Tag Archives: design your own fabric

Simple Repeat Pattern Tutorial For Beginners

It would be safe to say that most of us are creative, we might love to doodle, paint, and create collages. Whilst these are all wonderful and inventive practices, what if you wanted to start developing these crafts into textile designs but didn’t have the digital design software skills to get your file prepared for fabric printing. What we would say is “learn it’! Learn digital textile design in small bites. Start slowly, from converting your art into a digital format and getting to know basic Photoshop tools. Everything new can be overwhelming, but if you take one step at a time and slowly build your confidence, you will get the hang of it in no time. Below are some simple steps that will help you prepare your art for digital seamless repeat printing.

DIGITIZING – CONVERTING YOUR ART INTO A DIGITAL FORMAT

Start with an artwork painted onto a flat, one colour background that surrounds the artwork. For this tutorial we used a simple white plain background for the purpose of being easy, but any colour is fine.

To convert your artwork into a digital format you need to scan or photograph the artwork. Scanning at a resolution of 300 dpi is preferred. However, if you don’t have a scanner, photograph your artwork laid out flat, indoors with plenty of light (natural day light if best), holding the camera directly above the artwork, making sure there are no shadows of any kind interfering with the artwork.

CLEANING – DELETING UNWANTED ELEMENTS FROM AN ARTWORK

Open your artwork in Photoshop by selecting MAIN MENU > FILE > OPEN > CHOOSE YOUR ARTWORK FILE.

Using MARQUEE TOOL select the object or image that you want to repeat.

Now let’s bring the artwork or image that you want to repeat into a new document so you can start playing with it. While MARQUEE TOOL selection is active, (this will appear as ants running around the selected area) go to MAIN MENU > EDIT > COPY to copy selected area and FILE > NEW to open new document. NOTE: Photoshop is a very smart software. The area that you have selected will now determine the file size of the new document being opened. Click OK.

Whilst in the newly opened document select MAIN MENU > EDIT> PASTE to bring your selected artwork into the new document. It should paste by default in the middle of the new document fitting artwork well within the new document space. Nothing should be cropped out or hidden from view.

Now to clean your artwork. If your white background is slightly messy or the texture of the paper is visible, you will need to clean this up, since whatever you see on the screen will be printed onto fabric. To quickly ‘deep-etch’ or in other words ‘clean-up’, select the layer that you just brought in. Then select the MAGIC WAND TOOL. Change the tolerance to low (we selected a tolerance measure of ‘4’ but you might need to adjust this number as it is based on your artwork). Tolerance is the rate at which the same or similar colours are selected when using the MAGIC WAND TOOL. The higher the tolerance the more of that colour will be found and therefore selected within the artwork.

Make sure the CONTIGUOUS box is ticked, this will ensure that only space around your artwork is being selected, and not that which is inside or a part of the drawn objects. Now once everything is prepared for selection click on the white background to select it. You can see on the image below that only the white background area is selected. While it is selected hit the DELETE button on your keyboard. This will remove the white selected background.

As you can see there is a little bit of another flower peaking through on the left side. Lets clean this up by using the simple ERASER TOOL. You can adjust the size of the eraser as needed at the top left of the screen. You can make the background layer invisible (this will then appear as little white and grey squares as seen below) to check that you have cleaned up all of the image. Simply zoom in to check the edges of your artwork and any potential unwanted marks left behind.

ADJUSTING COLOURS

The image is now clean, but colour wise the artwork is not strong enough. To brighten and intensify the colours of the image select MAIN MENU > IMAGE > AUTO CONTRAST.

You are almost done! To flatten your image select MAIN MENU > LAYER > FLATTEN IMAGE. All layers have now merged into one. Save the image as a JPG high quality file MAIN MENU > FILE > SAVE AS > SAVE.

Now you are done and ready to upload your file to print on to a fabric of your choice!

REPEATING A PATTERN USING OUR FABRIC UPLOADER

Open the Fabric Uploader page.

Drag & Drop your image or click on the SELECT button to upload your ready to print artwork. Once your file is uploaded, you’ll be able to see it in the fabric preview window. You can scale your artwork up or down, simply by typing in and adjusting the artwork to the size you want. Keep an eye on the DPI! This is the resolution and quality of your file. If your artwork is low resolution and is scaled up, the print result can be blurry.

Next step is to choose your Repeat type. This is the fun part! Play around with the different options and see how the variations impact your artwork in the preview window. Compare how the different options distribute your artwork across the width and the length of the fabric. Pick the one that suits your design idea best!

FULL DROP REPEAT

MIRROR REPEAT

Choose how many meters you wish to print simply by typing it into the quantity box and then select the fabric you want to print on. Remember that each fabric stock has a different width so be sure to check that the fabric you choose meets your needs.

P.S. This tutorial is designed to be very basic. If you are still struggling to prepare your artwork files, we recommend you attend one of the workshops on offer at our Digital Textile Design School to help you nail those Photoshop basics!

Snippets: Chats With Creatives – Series 1, Snippet 9

Snippets’. Chats with Creatives. Here at Digital Fabrics we love everything print, pattern and colour and we love to know what makes designers tick. This series is all about asking some fun and different questions and learning about the inspirations and ideas behind the artist and their work. We hope to inspire others by sharing snippets of these creative stories. We gave the artists and designers featured a varied list of questions to choose from so we will learn something new from everyone involved, should be fun!

Today on Snippet’s we are talking to Sara Johnson, the artist behind ‘Travelling Alice’ a printmaker based in Sydney who designs and prints her own fabric before making it into unique accessories.

The Snippety Snips:

Tell us a bit about yourself and what your creative practice is, how and when you began:

Travelling Alice is a range of hand printed travel accessories, made in my Sydney Studio.

I studied Fine Arts just out of High School as I just wanted to Draw, while there I learnt Printing (wow ) I could turn my drawings into prints.

At nineteen I got the opportunity to volunteer in India for three months, and this is where my love of fabrics and Crafts came from and of course my travelling obsession began, seeing all these amazing artist, crafts people. Traveling Alice Started from a need to make light weight and colourful travel accessories for myself and friends. I am such an organised traveller I like to pack things so they are easy to find but of course they have to look good as well.

Which part of the creative process is your favourite and why?

Drawing drawing and drawing. My Mum is a sign writer so I have always been around pencils, pens and brushes my whole life so it feels as natural as eating. By the way I have the worst hand writing, so I did not get this talent.

How would you describe your work, and what influences your style?

I design fabric that I can sew into accessories. Travel definitely influences my style and my life. I became obsessed with it when I first travelled to India when I was 19. This was also where my love of Fabrics and pattern came from, you get exposed to colour and patterns, it’s a feast for the eyes.

If you could have your portrait painted by any artist dead or alive, who would you choose?

Louise Bourgeois, that would be amazing and fun, she was known for her Sculptures but I love her printmaking. Louise Bourgeois was also known for her dry humour so we could have a laugh at the same time.

Love your Locals:

City/Town/Village where you currently reside:

Sydney South

Favourite spot for a bite:

I am a Coffee lover so food is a second thought so my favourite place to get coffee is White Horse Coffee in Sutherland

Secret Inspirational spot:

To be honest I find inspiration anywhere and anytime of the day or night. I have numerous note books so I can quickly write the inspiration down.

You can follow what Sara is upto: Website, Instagram, Facebook

Check your artwork repeats seamlessly with Offset Filter in Photoshop.

Open your file in Photoshop. Main menu > File > Open
Check size of your image. Main menu > Image > Image size. Take note of the pixel dimension (PX) at the full resolution size.

Change the resolution to half of its value and take note of the changed pixel dimension. Keep these numbers handy as you will need them to offset your artwork. Don’t click OK at this stage, as you don’t want to change the resolution size, you only need the pixel information.

Once you have pixel dimensions noted you can offset and check your file for seamless repeat. Go to Main menu > Filter > Other > Offset. In the open box enter that half pixel values that you have noted down. Select option Wrap Around and tick the Preview option, so you can preview what is happening to your artwork. The side edges of the artwork will now be visible in the middle and the middle will become the sides. In other words the artworks sides got folded into the middle.

If your artwork in not in seamless repeat, you will see it in the middle of your artwork, through vertically and horizontally missed joins and miss matched lines. In some artwork this will not be obvious and you will need to zoom right in to the joining pixels to spot the issue.

When your artwork repeats seamlessly, there is no miss matched lines and elements of the artwork flows seamlessly.

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If you are at the beginning of your textile and surface design journey you might want to consider our workshops and classes on offer or continue learning more online through our available tutorials.

Snippets: Chats With Creatives – Series 1, Snippet 8

Today on Snippet’s we are talking to Anna Hayman, a UK based print designer who creates fabrics, wallpaper and other homewares from original lino printing and ink drawings. Her work is influenced by the art and craft era as well as the sixties and seventies which is clear in her current work.

The Snippety Snips:

Tell us a bit about yourself and what your creative practice is, how and when you began:

I am a British print designer specialising in printed lampshades, wallpapers, fabrics and cushions. I create my designs from linoprints and ink paintings. I began trading in February 2016

Which part of the creative process is your favourite and why?

My favourite part is transforming artwork – in my case a Lino print or an ink painting – into a pattern. Pattern is my utter obsession so creating repeat designs from artwork is a really exciting point for me, often there are literally endless possibilities of how it can be repeated, mirrored or formed, and seeing that take shape is completely thrilling. That comes just before the worst part, getting the pattern to repeat, which can take forever and is truly boring! Luckily I’m a bit of a geek 🙂

How would you describe your work, and what influences your style? I would describe my work as half hippy, half traditionalist, intricate, relaxed and colourful. I’m influenced by old English styles, I visit a lot of old places, and 1920’s places, but also love Bohemian 70’s style. Creatives I’m influenced by are Celia Birtwell, Biba, The Bloomsbury Group, Olaf Hajek, Aubrey Beardsley and many more.

In another life what natural talent would you wish for?

Writing! I have been reading a lot about the lives of writers recently and I must say it does seem an appealing occupation. I’ve always told myself I am terrible at writing, especially copy, but really I just haven’t had the space to explore it. I would love to take a summer learning how to construct a book, for instance.

Which other Australian designers, artists or creative people are you enjoying at the moment?

Estelle Briedis, for her exacting palettes of colour, Nine Lives Bazaar for their beautiful brand building skills and photography, and Instagram legend @labohemehouseofthewishingtrees for her inspiring and abundant use of brights with white, and layering of textures.

If you could only use one colour in your work what would it be?

Hard question! But I’m crushing hard on jade at the moment, a sort of greenish turquoise, a colour which can be hot and cool, and quenching somehow. I’d find it hard to live without orange though, deep vibrant orange, warm and fresh at the same time.

If you could have your portrait painted by any artist dead or alive, who would you choose?

Lucian Freud, not just because I love his work (I love flat looking paintings with a lot of detail) but because I feel I have the right sort of face for his portraiture.

Which five words best describe you?

English, rebellious, clever, arty, fun.

Love your Locals:

City/Town/Village where you currently reside:

Ringmer in Sussex, England.

Favourite spot for a bite:

Any good seafood restaurant, or sushi place.

Secret Inspirational spot:

Charleston farmhouse, the Bloomsbury group country house hotspot of the 1920’s, which is 15 minutes from where I live.

You can follow what Anna is upto: Website, Instagram, Facebook

Holiday Break

This year Digital Fabrics will be closed on 22rd of December and re-opened on 8th of January with a skeleton staff, production commencing on the 15th January 2018.

How about if you still want to order fabric? Don’t worry, we will be accepting all online orders during holiday to be printed when we are back in action in 2018.

After the holiday first orders will be due to dispatch on Wednesday the 17th January.

Stay smart during pre-holiday rush, don’t rely on couriers services, they are busy! If possible, arrange a pick-up of your order from our Marrickville studio, we will be happy to say Hi.

CREATE YOUR OWN FABRIC CREATE YOUR OWN CUSHION COVER

To avoid pre-holiday stress and to receive your fabric before Christmas please note super important dates below:

Cut off times, if you require shipping

· 4th December – for Print and Make orders such as cushion covers, banners, scarves etc

· 11th December – All fabric printing orders that needs to be shipped and delivered before holiday. As much as we would love to, we cannot guarantee that orders submitted after this date will reach to you on time before Christmas.

· 12th December – last Express order for fabric printing or Print and Make orders

Orders for delivery, submitted after 15th December more likely to be printed and dispatched in New Year unless it’s an express order.

Pick-up orders cut off time

· 11th December Print and Make orders such as cushion covers, banners, scarves etc

· 15th December fabric printing orders

· 18th December last express order for fabric printing or Print and Make orders.

3 pm is our daily production cut off time, which means, if you placed an order after 3 pm, your order will be rolled over to the next day. Be that just an extra little careful when planning your fabric printing orders.

And as always, if you have any question, we are only a phone call away.

CREATE YOUR OWN FABRIC CREATE YOUR OWN CUSHION COVER

Snippets: Chats With Creatives – Series 1, Snippet 6

Today on Snippet’s we are talking to Margot Warre from Margot Design, a Sydney based Textile artist and designer with a passion for supporting Local and Ethical Production.

Tell us a bit about yourself and what your creative practice is, how and when you began:

Creative practice for me is all about telling a story through my designs. That story will be carried all the way through the complete integrity of the design – where the designs are printed, finishing style and packaging.

I want to tell stories about the city I love. When I first started designing it was all about the trends in NY, London etc which didn’t resonate with me. I felt that my country and city is so unique that we didn’t have to look to others for inspiration it is all around us. Inspiration and stories such as uniqueness of Sydney summer, the beach on a winters day and more recently the beautiful Art Deco buildings all over Sydney.

After I have the realised the story – I start researching images, sketching, painting patterns sometimes in gauche, water colour, texta, collecting scraps of fabrics, paper – a real mixture of process, never are two collections developed the same way.

The sketches are scanned and then played with in illustrator and photoshop to create the designs digitally. I started designing my own range of textiles after years of designing for some of the industry leaders, such as Warwick Fabrics. I moved back to Sydney after living in Melbourne and began my own ranges.

Which part of the creative process is your favourite and why?

Putting a concept / mood boards together, sourcing images that communicate your idea and colour palette. I could look for images for hours.

Which five words best describe you?

I have been told and don’t disagree: Energetic, Fun, Personable.

How would you describe your work, and what influences your style?

It has a very distinctive style, it not pretty style but handsome and I would hope reflects how we live in Australia.

What does a typical day look like for you?

I am up early and generally do most of my work after a morning workout before heading to my “day” job.

What would your dream creative project look like?

I would love to work on a full collection of prints, weaves, knits, embroideries all made here in Australia and then work with an amazing photographer to shoot the collection.

Which other Australian designers, artists or creative people are you enjoying at the moment?

Loving what the Mirador team are doing with their textiles and knits

What has been your proudest achievement to date, creative or otherwise?

That changes, I had so many amazing moments working with Mokum and Warwick, travelling to international mills and textile trade fairs. But I do get a huge buzz when someone buys one of my designs.

If you could spend a day in another artist’s studio shoes who would that artist be?

Ahhhh that is SO hard – Sonia Dealunay

In another life what natural talent would you wish for?

I would love to be a dancer….. Another way of using my energy and being creative

If you could only use one colour in your work what would it be?

PINK! And all is shades.

Love your Locals:

City/Town/Village where you currently reside:

Sydney

Favourite spot for a bite:

Love Supreme, Oxford Street

Secret Inspirational spot:

Swims at Bronte pool on a winters day

You can follow what Margot is upto: Website, Instagram, Facebook

Snippets: Chats With Creatives – Series 1, Snippet 5

Today on Snippet’s we are talking to Lauren Bower from Lauren Skye Studio, a Textiles and homewares brand making unique cushions featuring original artwork ideal to brighten up your home and garden.

The Snippety Snips:

Tell us a bit about yourself and what your creative practice is, how and when you began:

Lauren Skye Studio is a handmade textile homewares brand creating both indoor and outdoor cushions as well as personalised name cushions.

From around the age of 7 I knew I wanted to be a fashion designer. It was all I was ever interested in and would spend hours cutting pictures from magazines (I bought my first issue of Vogue when I was 12) to make endless collages. I studied Fashion Design at TAFE and then started working as a Design Assistant and ultimately a Fashion Designer for various brands for about 10 years. After leaving fashion to start and raise a family, I desperately missed working with fabrics and colours so I started buying fabrics and making cushions (a task perfectly timed to a babies nap!). It didn’t feel authentic enough to be using a fabric that someone else had designed so drawing on my skills acquired during my years in fashion, I started creating my own fabric designs and quickly found that it is my favourite thing ever! I feel so fortunate to live in a time where digital fabric printing has made textile design so accessible for small businesses. Even during my fashion years it was outrageously expensive to have an artwork made, get a screen cut and get a strike-off printed.

Which part of the creative process is your favourite and why?

I live for design, particularly the search for inspiration. I love starting from nothing and just allowing my eye to be led and tell me where I should be. If inspiration is not coming then it is not the right time. I never force it.

Which five words best describe you?

Determined, thoughtful, conscientious, friendly, chaotic.

How would you describe your work, and what influences your style?

I would describe it as unique and colourful. I think my biggest influence is my years in fashion. To counteract the things I didn’t like about fashion design, particularly the copycat aspect, I am purposefully different to other designers. I don’t follow trends and will go out of my way to ensure my work is unique. Also colour, I am always inspired by colour.

What does a typical day look like for you? I have one child in school and one at pre-school three days a week, so the juggle is a little crazy right now. My three days with no kids have to be efficiently managed. From the minute I get home from drop-off to the very last minute I have to leave to pick them up I am like a woman possessed. Sometimes I’m enjoying my work so much I forget to eat! Then when the kids are home I spend time with them doing homework and just hanging out. After they are both in bed I start working again until late. Weekends are spent either selling at the local markets, or trying to juggle work and family time. It sounds terrible but I love it really!

If you could only use one colour in your work what would it be?

I’m drawn to pink always, and I have a sneaking suspicion it has something to do with having two sons!

Love your Locals:

City/Town/Village where you currently reside:

Roseville NSW

Favourite spot for a bite:

Salt Pepper Nutmeg or Sous le Soleil, both at Roseville

Secret Inspirational spot:

Swain Gardens, Killara. It is almost literally a secret garden.

You can follow what Lauren is upto here: Website, Instagram, Facebook

Snippets: Chats With Creatives – Series 1, Snippet 3

Today on Snippet’s we are talking to Darren Church, graphic designer behind ‘Raw Inc’ a street design division based in Australia. Inspired by graffiti and street culture they design and create unique apparel, cushions and accessories.

The Snippety Snips:

Tell us a bit about yourself and what your creative practice is, how and when you began:

I’m currently based out in Penrith in Sydney’s lower Blue Mountains, but personally I enjoy the days out into the city and other areas I have to go, walking between stores and checking out what’s new on the streets in the graffiti scene catching up with shop owners.

How would you describe your work, and what influences your style?

I base 99% of our designs around graffiti and the classic sneaker culture, and we’re all about bold clean lines with fresh colours, using illustrations and different elements in photographs to create for that next cushion design. It’s our little niche and very different to what is out there in the industry.

We find people can relate to our different types of cushions, by bringing out what they grew up with a twist and purely for the love of the novelty of the item. We get contacted all the time by paint companies asking when are we going to do a cushion of their design.

What does a typical day look like for you?

Always finding myself sketching up new designs and redrawing artwork ready for print for clients. And always hunting around Sydney fabric stores to find that perfect fabric to match artwork being printed. Cutting and sewing up fabric for those store orders.

It does get chaotic sometimes and a little stressful but very satisfying and it’s worth it in the end to see people loving the products.

What has been your proudest achievement to date, creative or otherwise?

After many years of Managing retail stores here in Sydney and while living in the UK for 10 years, I got to the point of having enough and had to do something I enjoyed. So I studied Diploma in Graphic Design and a quick 12 month course in Screen Printing and realized I had so much to artwork and ideas I could do.

Now I have people coming up to me here in Sydney and in other states, that don’t even know me and treat me with a lot of respect. When we get emails weekly from European and US stores asking for order forms, it makes your day.

Tell us something people may not know about you

I’ve been doing graffiti since the late 80’s and I like to combine the elements and influences into my work and whilst living in the UK I studied fashion and design for 2 years. It really opens up your eyes to how things are designed and so easily produced.

Love your Locals:

City/Town/Village where you currently reside:

Sydney West

Favourite spot for a bite:

I don’t really have a favourite food spot, I like to try new things all the time and sometimes catch up with friends for lunch or drinks and talk about new projects and ideas.

Secret Inspirational spot:

I’m always out and about in the city. I like to walk around the city and look at all the different graffiti, art, stickers, advertisements and t-shirts people wear, I carry around a little sketch book and I’m always stopping and sit down somewhere doodling ideas down.

You can follow what Darren is upto: Website, Instagram, Facebook

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Snippets: Chats With Creatives – Series 1, Snippet 2

Today on Snippet’s we are talking to Jasmin Owen, the designer behind Jazminbell, a homewares brand that designs and creates heat packs from fabrics she designs and prints.

The Snippety Snips:

Tell us a bit about yourself and what your creative practice is, how and when you began:

Hi there, my name is Jasmin Owen and I am the founder of the jazminbell® brand. The dream of running my own business all started at the age of 4 when I decided that I would work within Australia’s creative industry. After completing my design degree I went on to deliver my products to the world. I never realised how much there is to learn in the world of business and it has been the most amazing journey.

Jazminbell® began as a homewares brand, offering a unique range of cushion covers. With a pile of scrap fabric I sought to make mini hand warmers and they instantly took within the market. I never really saw success until I took the brave initiative to turn the business into a cold/heat pack brand and it has thrived ever since. It is hard to imagine now that it all began with tiny hand warmers – That is the incredible and unpredictable journey of business, I guess!

Working with Digital Fabrics has given me the opportunity to deliver a unique range of textile designs for my products and also create a relationship with another local business within the Australian industry.

Which five words best describe you? Quirky, happy, bright, inspirational, goal-digger.

Which other Australian designers, artists or creative people are you enjoying at the moment? I am forever inspired by the creative practice of Nicola Cerini. Her beautiful studio and printed textiles are so inspirational for me and what I do.

What has been your proudest achievement to date, creative or otherwise? Completing a Bachelor of Design Arts and Graduate Certificate in Accounting, bringing the most wonderful daughter into the world and having the opportunity to work on my business and have the freedom of my own career.

If you could only use one colour in your work what would it be? Pink!

Love your Locals:

City/Town/Village where you currently reside: Canberra, Australia

Favourite spot for a bite: Canberra Yacht Club

Secret Inspirational spot: Lake Burley Giffin

You can follow what Jasmin is upto: Website, Instagram, Facebook

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Snippets: Chats With Creatives – Series 1, Snippet 1

Today on Snippet’s we are talking to Shyanne Clark, the swimwear and textile designer behind ‘Printsea’ a print design brand who love to spread sparkle and magic and inspire others to do the same.

The Snippety Snips:

Tell us a bit about yourself and what your creative practice is, how and when you began:

I’ve been a textile fabric designer for the past 5 years. My style is very mermaidy and I love tropical florals, so my business PRINTSEA has naturally progressed to helping bikini designers find their signature style and launch beautiful labels.

I am such a cheerleader for people doing what they truly love, the things that make them all sparkly inside. I was always that kid that didn’t know what I wanted to be when I grew up, I didn’t fit in one of the boxes. I think it’s because I didn’t know this job existed or how all my talents could come together to be something. I adore what I do so much and its always growing and changing me. I feel so grateful that I listened to my heart and followed its windy path, you learn so much along the way and I would love that for everyone. I get giddy just thinking about it.

At the moment I’m creating a signature range of beautiful hand designed, high vibrational pieces. There is such magic in colour and creativity. My hope is that each piece will add a little extra sparkle to your day and that owning a piece will feel like a precious treasure that brings you many heart swelling, quiet smiles and inspires your soul.

What would your dream creative project look like?

I’ve actually got a bit of a fascination with creating a print that would cover a whole aeroplane. Could you imagine a giant bunch of gorgeous flowers flying through the sky. Instant happiness I reckon. I wonder if Richard Branson would let me print wrap a Virgin plane for fun?

In another life what natural talent would you wish for?

I’m pretty much tone deaf, sometimes I’ll sing + scare myself with how out of tune I am. I have always admired people that can make your heart swell with emotion from their singing voice. I’ve secretly wished that I could do this, but in saying that, I wouldn’t want to trade my talent of drawing flowers. Can I have two natural talents?

Which part of the creative process is your favourite and why?

I absolutely love the moment when the inspiration strikes + your imagination goes all bright + sparkly. You can’t wait to birth this creation that’s swirling around inside. It’s just such a rush of ecstatic excitement. I love that part. The finished piece is pretty amazing too, but the journey is the best.

Which other Australian designers, artists or creative people are you enjoying at the moment?

I adore Annie Everingham. Her paintings evoke so much feeling. They are so happy and beautiful. I could stare at their gorgeousness for hours.

Love your Locals:

City/Town/Village where you currently reside:

I live on the beautiful Sunshine Coast, some people say, it’s like what Byron Bay was 20 years ago.

Favourite spot for a bite:

There is a gorgeous cafe at Rosemount called ‘GURU Life.’ The brother sister team roast their own beans + it truly is enlightenment in every cup, they have delicious raw treats and the staff are super friendly.

Secret Inspirational spot:

Well if I told you, it wouldn’t be a secret! … I actually adore the Noosa National Park, it’s a stunning feast for your eyes and soul (and a good workout if you walk all 8kms.) On a great day you’ll see turtles, whales + koalas.

Feeling inspired by Printsea to start a swimwear brand? You can buy her E book here. AND she is currently running a promo where you can purchase 1 print and get one for free with the code: PRINTME until August 17^th, then you can print it onto lycra here at Digital Fabrics and start YOUR creative journey.

You can follow what Printsea is upto: Website, Instagram, Facebook.

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Tag Archives: design your own fabric

Simple Repeat Pattern Tutorial For Beginners

Snippets: Chats With Creatives – Series 1, Snippet 9

Check your artwork repeats seamlessly with Offset Filter in Photoshop.

Snippets: Chats With Creatives – Series 1, Snippet 8

Holiday Break

Snippets: Chats With Creatives – Series 1, Snippet 6

Snippets: Chats With Creatives – Series 1, Snippet 5

Snippets: Chats With Creatives – Series 1, Snippet 3

Snippets: Chats With Creatives – Series 1, Snippet 2

Snippets: Chats With Creatives – Series 1, Snippet 1

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