up fabric for those store orders.

It does get chaotic sometimes and a little stressful but very satisfying and it’s worth it in the end to see people loving the products.

What has been your proudest achievement to date, creative or otherwise?

After many years of Managing retail stores here in Sydney and while living in the UK for 10 years, I got to the point of having enough and had to do something I enjoyed. So I studied Diploma in Graphic Design and a quick 12 month course in Screen Printing and realized I had so much to artwork and ideas I could do.

Now I have people coming up to me here in Sydney and in other states, that don’t even know me and treat me with a lot of respect. When we get emails weekly from European and US stores asking for order forms, it makes your day.

Tell us something people may not know about you

I’ve been doing graffiti since the late 80’s and I like to combine the elements and influences into my work and whilst living in the UK I studied fashion and design for 2 years. It really opens up your eyes to how things are designed and so easily produced.

Love your Locals:

City/Town/Village where you currently reside:

Sydney West

Favourite spot for a bite:

I don’t really have a favourite food spot, I like to try new things all the time and sometimes catch up with friends for lunch or drinks and talk about new projects and ideas.

Secret Inspirational spot:

I’m always out and about in the city. I like to walk around the city and look at all the different graffiti, art, stickers, advertisements and t-shirts people wear, I carry around a little sketch book and I’m always stopping and sit down somewhere doodling ideas down.

You can follow what Darren is upto: Website, Instagram, Facebook

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Snippets: Chats With Creatives – Series 1, Snippet 2

Today on Snippet’s we are talking to Jasmin Owen, the designer behind Jazminbell, a homewares brand that designs and creates heat packs from fabrics she designs and prints.

The Snippety Snips:

Tell us a bit about yourself and what your creative practice is, how and when you began:

Hi there, my name is Jasmin Owen and I am the founder of the jazminbell® brand. The dream of running my own business all started at the age of 4 when I decided that I would work within Australia’s creative industry. After completing my design degree I went on to deliver my products to the world. I never realised how much there is to learn in the world of business and it has been the most amazing journey.

Jazminbell® began as a homewares brand, offering a unique range of cushion covers. With a pile of scrap fabric I sought to make mini hand warmers and they instantly took within the market. I never really saw success until I took the brave initiative to turn the business into a cold/heat pack brand and it has thrived ever since. It is hard to imagine now that it all began with tiny hand warmers – That is the incredible and unpredictable journey of business, I guess!

Working with Digital Fabrics has given me the opportunity to deliver a unique range of textile designs for my products and also create a relationship with another local business within the Australian industry.

Which five words best describe you? Quirky, happy, bright, inspirational, goal-digger.

Which other Australian designers, artists or creative people are you enjoying at the moment? I am forever inspired by the creative practice of Nicola Cerini. Her beautiful studio and printed textiles are so inspirational for me and what I do.

What has been your proudest achievement to date, creative or otherwise? Completing a Bachelor of Design Arts and Graduate Certificate in Accounting, bringing the most wonderful daughter into the world and having the opportunity to work on my business and have the freedom of my own career.

If you could only use one colour in your work what would it be? Pink!

Love your Locals:

City/Town/Village where you currently reside: Canberra, Australia

Favourite spot for a bite: Canberra Yacht Club

Secret Inspirational spot: Lake Burley Giffin

You can follow what Jasmin is upto: Website, Instagram, Facebook

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Snippets: Chats With Creatives – Series 1, Snippet 1

Today on Snippet’s we are talking to Shyanne Clark, the swimwear and textile designer behind ‘Printsea’ a print design brand who love to spread sparkle and magic and inspire others to do the same.

The Snippety Snips:

Tell us a bit about yourself and what your creative practice is, how and when you began:

I’ve been a textile fabric designer for the past 5 years. My style is very mermaidy and I love tropical florals, so my business PRINTSEA has naturally progressed to helping bikini designers find their signature style and launch beautiful labels.

I am such a cheerleader for people doing what they truly love, the things that make them all sparkly inside. I was always that kid that didn’t know what I wanted to be when I grew up, I didn’t fit in one of the boxes. I think it’s because I didn’t know this job existed or how all my talents could come together to be something. I adore what I do so much and its always growing and changing me. I feel so grateful that I listened to my heart and followed its windy path, you learn so much along the way and I would love that for everyone. I get giddy just thinking about it.

At the moment I’m creating a signature range of beautiful hand designed, high vibrational pieces. There is such magic in colour and creativity. My hope is that each piece will add a little extra sparkle to your day and that owning a piece will feel like a precious treasure that brings you many heart swelling, quiet smiles and inspires your soul.

What would your dream creative project look like?

I’ve actually got a bit of a fascination with creating a print that would cover a whole aeroplane. Could you imagine a giant bunch of gorgeous flowers flying through the sky. Instant happiness I reckon. I wonder if Richard Branson would let me print wrap a Virgin plane for fun?

In another life what natural talent would you wish for?

I’m pretty much tone deaf, sometimes I’ll sing + scare myself with how out of tune I am. I have always admired people that can make your heart swell with emotion from their singing voice. I’ve secretly wished that I could do this, but in saying that, I wouldn’t want to trade my talent of drawing flowers. Can I have two natural talents?

Which part of the creative process is your favourite and why?

I absolutely love the moment when the inspiration strikes + your imagination goes all bright + sparkly. You can’t wait to birth this creation that’s swirling around inside. It’s just such a rush of ecstatic excitement. I love that part. The finished piece is pretty amazing too, but the journey is the best.

Which other Australian designers, artists or creative people are you enjoying at the moment?

I adore Annie Everingham. Her paintings evoke so much feeling. They are so happy and beautiful. I could stare at their gorgeousness for hours.

Love your Locals:

City/Town/Village where you currently reside:

I live on the beautiful Sunshine Coast, some people say, it’s like what Byron Bay was 20 years ago.

Favourite spot for a bite:

There is a gorgeous cafe at Rosemount called ‘GURU Life.’ The brother sister team roast their own beans + it truly is enlightenment in every cup, they have delicious raw treats and the staff are super friendly.

Secret Inspirational spot:

Well if I told you, it wouldn’t be a secret! … I actually adore the Noosa National Park, it’s a stunning feast for your eyes and soul (and a good workout if you walk all 8kms.) On a great day you’ll see turtles, whales + koalas.

Feeling inspired by Printsea to start a swimwear brand? You can buy her E book here. AND she is currently running a promo where you can purchase 1 print and get one for free with the code: PRINTME until August 17^th, then you can print it onto lycra here at Digital Fabrics and start YOUR creative journey.

You can follow what Printsea is upto: Website, Instagram, Facebook.

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Colourful Bunch by Sharon Wilson

Not going to lie it’s very nice getting sweet notes of appreciation from our customers, but more than anything we love receiving photos of makes and completed projects. We just love seeing what fabrics that we have printed has become. Sharon Wilson surprised us recently with images of her amazing colourful creations, box pleated skirt & boxer shorts, she used her photo to create this beautiful floral fabric. Her honest feedback and tips and tricks on working with Aerocorp fabric are truly appreciated and we are sure will be really helpful and inspiring to other sewers. Here is what Sharon wrote:

About 7 years ago I took a digital photo of this colourful bunch of flowers in Switzerland. After seeing what Digital Fabrics could offer with their range of fabric types, I couldn’t wait to order the Aerocorp fabric and make a knee length box pleated skirt with waist yoke. It turned out beautifully and there was even enough remnant to make a pair of boxer shorts .

I found the Aerocorp not difficult to work with. As the website said, it did have a soft handle and cotton look and feel, however it was resilient, as 100% polyester is, but with a good press, it is easy to tame into place or make a crisp line where necessary.
Aerocorp fabric has a tendency to unravel immediately after being cut. So don’t over handle it, and make sure that raw edges are tamed as soon as possible.
The skirt has a lovely drape and swing to it.
I probably would not make a top out of it unless it was for a cooler climate and a dressier look.
If the print is very busy (as this one was) you could even possibly get away with not ironing it – great for traveling.

The fabric order delivery was on time and well packed. Inside was also a sample pack which I really appreciated because sewers really need to feel a fabric to gain good judgement on what to use. I would definitely recommend this service and am tempted to order again some time in future.

If you are like Sharon have a creative project in mind and would like to print your own fabric, you can upload your design and start creating right away here.

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Create a strong identity for your brand through Fabric Print and Design

We live in a hyper-visual world, where imagery dictates your rating. The increasing need to have a positive impact on sales especially high in a vast and competitive design world.

That is why print design is becoming an increasingly utilised tool in any designer’s tool kit, be it swimwear, stationery, fashion, brand or home wears designer. Print designs, surface design, patterns they called different but carry same purpose, is to capture people’s interests in instant, unifies the design collection and creates point of difference from other brands.

For example Tigerlily always been known for they boho and travel inspired prints and easily recognised in Australian fashion market.

Say, We Are Handsome and beautiful swimwear with stunning photographic print design are evoked.

But what if to take print and fabric a bit further? Doesn’t this collaboration open more door? There are so many ideas and product that can be created with using fabric as a base medium. Don’t think of a fabric as a cloth on a roll.

Would be a wedding invention a luxurious idea to make your invitees fill extra special and setting the tone of your weeding?

Fabric packing is very unique concept too, wrap your product, or even how about envelops or business cards?

To archive all the above ideas is a breeze now days. We live in the new era of digital printing technologies. Fast, cost efficient, ecofriendly they opens doors to the craziest creative projects!

That is why we are in love with digital fabric printing!

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Design Your Own Leggings – How to prepare legging pattern for fabric printing in Illustrator

Garment making and production can be daunting and a complicated process especially placement or engineered printing. A lot of time and effort goes into research and understanding where to start. We have put together tutorials on how to design, work with and prepare legging pattern for digital placement fabric printing. For this tutorial you need to be proficient in Illustrator or at least have basic knowlage. Our tutorial is based on industry standards. This technic can be applied to printing other products such as bikinis, t-shirts, singlets , dresses etc.

How to prepare legging pattern for digital fabric printing in Illustrator

Open the PDF file in Illustrator. You can purchase our digital leggings pattern on our website or use your own.

The top left square will help you determine if the scaling of your patterns are correct, this square should always be 10x10cm.

Select the size you’d like to have printed (we have selected size 10) and while holding shift also select the scale square. Copy selection

You’ll now have to create a new document. Make sure to set up to the width of the fabric (we’ve chosen to proceed with matte Lycra which as a printable width of 147cm) x the length of the print, this size legging will not exceed the 1 metre.

Paste the pattern piece and square scale into new artboard. The left and right hand side is where the selvage of your fabric will be, make sure you always keep the grain line (line within Patten) parallel to the selvage.

You can now double check the square scale which should remain 10x10cm and delete or move off the artboard and position the legging where you’d like.

Rotate your leggings so that they are the right way up, make sure that the centre line (grain line) is always parallel to the selvage (left and right sides of your artboard). Select the pattern including all notches details and grain line and rotate while holding down the shift key to ensure it rotated exactly how you need it.

To make a pair, copy this leg pattern by selecting the shape of the pattern and once selected go to Object>transform>reflect and select vertical Axis and click copy.

You now have a pair.

You can now delete the grain line and text, but keep all notches, you will need them for making. For this tutorial we’ve left the text from one of the legs to print, if you are thinking about printing several sizes it will very helpful to have this information next to each size to avoid confusion. Notches are the little nicks which are around the patterns which will help when constructing the leggings.

Copy all notches and paste into new layer for later use. Make sure you select all notches and if for any reason you are moving the legging pattern make sure you select the notches layer so that they move together.

Open up the design you would like to use, make sure the design has been setup slightly larger than the legging pattern size roughly 110cm long x 65cm wide and copy and paste into the artboard.

Select design >object>arrange>send to back.

With both the artwork/design and legging pattern selected Object>clipping mask>make. Now you can only see your design in a shape of a leg pattern.

Repeat for other leg.

Select all notches in other layer and change the colour so they become visible.

Group all layers including leggings and notches and centre, your file is now ready to submit to have printed.

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Designing Fabric: How To Make A Repeat Pattern – Full Drop Repeat in Illustrator

Get your math skills ready for this fabric repeat pattern tutorial in Illustrator. We would recommend to start with repeating simple objects first to understand the concept of repeating pattern in Illustrator, once it is understood nothing will stop you to create!

Full Drop Repeat in Illustrator

Either open up an existing illustrator file or begin by developing your vector image that you desire to repeat. We have started with a basic spot, varying the size and colour to add variety and this will form the base of the repeat.

Set up your art board to your desired repeat size. This depends on your end product, but to start off with, work with squares to help with calculations. We have set up my repeat to be 32 x 32 cm. For interested sake, this is a standard rotary repeat set up. Place your initial artwork to the top left corner of the art board, letting it hang over the edge.

Select all objects (sometimes helpful to group them so you don’t miss any when duplicating). Double click on the black selection tool in the tools panel and a dialogue box will appear.

This is how you can move objects an exact amount i.e. the repeat size and know that all objects within that repeat will align perfectly.

First duplicate the selected objects the repeat size down or vertically. This repeat is 32 cm, so they are moved 32 cm vertically.

Make sure the horizontal value is 0. Click COPY.

Now repeat horizontally by selecting both groups of objects along the left side. When in the move dialogue box make sure the horizontal value is the repeat size and the vertical value is 0. Click COPY.

Now is the time to fill in the blank space in the middle with additional objects.

Tip: Lock the three extra sides of the repeat or put them on a separate locked layer so they can be easily deleted in a following step. This may require some more advance knowledge of illustrator, but don’t let this deter you if you are new, it could be helpful in mastering the program! The level of difficulty here will greatly depend on the style and type of original artwork you are using and will call into play several design elements and principles such as space, balance and unity. Watch out for anything that forms a definite line or track mark through your design. You may need to shift or adjust parts of your original artwork to make the repeat work, in which case is can be a good idea to work in layers (with a copy of the original locked) in case you want to jump back to the beginning.

Work towards filling in the edges, duplicating them down/across to the repeat edges, till all you have is the middle to fill.

Continue until you are happy with the flow and feel of the design.

Now delete the three extra sides that were locked or moved to another layer. Then repeat the duplicating sequence with all the added areas/dots of the design. This will help you check anything that may have doubled up or just doesn’t look right in the repeat.

When you are satisfied with your repeat tile, you can set it up for digital fabric printing. Position two repeat tiles (vertically) so they hang over the left side of the art board. Increase the artwork WIDTH to the width of the fabric (in this case 147cm), keep the height of the art board as the repeat size.

Duplicate the selected objects across the width of the art board so it is covered completely. Tip: Once you have used the move tool to move the exact repeat size and clicked copy, ctrl D to duplicate the exact last action.

Save As a PDF. Even though there are objects hanging off the edge of the art board, because they have been moved the exact repeat size, they will all meet up when printed seamlessly. This is now your Full Width Repeat Tile which repeats top and bottom you can use it for digital custom fabric printing.

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Super Easy Baby Blanket DIY

Katy Dee from Letter 11 recently printed custom fleece fabric with us to make comfy baby blanket for her little nephew and shared her creative process with us. Get creative, make your own fleece blanket, its super easy!

You will need:

Custom printed fleece fabric, the beauty of this fabric is that you can make a blanket without using filling or backing fabric. One layer of fabric is enough to get comfy and snuggly. You can order your custom fabric here!
A sewing machine.
Bias Binding, you will need enough to go around the entire blanket. For this a 1.5m x 1m fleece blanket used just over 5m.
Dressmaking pins and scissors.

Cut your custom fleece fabric to the size and shape you want, in tutorial the blanket is 1.5m by 1m which is big and snuggly! A square would also be cute.
Find a spot around half way down the longest length of blanket to start pinning the bias. To pin you fold it naturally in half with the flaps on the inside and wrap it around the blanket pinning all 3 layers together like a sandwich. Carry on pinning the binding all the way to the corner.
Now it’s time to begin sewing…. Using running stitch and the colour thread of your choice, pop the blanket in under the machine foot and do a few back stitches first to secure the bias. Then continue sewing on the inside edge of the binding and down towards the corner following and removing the pins as you sew….
To wrap the bias binding around that corner nice and neatly, fold the corners down to create a diagonal fold and pin this into place. At this point, also pin the binding along the length towards the next corner. Sew slightly into the diagonal fold, stop to rotate the blanket so you can sew another side of the blanket bias and continue to sew all around the fleece blanket.
When you are nearly at the point where you began sewing, do a few backstitches and remove the blanket. Cut the binding neatly so there is just a 4-5 cm length left. Fold this in on itself and pin down into place creating a neat hidden pocket. Now you can pop the blanket back in and sew that last little bit up! Don’t forget to finish with a few backstitches for safety!