Tag Archives: design ideas

Textile Collection Adriatic

August is almost over which means Spring is upon us – and we’ve got longer days and warmer weather on the brain! What better way to get excited for the change of season than launching a brand new collection that celebrates salty hair and sun-kissed skin. Better schedule some time off because we’re taking you on a trip with our Adriatic Collection!

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We were inspired by Ditsy prints for this collection and wanted to reinterpret the style with a more geometric and minimal approach rather than using pretty floral motifs. The process began by hand drawing and painting simple shapes and lines at a really small scale.

The graphic style of the elements which began to emerge pushed this collection into the space of fashion, particularly beachwear. The small scale of the motifs were perfectly suited to the intimate sizing of swimwear garments and has shaped the narrative behind this collection.

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We chose to work with a minimal colour palette which compliments both the refined designs chosen as well as the laid back simplicity of being on vacation. Crisp whites are as much of a focus in this collection as the playful reworking of primary colours. The Adriatic Collection whisks you away with its nods to nautical design and use of timeless colour pairings evoking the sun and sea. We’ve included some reference imagery below to help get those creative juices flowing!

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Whilst we feel the Adriatic Collection is perfect for Summer fashion, there are no limits to how these designs can be used and we would love to know what you think they would be perfect for – so get in touch! The complete range is available in our Fabric Shop now. We hope you are as inspired by it as we are!

Winter Print Palette

One of the joys of Winter is the wardrobe that comes with it! The layering of textures and garments and accessories – oh my! For those who think prints are best saved for Spring & Summer, think again! The layering and clashing of prints is perfectly suited to an outift where more is more.

We thought we’d put the spotlight on a few of our Fabric Shop classics which are perfect textile designs to wear during the cooler months. What ties these designs together is their cool colour palette, a heavy focus on texture and their creation which relied on purely digital techniques and methods of manipulation. Introducing ‘Blue Fall’, ‘Brilliant Cactus’ and ‘The New Check’.

 

Blue Fall

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This dizzying haze of aqua, violet and jade features digital paint brush textures which create a print that feels like an abstract checkered design. We love this contemporary reinterpretation of a winter wardrobe staple.

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Brilliant Cactus

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This graphic print pairs bright and neutral colours to create a design that is both bold and versatile. ‘Brilliant Cactus’ is bursting with energy and is a great example of a deconstructed floral print.

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The New Check

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This geometric print puts a kaleidoscopic spin on a classic red tartan print. This design works well worn on its own, or if you’re feeling adventurous, take some style tips from Fran Fine and pair this with an animal print!

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We’ve popped some inspiration below of similar design styles and print combinations!

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We’d love to know what you think these designs, or any of the others in our Fabric Shop, would be perfect for – so get in touch!

New Cotton Voile Fabric

As many of you know we’ve been out of stock of a Cotton Voile for sometime (sorry) but at last – we have good news! We are very excited to announce we have added a brand NEW Cotton Voile fabric to our Natural Fabrics Fabric Range! Keep reading for more info below as our new Cotton Voile is distinctly different from our older stock fabric, and we think a more premium product!

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Cotton Voile is 100% Cotton and has a maximum printable width of 140cm. This fabric is very similar to muslin, is super-soft and only gets softer after washing! Cotton Voile has an off-white base colour with a touch of warmth, is semi-sheer and has a matte finish. Despite the fabric’s transparency it provides strong colour reproduction when printed and has good colour show-through on the underside of the fabric. When selecting the Cotton Voile please keep in mind that some fading as a result of washing is normal for digital printing on natural fabrics. The fading often gives our natural fabrics a charming and soft ‘worn’ look. Fading can be minimized through the use of cold hand-washing and phosphate free detergent.

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Cotton Voile is a lightweight, 70gsm fabric with no stretch and good drape. The open weave nature of the fabric gives it some give and ensures it is ultra-breathable. The Cotton Voile is an excellent choice for scarves, sheer shirts and blouses, summer dresses, kaftans, baby swaddles, baby clothes and light curtains. We’ve popped some inspiration pics below!

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Sample swatches of the Cotton Voile are available through our Sample Pack Order Form and can be found in our ‘All Stock Super Pack’, ‘Natural Fabrics’ and ‘For the Little Ones’ sample packs. Get in touch to find out if this fabric will be suitable for your next project!

Snippets: Chats With Creatives, Textile Designer Audrey Gachet – Series 3, Snippet 4

Snippets. Chats with Creatives.

Here at Digital Fabrics we love everything print, pattern and colour and we love to know what makes print designers tick.

This series we are focusing on textile designers as our creatives to get into the nitty gritty of the thing we love the most, textiles and surface design! We have asked a different set of questions relative to this and as always we hope to inspire others by sharing snippets of these creative stories.

Today we are chatting to Audrey Gachet a Sydney based textile designer and illustrator who’s love of the beach and nature is reflected in her hand painted watercolour designs. Her work is elegant, classic and contemporary as well as being proudly printed and made in Sydney. She works mainly with fabrics and creates gorgeous textile pieces for the home as well as creating art prints, we love it all and can’t wait to share her inspirations and story below.

You will find her products online here or look out for her at a market, she has previously exhibited at Life Instyle, Makers & Shakers and Finders Keepers.

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Tell us a bit about yourself, your brand/label name what your creative practice is, how and when you began:

I’m Audrey Gachet, I’m a designer and Illustrator based in Sydney.

Growing up in the south west of France, my creative journey started from a very young age, when I used to hang around my mother’s atelier. Being an artist herself, I was influenced by my mother’s art and you would often find me painting and creating all sorts of things in her studio.

After studying Graphic Design & Illustration in Bordeaux and London, my career as a designer really took off when I moved to Australia and worked with Australian brands, creating lifestyle products. I learnt a great deal from them and it allowed me to understand and appreciate the hard work that goes into creating products and developing them.

I created my label in 2018 and launched my first collection of luxurious homewares and fashion accessories, which I now sell online and in various boutiques across Australia.

Like many designers, sustainability is important to me. I wanted to make sure that I created designs that don’t impact negatively on the environment and I also wanted to choose natural fibres that don’t require much energy to produce and that are renewable.

The other important point to me was working with local businesses to bring my product to life, so all of my designs are hand-made by artisans in Sydney. I work with a local digital printer and maker to ensure the heart and soul of my work is translated in every product.

Audrey_Gachet_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_3Where do you call home and what is your favourite thing about where you live?

Sydney is now my home. Living close to Sydney’s magnificent beaches and botanical beauties, I feel deeply inspired by the Australian lifestyle – nature informs a big part of my work. Having grown up in the French countryside, I’ve always been drawn to the simple and authentic aesthetic, so there is always a bit of France injected into my work.

What 3 words best describe your creative style.

Raw, Organic, Delicate

Audrey_Gachet_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_9What led you to Textile design and what is your favourite thing about working with fabrics and/or print? 

I have been interested in textile design from a very young age. I learnt to sew and started designing my own clothing, bags and homewares such as cushions for my student apartment.

As a designer now, working with fabric and prints allows me to continue to indulge that love for colour and texture. Being able to create a tactile experience, for example by pairing interesting fabrics together, is something I really enjoy doing. It’s very important to me to generate a sense of visual envy and of wanting to touch and feel the final product.

Audrey_Gachet_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_8Tell us about how you get your creative juices flowing, what is your process? Do you have a source of inspiration you want to share with us?

The creative process – giving life to an idea – really excites me more than anything. Taking inspiration from my everyday life, I am quite drawn to colour combinations and texture. Whether it’s from what I see in the streets, from books, in exhibitions, on social media, or along my travels – everywhere you look there is inspiration! As a creative it is important to observe everything around you and be open to all forms of art, not just your own niche.

Do you have a favourite medium and/or method to work with, if so what is it and why?

I enjoy working with watercolour to build up delicate shades and layers of fine details and to manipulate white space and light which amplifies the surrounding colours.

I also really love the freedom that working with watercolour gives you – it is a technique that is not easily mastered but you learn to play with it and truly appreciate the unpredictability it brings. It allows me to have a free gesture which sometimes leads to aesthetic ‘imperfections’, but these possess their own unique beauty.

Audrey_Gachet_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_12Audrey_Gachet_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_7When designing a new collection or set of work what is your process and how long might you spend on this?

Gathering inspiration from a multitude of sources – be it colours, textures or shapes – always kick-starts the process. The next step is to organise my materials and plan what I would like to focus on and what I want to communicate through a collection. Then comes my favourite part of the process – I start painting. The process continues on through printing and production, with a full project taking from six months to a year, from initial inspiration to final product.

What would you say is the biggest challenge when running your own business, what is your favourite and least favourite part?

Having a business is a challenge on its own; you are constantly multitasking and working on all the facets of the business – sales, marketing, web designing, production coordination etc. Although, staying focused on what you are good at is the biggest challenge. You have to make sure you make time for what you love doing, which for me, is the creation process.

What advice would you give an aspiring textile designer in today’s challenging and competitive environment? Are there any resources you would recommend or websites that you couldn’t live without? 

Persistence and consistency in your work is important. That’s why being passionate about what you do keeps you going. Make the things you wish someone else would make for you – I keep repeating this to myself and stepping back from my design, thinking would I love having this? If it’s a yes then I will go ahead. Sometimes you get stuck with creating your own designs. But being surrounded by other creative helps as well and make sure you keep meeting new people and network.

Audrey_Gachet_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_1What would your dream creative project or collaboration look like? Tell us about why you would love to collaborate with them and what you find inspiring about their work.

I would love to collaborate with Anthropologie. I have been a big admirer of their colourful and textural designs and it is quite an institution for homewares and fashion lovers and designer.

What projects or collaborations from last year stuck out, good or bad and what is coming up over this year that you would like to plug!

I am currently in collaboration with the Australian clothing brand The Ark. It’s an exciting project which should come to life this summer 2019!

Audrey_Gachet_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_10Read about what Audrey is upto: Website, Facebook, Instagram.

Bold Designer Prints – Live Colorful Collection

Back in 2016 we worked with designer Elba Valerde from Live Colorful to create a range of prints for our Fabric Shop which perfectly encapsulated her fun and vibrant style. We thought the change in season made for the perfect time to revisit one of our brightest collections; the Live Colorful Collection, and hopefully inspire some creative DIY projects for the Winter months!

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The Live Colorful range has been inspired by the beauty found in nature. Floral and botanic shapes have been photographed, studied and doodled, translating intricate forms into minimal, playful shapes.

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Selecting a vibrant yet restricted colour palette was also essential to creating these designs. The use of primary colours, white and hot pink, give this range a carefree feel. The chosen colours paired with simplistic shapes results in a collection that is both timeless and fun, with a touch of Scandi textile flair.

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The Live Colorful Collection can be used for cushion covers, tablecloths, table runners, napkins and curtains, just to name a few. Check out our DIY resources for both curtains and bean bag covers using these designs for more inspiration!

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Whilst the range was originally designed with homewares in mind we’ve found this bold style of design is perfect for fashion applications as well! We’ve included some images below of similar prints to show you how they can be used in your wardrobe!

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We’d love to know what you think of the Live Colorful Collection, so get in touch!

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New Vesna Eco Lycra Fabric

You asked, we listened! After receiving plenty of interest in recycled lycra fabrics we’re very excited to announce that we have introduced one to the Digital Fabrics Fabric Range! Introducing our NEW Vesna Recycled Eco Lycra.

Vesna is an innovative 85% Recycled Polyester / 15% Spandex fabric made using recycled plastic bottles and has a maximum printable width of 147cm.

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Vesna has an off-white base and a smooth surface with a slight sheen – not too matte and not too shiny! Vesna’s composition and finish provides really vibrant printing results, making this fabric ideal for designs with bright and deep colours.

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Vesna is 230 GSM with an even four-way stretch and moisture wicking properties. It also has a chlorine rating between 4-5 and a UPF rating of 50 making it perfect for swimwear and active-wear garments. We think the Vesna will also be a great choice for fashion leggings, dresses, skirts, dancewear and costumes.

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Sample swatches of Vesna are available through our Sample Pack Order Form. Get in touch with any upcoming projects that you think our Vesna might be great for!

Nailed It: Q & A Style Interview With Roberta Montorfano From Betta Design Studio

Nailed It. Creative business success story

Here at Digital Fabrics we love finding a new and interesting success story on a brand or business that is inspiring to the creative community. We thought it would be useful and informative to find out how these creative businesses nailed it, lessons learned on the way and tips they might have. We have asked them to share important “How to’s” and growth hacking tips for start-ups and emerging designers. Read it, get motivated and nail it yourself!

This time we have a Sydney based Textile designer to get your creative juices flowing and your mind ticking! We are chatting to Roberta Montorfano the artist and designer behind the Textile Studio: Betta Designs, a brand that is full of bohemian delight and florals to swoon over. She is also one of our workshop teachers!

We had the pleasure of asking her a few questions about how she is nailing it and what she has learnt along her journey so far and what she plans for the future of her business.

Digital_Fabrics_Nailed_it_creative_interview_Betta_Designs_12Who is behind Betta Designs Studio– tell us a bit about who you are, what you do and what services does Betta Designs offer?

Hello, my name is Roberta – I am a dreamer, pattern lover, artist and full time textile print designer!

My background is half Mexican – from my mothers side; and Italian- where I was born and spent most of my life. I have always been a curious soul wanting to see the best and colourful side of life, trying to find the best way to communicate myself and who I am through art and patterns (that you can also wear if they are textiles!!)

With Betta Design we offer collections of exclusive textile prints services:

– Collections of exclusive designs ready to go prints in high resolution Photoshop files.

– Custom design for any particular print idea and request

– Creation of different colorways and print manipulation

– Mood boards and trend research

– open to any artistic collaboration ideas

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Digital_Fabrics_Nailed_it_creative_interview_Betta_Designs_7What did your creative journey look like and how did you begin designing textiles? At what point did you start your textile studio ‘Betta Design Studio’?

My journey with Betta Design has been very natural, looking backwards I can see all the dots connected to each other.

I have always wanted to have a pencil in my bag to draw and colour something since I was young; art and anthropology have always been my favourite subjects at school and when I had to choose my University career I decided to keep art as a ‘hobby’ and studied ”languages and cultural mediation” (dreaming of becoming a some sort of National Geographic photo journalist).

While I was trying to study Chinese I found a job opportunity as a sales rep for a textile studio in my hometown, which required me to travel a lot around the world (Brazil, Japan, USA, China, Europe…) When I soon after realised what I was selling and how inspiring and creative was the textile design world I automatically pursued my textile design career as well. So after working for a very well-known local print studio in Italy for few years, I decided to challenge myself:  travel and move to grow and learn and seeking new dreams.

Betta Design Studio was born in my room in Bondi in 2014 after a strong desire of sharing my passion for pattern and print ideas, art and textile.

You have a very interesting background and heritage, do you think you can tell us about this and how this has inspired you and in what way do you believe it has translated into your work across the years.

My background is very interesting, two countries that have such a strong art identity:

I grew up surrounded by colours, patterns, textile. I come from Lake Como that used to be the Italian capital of silk, my dad has always worked in textile producing made in Italy silk scarves and ties. Our house was full of Mexican art and style and handmade beautiful traditional designs, it has been always around me.

I have always felt so lucky to be who I am and to be born from such a rich mix of roots.

My strong curiosity for art and the desire to create combined with my passion for travelling and exploring art and cultures brought me into textile and my passion grows every day more and more.

Digital_Fabrics creative interview with textile studio Betta Designs Digital_Fabrics_Nailed_it_creative_interview_Betta_Designs_1What does a day look like in the Betta Design studio? Do you have a routine to follow or do you work in a more ad hoc way?

It’s very hard to describe what a typical Betta Design day looks like because it really depends on what is going on. Let’s say that Betta Design never stops even at night, a bit unpredictable each day because there are so many tasks and exciting things to do every day: finding new ideas, preparing files, creating new prints, lots of admin sometimes, resourcing new projects, new opportunities, traveling and showcasing our designs around as well as painting and drawing and colouring the world with patterns!

This is what typically happens in a day but I have to say that at night is when I am more productive and full of ideas (it’s 12.52am right now!)

Florals and botanicals are clearly a huge inspiration to you, was this always the case and where do you get new inspiration from?

Styles can change from day to day, when an inspiration or a new idea comes you can only follow it. I love to change a lot: animal prints, bohemian, borders, florals, abstract prints, a bit of geometrical sometimes, tropicals.. there are infinite ideas in our minds!

Actually florals are not my best style. I love drawing florals, especially botanicals or watercolours but I am more a bohemian type. I like to design different sort of style depending on the request, the trends and ideas. But my soul is gyspy, so ethnic and bohemian prints are my favourites!

Obviously I love drawing florals, that’s why we run the Floral Workshop together!!

Digital_Fabrics_Nailed_it_creative_interview_Betta_Designs_6 Digital_Fabrics_Nailed_it_creative_interview_Betta_Designs_3What does your creative process looks like? Can you take us through your design development steps and which is your favourite and why?

There are different ways I develop a print, a creative process is quite personal and different from each textile designer.

Betta Designs never stops – my eyes are everywhere I can see patterns all around me: it could be watching a sunrise, on the bus, walking around the park full of trees and flowers, at the market or looking at a tile outside your friend’s house. Inspirations can come from anywhere!

I remember one of the first print I created it was in my first or second collection: a water effect digital print. Very bright and vibrant and blue! I started from a photo that I took during a coastal walk in Tamarama, a photo of perfectly smooth waves from the top of the rock. I still remember that moment, the perfect combinations of shades of blues and whites. Then I got home and I started playing with it in Photoshop and I created a print that I called ‘Splash’ (I used to give actual names to my prints). That print was sold to a great swim local label.

This is my favourite part of the design development process –  The natural one, when the idea just comes by itself and you create something that is new and interesting.

Going back to your question I was getting too emotional; whenever the inspiration comes from (a catwalk trend or a picture you took from a flower on your balcony) the design process is quite standard:

– Creation and preparation of the elements. This is my favourite step, usually the most creative one. Drawing and preparing the elements, choosing colours and movement.

– Designing the print: display the elements and put them in repeat. This is the most “technical process”.

– Try different colorway options and check the file at the end.

Digital_Fabrics_Nailed_it_creative_interview_Betta_Designs_15Can you share your go to online resources for textile design trend research and inspirations?

I tend to use more books for inspiration but as in online resource I manly keep myself updated on trends on wgsn.com on weconnectfashion.com and blogs, I use Instagram and Pinterest to share and get inspired.

You are represented at some of the international textile trade shows, what goes on at the shows and what do you get out of them.

Yes, we have tried some trade show, the most recent one was the London Print Textile Fair. Trade Shows are a great opportunity to connect with other customers and it’s a window for new opportunities and to grow. We are also represented by agents in Australia, US and Europe.

If you were to start your creative journey all over again, would you do something different and if so what would it be?

You know when they say “it was meant to be”? – I strongly believe that we have a path to follow and mine led me here where I am now. So no, I would not change a single thing of what I did so far. Textiles is more than a passion and is a way of living. My creative journey has been very natural for me and I hope I will always stay as exciting and inspiring as it currently is every day.

 What skills do you think are necessary to have in order to become a textile designer that specialises in developing fabric prints for the fashion market?

– Definitely a strong passion for patterns and colours

– love to create and drawing skills

– strong eye and observation skills to constantly look around yourself and always inspire and get inspired

– strong knowledge of Adobe software (Photoshop, Illustrator, InDesign..)

– lots of patience and determination to keep believing in yourself and your art because it’s worth it!

Digital_Fabrics_Nailed_it_creative_interview_Betta_Designs_11What words of wisdom do you have for others wanting to do what you do?

It’s not an easy industry like many other creative carriers. It’s challenging to constantly be creative and share hoping that someone else will like what you have drawn (and eventually wear a dress with your design).

So many times I have asked myself what I was doing and why, but I could never stop because my imagination was bigger than any fear of failing. And failing is actually a good thing sometimes. Whatever your passion is just follow it, it’s never going to be wrong as long as it makes your soul smile.

 “Creativity means enjoying any work as meditation; doing any work with deep love.” 

What would you like to see in the future of Betta Design Studio, any dream collaborations, projects or ideas that haven’t come to life as yet?

In the future of Betta Design I can see so many things that I don’t even know where to start. So I try to stay optimistic while trying not to overwhelm myself with expectations either. I would love Betta Design to keep learning and keep sharing prints around and get inspired by collaborating with different people and projects hopefully around the world and I will do my best!

Digital_Fabrics_Nailed_it_creative_interview_Betta_Designs_5Thanks Roberta, what a fun and colourful read full of inspiration.

You can follow along with what Roberta from Betta Designs is upto Website, Instagram, Facebook

Polyester Canvas Fabric

Canvas. You’ve definitely heard of it but what is it used for? We’ve put together an article that gives you some insight into the specific Polyester Canvas fabric that we use; covering its specs, digital printing characteristics and recommended usage! Keep reading to find out why this fabric is one of our most popular choices from our Fabric Range.

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Our Polyester Canvas is a premium canvas fabric and is 100% polyester, highly durable and has a maximum printable width of 147cm.

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Polyester Canvas is a plain weave fabric with a smooth and consistent texture. It has an optic white base colour ensuring high quality colour reproduction for dye-sublimation printing. This fabric is an excellent choice for designs with bold and dark colours with vibrant and rich printing results.

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This heavy duty fabric is 300GSM, water resistant, easy to care for and has no stretch. Our Polyester Canvas is incredibly versatile and can be used for soft furnishings, upholstery, cushion covers, handbags, tote bags, back packs, commercial displays, wall hangings and photo mounting. This commercial grade fabric is a particularly good choice for interiors. We’ve included some examples below of the types of projects that our Polyester Canvas would be perfect for!

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Sample swatches of the Polyester Canvas are available through our Sample Pack Order form on the website. Got a project in mind but not sure if this fabric is suitable? Get in touch and we can help you determine the best choice for you!

Textile Collection Wildflower

It’s that time again – our design team has been busy working to deliver new range of textile designs for our Fabric Shop that delight and inspire. Having focused solely on digital methods to create designs for our previous launch we’ve returned to hand-drawn and hand-painted motifs, texture and line for our latest range. Introducing our Wildflower Collection.

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Once again we found ourselves being inspired by nature. It’s hard not to be when it still feels like Summer in Sydney. Our research began by collecting imagery of picture perfect gardens and the creatures that lie within them. These were then used to start drawing and painting interesting forms and surfaces.

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From the variety of motifs drawn, a selection of watercolour elements were chosen to develop further for the range, with detail rich designs being an area of focus. We wanted to create a range of prints where the designs could work on their own as well as complement each other when used together. By choosing the unifying feature of watercolour motifs across the range we knew we could be experimental with colour and still create a balanced and harmonious collection.

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The Wildflower Collection plays with primary colours throughout the designs, with warm and cool variations of reds, yellows and blues being seen throughout. This balancing of undertones and vibrant colours results in a fun range of designs perfect for those who love to make a statement by mixing and matching bold prints together. We’ve included some reference imagery below that show not only designs comparable to those in this collection, but also those that celebrate the art of clashing prints.

Wildflower_Inspiration_1image via Pinterest

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The Wildflower Collection is full of dramatic colours, textural hand-drawn elements and motifs that feel both ‘naughty and nice’. Whilst ‘Viper Sun’ and ‘Tea Party’ are best suited for fashion rather than homewares, ‘Eclipse’ and ‘Zephyr’ can definitely work well for both. We’d love to know what sort of applications you think these designs would be perfect for – so get in touch! Designs are available in our Fabric Shop now.

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Cotton Poplin Fabric

This time on the blog we’re focusing on one our most popular fabric choices from our range of Natural Fabrics – the Cotton Poplin! Even if you haven’t printed on our Cotton Poplin before there’s a good chance you’ve seen, used or worn similar Cotton Poplin fabrics. It’s a first choice fabric fora variety of products, garments and homewares.

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Our Cotton Poplin is a high quality lightweight 100% cotton fabric which is both durable and versatile, and has a maximum printable width of 140cm. This plain weave natural fabric has a smooth surface making it great for designs with intricate and fine details. It has a warm white base colour and a matte finish. The Cotton Poplin’s tight weave allows for good colour reproduction when printed.

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When selecting the Cotton Poplin please keep in mind that some fading as a result of washing is normal for digital printing on natural fabrics. The fading often gives the Cotton Poplin a charming and soft ‘worn’ look. Fading can be minimized through the use of cold hand-washing and phosphate free detergent.

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Cotton Poplin is 105 GSM and has no stretch. It has a crispness to its drape and holds it shape very well, making it ideal for fashion garments such as shirts, dresses, skirts and kids clothing. It is a particularly good choice for Summer fashion! The fabric is also a popular choice for pillowcases, napkins, displays and beeswax wraps. We’ve included some reference images below which

image via Pinterest

image via Pinterest

image via Pinterest

image via Pinterest

image via Pinterest

image via Pinterest

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Sample swatches of the Cotton Poplin are available through our Sample Pack Order Form on the website. Contact us to find out if this fabric is a suitable option for a textile project you’re working on!