Tag Archives: fabric printing

Snippets: Chats With Creatives, Textile Designer Katy Dee of Shiztastic – Series 3, Snippet 6

Snippets. Chats with Creatives.

Here at Digital Fabrics we love everything print, pattern and colour and we love to know what makes print designers tick.

This series we are focusing on textile designers as our creatives to get into the nitty gritty of the thing we love the most, textiles and surface design! We have asked a different set of questions relative to this and as always we hope to inspire others by sharing snippets of these creative stories.

Today we are talking to Katy Dee, the textile designer behind the colourful print based brand: Shiztastic.

All of her designs begin as paintings and collages before she digitally edits them and creates repeat and placement prints that she turns into fabric with us then they are made locally or by her into a range of fashion accessories and most recently homewares!

You can find her products online here or you will find her at a local market, she has previously be seen at Makers and Shakers, Finders Keepers,  and The Slow Fashion Market which is coming up again in Sydney in September!

Shiztastic_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_1Shiztastic_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_4Tell us a bit about yourself, your brand/label name what your creative practice is, how and when you began:

Hello, I am Katy Dee. The creative lady behind ‘Shiztastic’, a fun print based label focused on creating cheerful textiles for you and your home. I consider Shiztastic to be part of the slow fashion movement and like to think that when someone purchases from me they have a treasured item that will last them a long time and be loved. Everything is proudly printed and made in Sydney.

I have been making things since I can remember, over my time I have studied glass, jewellery, ceramics, and found sewing about ten years ago. I started off using vintage fabrics and making softies and would sell these in London at the Spitalfields markets. When I moved to Sydney I studied Digital Textile Design at night at Tafe and became obsessed with print and pattern!

Then life took me and my husband to Malaysia for a year where I learnt to screen print and was so inspired by the colourful surroundings, which on our return led me back to textiles and I began working here at Digital Fabrics! Since then my product range has developed and changed and currently focuses on fashion accessories and homewares which I sell online, in stores and at markets around NSW.

Shiztastic_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_13Where do you call home and what is your favourite thing about where you live? 

I have called the Eastern suburbs of Sydney home for the last ten years and I do love being near the beaches, you can’t beat a swim & a picnic at Bronte on a Sunday afternoon. I also love being so near Centennial Park, I find nature to be a big inspiration to me and every time I go I find a new nook or cranny to explore. My latest discovery was the Wild Play Park area which practically has a Jungle inside!

What 3 words best describe your creative style.

Bright, playful and bold. A cheerful riot of colour!

Shiztastic_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_14What led you to Textile design and what is your favourite thing about working with fabrics and/or print?

I have always loved fabrics and surface design, it took me a while to figure out that the two were linked though! I studied all sorts of things before screen printing and then Digital Textile design at Tafe before getting a job at here Digital Fabrics which I recently left to focus on shiztastic. I worked here for 3 years and gained so much knowledge and experience within Digital Printing, I still find the process fascinating and the quality amazing.

I love fabrics because their possibilities are quite endless and you can create almost anything! I love coming up with new ideas and thinking about what I can make next, to be able to use my own illustrations and artwork to create prints is so fun and the colours you can achieve with digital printing are so vibrant which obviously I love.

Tell us a bit about what kind of studio, space or practice you run? Do you sell online or license your prints, do you do commissions or lots of freelance and what do you like doing the most?

Currently Shiztastic is mainly product based, I design all the prints and then I make collections of products including fashion accessories such as scrunchies, headscarves and hair ties and I recently launched a homewares collection which has really fun cushions, pot pants and tea towels in it. I would like to start licensing my prints and doing more freelance work and am working towards this so watch this space…

Shiztastic_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_10Tell us about your creative space, what are your tips for keeping a creative studio space organised? What would your dream space look like? 

I have always had a craft ‘space’ of sorts, first it was a table in our dining room, then a craft corner and it has slowly evolved into a studio space in our spare room. I wish I could say it was organised, sometimes it is but mainly it is piles of colourful stuff and things! My dream space would actually be a shop one day with a creative studio/showroom out the back.. I imagine lots of wood, plants, baskets and somewhere I can make a lot of mess.

Tell us about how you get your creative juices flowing, what is your process? Do you have a source of inspiration you want to share with us?

I have always been inspired by almost anything, it could be a fruit sticker on a lemon or a walk in the park. Botanicals and abstract versions of them feature heavily in my work and often they are nothing like their reality but that’s ok with me! My process can be a bit random, I might get an idea for an overall feel and look and work backwards or I will be inspired by a road trip or an evoked memory.

In terms of inspiration, as corny as it sounds I think there is beauty everywhere, sometimes you just need to look a bit harder. We can all get a bit bogged down and obsessed with Instagram [which I love and hate!] and sometimes it is good to step away from it all and remember why you love what you do.

Shiztastic_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_11Do you have a favourite medium and/or method to work with, if so what is it and why?

Paint, with ink as a close runner up! It is messy, unruly and fun. Most of my designs begin as paintings and drawings which I then either collage by hand or digitally edit before turning them into repeats of various scales. There are just so many options with a painting, and once it is scanned those options just grow. I love still seeing the brushstrokes and marks in a design and feel it gives it a handcrafted look which is important to me.

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Shiztastic_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_3How do you think somebody else would describe your style? 

Loud, bright and quirky. Always wearing colourful earrings!

What would your dream creative project or collaboration look like? Tell us why you would love to collaborate with them and what you find inspiring about their work?

I would love to collaborate with Gorman or Mister Zimi because their prints are fabulous, daring and always so colourful and celebratory of life. There is also a UK brand called Lucy and Yak that make the most amazing Dungarees and I would love to do something with them so maybe the universe will help me out. A girl can dream..

Where would you like to see your work featured?

Ooh, well, on all sorts of things… weirdly I would like to see it on a bus, on glassware, and on a recyclable cup but I am very open to ideas and could imagine my designs on a wide range of things in the future. It will be fun and bright and made to make people smile.

Shiztastic_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_5Shiztastic_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_15Read about what Katy is up to: Website, Instagram, Facebook.

Best Fabrics For Scarves

At Digital Fabrics, we love showcasing our diverse range of stock fabrics through our blog. This time, we’re diving into an application-focused post, spotlighting the best fabric choices for custom scarves—a versatile and enduring product that we frequently assist our customers with!

Scarves come in a variety of sizes, shapes, and styles, making them a perfect canvas for your creative ideas. Whether you’re looking for the light, airy feel of Chiffon and Dilly from our polyester fabric range or the elegant drape of Romance and Cotton Voile from our natural fabrics, we’ve got you covered for fabric printing.

Our recommendations will help you choose the ideal fabric for your custom scarf project. And remember, our ‘Print & Make’ services are here to assist you in creating unique scarves that perfectly match your vision. Contact us to get started on your custom scarf journey!

 

Chiffon 100% polyester & 75gsm

Chiffon is an airy, sheer fabric with a matte surface and crepe finish. Despite being sheer the fabric provides great colour reproduction when printed and works well for designs with bold colours.

Chiffon is an excellent choice for both every day and evening wear scarves whilst its lightness makes it popular for warmer months. The texture of the Chiffon also makes it a good choice for head scarves as it isn’t too slippery.

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Image via Pinterest

 

Dilly 97% polyester / 3% spandex & 95gsm

Dilly is light-weight, silky, has a beautiful drape and a lustrous surface. This fabric is our most popular choice when looking for a polyester silk-alternative. Dilly has excellent colour reproduction when printed and is ideal for designs with bright and deep colours. The sheen to the fabric’s finish gives printed colours an added vibrancy.

Dilly is a fabulous choice for a classic silk scarf dupe and for scarves designed for special events.

Digital Fabrics_custom fabric printing_unprinted fabric_Dilly_web_1Digital Fabrics_custom fabric printing_printed fabric_dilly fabricDigital Fabrics_custom fabric printing_printed fabric_scarves_5Image via Pinterest

 

Romance 100% Rayon 100 gsm

Romance fabric is a lightweight material with a warm white base, and a gorgeously subtle sheen. Its fine weave, beautiful drape, and elegant finish make it perfect for scarf projects, bandanas, and body wraps. For matte finish scarves, Romance is an ideal choice—super soft to the touch and comfortable to wear. You can learn more about the Romance fabric in our detailed article here.

 

Image via Pinterest

 

Cotton Voile 100% cotton & 70gsm

Cotton Voile is similar to muslin, is ultra-soft and will only get softer after washing!  Cotton Voile has an off-white base colour, is semi-sheer and has a matte finish. Despite the fabric’s transparency it provides strong colour reproduction when printed and has good colour show-through on the underside.

Unlike the vibrant printing results typical for polyester fabrics, printing results on our natural fabrics are softer. Some fading through washing is also normal and gives the fabric a soft ‘worn’ appearance.

The Cotton Voile is a perfect choice for breathable scarves for warm weather and scarves intended to have an understated yet elegant finish.

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Samples of each of these suggested fabrics are available in either our ‘Fashion Fabrics’ or ‘All Stock Super Pack’ sample packs which are available from our Sample Pack Order Form. Get in touch with us to find out which of these fabrics we would recommend for your upcoming scarf design!

Snippets: Chats With Creatives, Textile Design Studio ‘Skye St Studio’ – Series 3, Snippet 5

Snippets. Chats with Creatives.

Here at Digital Fabrics we love everything print, pattern and colour and we love to know what makes print designers tick.

This series we are focusing on textile designers as our creatives to get into the nitty gritty of the thing we love the most, textiles and surface design! We have asked a different set of questions relative to this and as always we hope to inspire others by sharing snippets of these creative stories.

Today we are chatting to Crystal Kruger from Sydney based Textile studio ‘Skye St Studio‘ who offer a range of services such as textile design, colour matching, pattern grading and mood board creation. They have a range of fun, bright and often hand painted prints that you can license or buy exclusively for all sorts of projects and needs as well as offering custom illustrations and design work.

Skye_St_Studio_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_3Tell us a bit about yourself, your brand/label name what your creative practice is, how and when you began:

My name is Crystal Kruger and I am the designer behind Skye St. Studio. I am a textile and surface pattern designer and also a design educator. My career began straight out of school, studying fashion and textile design and technology education at the Whitehouse Institute of Design in Sydney. I have spent the last decade both teaching textiles and design subjects to students, as well as starting my own business as a textile designer. For me it has always been textiles or fashion in some form or another that fill my heart and fuel my inspiration. It took me a bit longer to realise the textile design was the right fit.

Where do you call home and what is your favourite thing about where you live?

I live in Sydney, Australia which is such an exciting, vibrant and inspiring place to be. Everything is fast paced but there is a wonderful balance between the urban and natural landscapes. I love being able to explore the ocean, the rivers and the mountains which surround Sydney but then also experience the wonderful, eclectic mix of cultures (and foods!) that inhabit this place. Culture, travel and nature are some of my biggest inspirations.

What 3 words best describe your creative style.

Colourful, painterly and fun! Trend-driven designs with soul.

Skye_St_Studio_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_1

Skye_St_Studio_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_9Tell us a bit about what kind of studio, space or practice you run? Do you sell online or license your prints, do you do commissions or lots of freelance and what do you like doing the most?

Skye St. Studio is a very flexible design studio. Because it is so small I can be agile and accommodating to the needs of different clients. I sell the copyright to textile and surface pattern designs outright, as well as licensing prints through the catalogue on my website. At Skye St. Studio, I often work with local makers and other small businesses, but also larger companies and I love the variety that comes from working with different creative businesses. I do commission based pattern design and have worked with clients to design a range of other products including logos, tote bags layouts, soft toys and bespoke wall art for giftware. Skye St. Studio offers freelance design services as well and I would love to build that side of my business further. I also have an exclusive collection of designs available through Pattern Observer Studio. These are shown at trade shows such as Premiere Vision and Surtex but are also available for viewing at any time through Pattern Observer.

Skye_St_Studio_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_6Do you have a favourite medium and/or method to work with, if so what is it and why?

My favourite way to design Skye St. Studio prints is to paint. I love to put some music on, something like The National and let the creativity flow. Sometimes I will just paint freehand, other times I will sketch first. I love to use gouache paints mostly, but also ink and watercolours. Not all Skye St. Studio prints are painted, but all are hand-illustrated before they are digitised. Colour is quite intuitive for me and so I tend to pick my palette right at the start of a project. I usually work with inspiration images in front of me, such as a Pinterest board I have created, a mood board I put together, or reference images from a client brief. I love the subtle variations of colour and texture that paint allows me to capture in my prints. I really feel this adds life and soul to my prints.

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Which part of the creative process is your favourite and why?

Well, I love all of the creative process! But I must say, there is nothing like getting your hands on a new design brief or a new idea. I love that inspiration and idea development phase, putting together a mood board and sourcing amazing imagery. In that moment I love the sense of purpose, drive and that excited feeling in my stomach. I love the potential of that stage and the intuitiveness of being inspired. I feel that this is a real strength of mine as a designer, I am very good at synthesising the mood of a brief and bringing ideas together.

Skye_St_Studio_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_10What would you say is the biggest challenge when running your own business, what is your favourite and least favourite part?

The biggest challenge is the potential for isolation. As a designer we can get some absorbed in our thoughts and be in our heads too much. But also as a small business, it is easy to forget that other designers just like us are struggling with the same business challenges. It is really important to try and build a network of people that you can chat with and share your journey with. Often you are working from home or in a studio on your own and it can be a bit lonely at times. I love having someone else around to just ask, ‘what do you think of this?’ Otherwise it is so easy to overthink things! Finding the right clients can sometimes be a challenge as well, being a small business.

The best part is the creative freedom and the satisfaction I get from fulfilling my creative goals. When you have a win, it is amazing! I love it when a client gives me great feedback and I see them getting excited like I am about a print I am working on. That validation is amazing as a designer. It is wonderful working for myself, because I can choose what and who I want to work with as well. After the restrictions of working in schools for many years, I love the flexibility of being able to work from my studio or a cafe, to set my own schedule and to dress like me!

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What would your dream creative project or collaboration look like? Tell us about why you would love to collaborate with them and what you find inspiring about their work.

My dream project would be to have my own print-driven, body positive clothing range. My background is in fashion and I have always approached clothing as a form of expression. Prints say so much about the wearer, which I love! Yes, trends come and go, but if you can find pieces for your wardrobe that really sing and show the world who you are, then that is a wonderful thing. I feel it is especially hard to find fashion like this for women size 14 and up. Your options become so limited and I think everyone deserves to be able to buy clothes they love, no matter your size.

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Skye_St_Studio_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_4What projects or collaborations from last year stuck out, good or bad and what is coming up over this year that you would like to plug!

I have a brand new collab which is launching right now and I am super excited about it. I recently worked with fashion designer Kathryn Shaw of Rattamatatt on her new spring collection called Jungle Fever, which is available for preorders on Etsy from 5th August. She has featured Skye St. Studio hand painted patterns from my Jungle Snakes print collection on her garments and it all looks so amazing! Kathryn has been a dream to work with and I am so proud of what we have created – we hope you all love it too!

All of Rattamatatt’s designs are classic and vintage cuts with a focus on fit and they all feature gorgeous, fun, modern prints with personality. Kathryn is all about slow fashion and ethical clothing production, making everything herself. I love this design philosophy and she has made my prints look absolutely fantastic on her garments! With Rattamatatt’s silhouettes and Skye St. Studio prints, the Jungle Fever collection is fun, bright and whimsical – check it out online! Stay tuned to our social media accounts also, as there may just be a fun little giveaway in the works, where you can score yourself some original Ratamatatt x Skye St. Studio goodness! Jungle Fever Collection available for preorder on 5th August 2019 at Rattamatatt’s Etsy store.

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Where would you like to see your work featured?

One day I would love to see my work adorning some amazing dress in Vogue or for sale in Gorman! I am obsessed with their artist collabs haha.

Skye_St_Studio_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_11Skye_St_Studio_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_12You can find what Crystal is upto here: Website, Instagram, Facebook.

New Cotton Voile Fabric

As many of you know we’ve been out of stock of a Cotton Voile for sometime (sorry) but at last – we have good news! We are very excited to announce we have added a brand NEW Cotton Voile fabric to our Natural Fabrics Fabric Range! Keep reading for more info below as our new Cotton Voile is distinctly different from our older stock fabric, and we think a more premium product!

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Cotton Voile is 100% Cotton and has a maximum printable width of 140cm. This fabric is very similar to muslin, is super-soft and only gets softer after washing! Cotton Voile has an off-white base colour with a touch of warmth, is semi-sheer and has a matte finish. Despite the fabric’s transparency it provides strong colour reproduction when printed and has good colour show-through on the underside of the fabric. When selecting the Cotton Voile please keep in mind that some fading as a result of washing is normal for digital printing on natural fabrics. The fading often gives our natural fabrics a charming and soft ‘worn’ look. Fading can be minimized through the use of cold hand-washing and phosphate free detergent.

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Cotton Voile is a lightweight, 70gsm fabric with no stretch and good drape. The open weave nature of the fabric gives it some give and ensures it is ultra-breathable. The Cotton Voile is an excellent choice for scarves, sheer shirts and blouses, summer dresses, kaftans, baby swaddles, baby clothes and light curtains. We’ve popped some inspiration pics below!

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Sample swatches of the Cotton Voile are available through our Sample Pack Order Form and can be found in our ‘All Stock Super Pack’, ‘Natural Fabrics’ and ‘For the Little Ones’ sample packs. Get in touch to find out if this fabric will be suitable for your next project!

Snippets: Chats With Creatives, Textile Designer Audrey Gachet – Series 3, Snippet 4

Snippets. Chats with Creatives.

Here at Digital Fabrics we love everything print, pattern and colour and we love to know what makes print designers tick.

This series we are focusing on textile designers as our creatives to get into the nitty gritty of the thing we love the most, textiles and surface design! We have asked a different set of questions relative to this and as always we hope to inspire others by sharing snippets of these creative stories.

Today we are chatting to Audrey Gachet a Sydney based textile designer and illustrator who’s love of the beach and nature is reflected in her hand painted watercolour designs. Her work is elegant, classic and contemporary as well as being proudly printed and made in Sydney. She works mainly with fabrics and creates gorgeous textile pieces for the home as well as creating art prints, we love it all and can’t wait to share her inspirations and story below.

You will find her products online here or look out for her at a market, she has previously exhibited at Life Instyle, Makers & Shakers and Finders Keepers.

Audrey_Gachet_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_2Audrey_Gachet_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_11

Tell us a bit about yourself, your brand/label name what your creative practice is, how and when you began:

I’m Audrey Gachet, I’m a designer and Illustrator based in Sydney.

Growing up in the south west of France, my creative journey started from a very young age, when I used to hang around my mother’s atelier. Being an artist herself, I was influenced by my mother’s art and you would often find me painting and creating all sorts of things in her studio.

After studying Graphic Design & Illustration in Bordeaux and London, my career as a designer really took off when I moved to Australia and worked with Australian brands, creating lifestyle products. I learnt a great deal from them and it allowed me to understand and appreciate the hard work that goes into creating products and developing them.

I created my label in 2018 and launched my first collection of luxurious homewares and fashion accessories, which I now sell online and in various boutiques across Australia.

Like many designers, sustainability is important to me. I wanted to make sure that I created designs that don’t impact negatively on the environment and I also wanted to choose natural fibres that don’t require much energy to produce and that are renewable.

The other important point to me was working with local businesses to bring my product to life, so all of my designs are hand-made by artisans in Sydney. I work with a local digital printer and maker to ensure the heart and soul of my work is translated in every product.

Audrey_Gachet_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_3Where do you call home and what is your favourite thing about where you live?

Sydney is now my home. Living close to Sydney’s magnificent beaches and botanical beauties, I feel deeply inspired by the Australian lifestyle – nature informs a big part of my work. Having grown up in the French countryside, I’ve always been drawn to the simple and authentic aesthetic, so there is always a bit of France injected into my work.

What 3 words best describe your creative style.

Raw, Organic, Delicate

Audrey_Gachet_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_9What led you to Textile design and what is your favourite thing about working with fabrics and/or print? 

I have been interested in textile design from a very young age. I learnt to sew and started designing my own clothing, bags and homewares such as cushions for my student apartment.

As a designer now, working with fabric and prints allows me to continue to indulge that love for colour and texture. Being able to create a tactile experience, for example by pairing interesting fabrics together, is something I really enjoy doing. It’s very important to me to generate a sense of visual envy and of wanting to touch and feel the final product.

Audrey_Gachet_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_8Tell us about how you get your creative juices flowing, what is your process? Do you have a source of inspiration you want to share with us?

The creative process – giving life to an idea – really excites me more than anything. Taking inspiration from my everyday life, I am quite drawn to colour combinations and texture. Whether it’s from what I see in the streets, from books, in exhibitions, on social media, or along my travels – everywhere you look there is inspiration! As a creative it is important to observe everything around you and be open to all forms of art, not just your own niche.

Do you have a favourite medium and/or method to work with, if so what is it and why?

I enjoy working with watercolour to build up delicate shades and layers of fine details and to manipulate white space and light which amplifies the surrounding colours.

I also really love the freedom that working with watercolour gives you – it is a technique that is not easily mastered but you learn to play with it and truly appreciate the unpredictability it brings. It allows me to have a free gesture which sometimes leads to aesthetic ‘imperfections’, but these possess their own unique beauty.

Audrey_Gachet_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_12Audrey_Gachet_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_7When designing a new collection or set of work what is your process and how long might you spend on this?

Gathering inspiration from a multitude of sources – be it colours, textures or shapes – always kick-starts the process. The next step is to organise my materials and plan what I would like to focus on and what I want to communicate through a collection. Then comes my favourite part of the process – I start painting. The process continues on through printing and production, with a full project taking from six months to a year, from initial inspiration to final product.

What would you say is the biggest challenge when running your own business, what is your favourite and least favourite part?

Having a business is a challenge on its own; you are constantly multitasking and working on all the facets of the business – sales, marketing, web designing, production coordination etc. Although, staying focused on what you are good at is the biggest challenge. You have to make sure you make time for what you love doing, which for me, is the creation process.

What advice would you give an aspiring textile designer in today’s challenging and competitive environment? Are there any resources you would recommend or websites that you couldn’t live without? 

Persistence and consistency in your work is important. That’s why being passionate about what you do keeps you going. Make the things you wish someone else would make for you – I keep repeating this to myself and stepping back from my design, thinking would I love having this? If it’s a yes then I will go ahead. Sometimes you get stuck with creating your own designs. But being surrounded by other creative helps as well and make sure you keep meeting new people and network.

Audrey_Gachet_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_1What would your dream creative project or collaboration look like? Tell us about why you would love to collaborate with them and what you find inspiring about their work.

I would love to collaborate with Anthropologie. I have been a big admirer of their colourful and textural designs and it is quite an institution for homewares and fashion lovers and designer.

What projects or collaborations from last year stuck out, good or bad and what is coming up over this year that you would like to plug!

I am currently in collaboration with the Australian clothing brand The Ark. It’s an exciting project which should come to life this summer 2019!

Audrey_Gachet_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_10Read about what Audrey is upto: Website, Facebook, Instagram.

New Vesna Eco Lycra Fabric

You asked, we listened! After receiving plenty of interest in recycled lycra fabrics we’re very excited to announce that we have introduced one to the Digital Fabrics Fabric Range! Introducing our NEW Vesna Recycled Eco Lycra.

Vesna is an innovative 85% Recycled Polyester / 15% Spandex fabric made using recycled plastic bottles and has a maximum printable width of 147cm.

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Vesna has an off-white base and a smooth surface with a slight sheen – not too matte and not too shiny! Vesna’s composition and finish provides really vibrant printing results, making this fabric ideal for designs with bright and deep colours.

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Vesna is 230 GSM with an even four-way stretch and moisture wicking properties. It also has a chlorine rating between 4-5 and a UPF rating of 50 making it perfect for swimwear and active-wear garments. We think the Vesna will also be a great choice for fashion leggings, dresses, skirts, dancewear and costumes.

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Sample swatches of Vesna are available through our Sample Pack Order Form. Get in touch with any upcoming projects that you think our Vesna might be great for!

Nailed It: Q & A Style Interview With Roberta Montorfano From Betta Design Studio

Nailed It. Creative business success story

Here at Digital Fabrics we love finding a new and interesting success story on a brand or business that is inspiring to the creative community. We thought it would be useful and informative to find out how these creative businesses nailed it, lessons learned on the way and tips they might have. We have asked them to share important “How to’s” and growth hacking tips for start-ups and emerging designers. Read it, get motivated and nail it yourself!

This time we have a Sydney based Textile designer to get your creative juices flowing and your mind ticking! We are chatting to Roberta Montorfano the artist and designer behind the Textile Studio: Betta Designs, a brand that is full of bohemian delight and florals to swoon over. She is also one of our workshop teachers!

We had the pleasure of asking her a few questions about how she is nailing it and what she has learnt along her journey so far and what she plans for the future of her business.

Digital_Fabrics_Nailed_it_creative_interview_Betta_Designs_12Who is behind Betta Designs Studio– tell us a bit about who you are, what you do and what services does Betta Designs offer?

Hello, my name is Roberta – I am a dreamer, pattern lover, artist and full time textile print designer!

My background is half Mexican – from my mothers side; and Italian- where I was born and spent most of my life. I have always been a curious soul wanting to see the best and colourful side of life, trying to find the best way to communicate myself and who I am through art and patterns (that you can also wear if they are textiles!!)

With Betta Design we offer collections of exclusive textile prints services:

– Collections of exclusive designs ready to go prints in high resolution Photoshop files.

– Custom design for any particular print idea and request

– Creation of different colorways and print manipulation

– Mood boards and trend research

– open to any artistic collaboration ideas

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Digital_Fabrics_Nailed_it_creative_interview_Betta_Designs_7What did your creative journey look like and how did you begin designing textiles? At what point did you start your textile studio ‘Betta Design Studio’?

My journey with Betta Design has been very natural, looking backwards I can see all the dots connected to each other.

I have always wanted to have a pencil in my bag to draw and colour something since I was young; art and anthropology have always been my favourite subjects at school and when I had to choose my University career I decided to keep art as a ‘hobby’ and studied ”languages and cultural mediation” (dreaming of becoming a some sort of National Geographic photo journalist).

While I was trying to study Chinese I found a job opportunity as a sales rep for a textile studio in my hometown, which required me to travel a lot around the world (Brazil, Japan, USA, China, Europe…) When I soon after realised what I was selling and how inspiring and creative was the textile design world I automatically pursued my textile design career as well. So after working for a very well-known local print studio in Italy for few years, I decided to challenge myself:  travel and move to grow and learn and seeking new dreams.

Betta Design Studio was born in my room in Bondi in 2014 after a strong desire of sharing my passion for pattern and print ideas, art and textile.

You have a very interesting background and heritage, do you think you can tell us about this and how this has inspired you and in what way do you believe it has translated into your work across the years.

My background is very interesting, two countries that have such a strong art identity:

I grew up surrounded by colours, patterns, textile. I come from Lake Como that used to be the Italian capital of silk, my dad has always worked in textile producing made in Italy silk scarves and ties. Our house was full of Mexican art and style and handmade beautiful traditional designs, it has been always around me.

I have always felt so lucky to be who I am and to be born from such a rich mix of roots.

My strong curiosity for art and the desire to create combined with my passion for travelling and exploring art and cultures brought me into textile and my passion grows every day more and more.

Digital_Fabrics creative interview with textile studio Betta Designs Digital_Fabrics_Nailed_it_creative_interview_Betta_Designs_1What does a day look like in the Betta Design studio? Do you have a routine to follow or do you work in a more ad hoc way?

It’s very hard to describe what a typical Betta Design day looks like because it really depends on what is going on. Let’s say that Betta Design never stops even at night, a bit unpredictable each day because there are so many tasks and exciting things to do every day: finding new ideas, preparing files, creating new prints, lots of admin sometimes, resourcing new projects, new opportunities, traveling and showcasing our designs around as well as painting and drawing and colouring the world with patterns!

This is what typically happens in a day but I have to say that at night is when I am more productive and full of ideas (it’s 12.52am right now!)

Florals and botanicals are clearly a huge inspiration to you, was this always the case and where do you get new inspiration from?

Styles can change from day to day, when an inspiration or a new idea comes you can only follow it. I love to change a lot: animal prints, bohemian, borders, florals, abstract prints, a bit of geometrical sometimes, tropicals.. there are infinite ideas in our minds!

Actually florals are not my best style. I love drawing florals, especially botanicals or watercolours but I am more a bohemian type. I like to design different sort of style depending on the request, the trends and ideas. But my soul is gyspy, so ethnic and bohemian prints are my favourites!

Obviously I love drawing florals, that’s why we run the Floral Workshop together!!

Digital_Fabrics_Nailed_it_creative_interview_Betta_Designs_6 Digital_Fabrics_Nailed_it_creative_interview_Betta_Designs_3What does your creative process looks like? Can you take us through your design development steps and which is your favourite and why?

There are different ways I develop a print, a creative process is quite personal and different from each textile designer.

Betta Designs never stops – my eyes are everywhere I can see patterns all around me: it could be watching a sunrise, on the bus, walking around the park full of trees and flowers, at the market or looking at a tile outside your friend’s house. Inspirations can come from anywhere!

I remember one of the first print I created it was in my first or second collection: a water effect digital print. Very bright and vibrant and blue! I started from a photo that I took during a coastal walk in Tamarama, a photo of perfectly smooth waves from the top of the rock. I still remember that moment, the perfect combinations of shades of blues and whites. Then I got home and I started playing with it in Photoshop and I created a print that I called ‘Splash’ (I used to give actual names to my prints). That print was sold to a great swim local label.

This is my favourite part of the design development process –  The natural one, when the idea just comes by itself and you create something that is new and interesting.

Going back to your question I was getting too emotional; whenever the inspiration comes from (a catwalk trend or a picture you took from a flower on your balcony) the design process is quite standard:

– Creation and preparation of the elements. This is my favourite step, usually the most creative one. Drawing and preparing the elements, choosing colours and movement.

– Designing the print: display the elements and put them in repeat. This is the most “technical process”.

– Try different colorway options and check the file at the end.

Digital_Fabrics_Nailed_it_creative_interview_Betta_Designs_15Can you share your go to online resources for textile design trend research and inspirations?

I tend to use more books for inspiration but as in online resource I manly keep myself updated on trends on wgsn.com on weconnectfashion.com and blogs, I use Instagram and Pinterest to share and get inspired.

You are represented at some of the international textile trade shows, what goes on at the shows and what do you get out of them.

Yes, we have tried some trade show, the most recent one was the London Print Textile Fair. Trade Shows are a great opportunity to connect with other customers and it’s a window for new opportunities and to grow. We are also represented by agents in Australia, US and Europe.

If you were to start your creative journey all over again, would you do something different and if so what would it be?

You know when they say “it was meant to be”? – I strongly believe that we have a path to follow and mine led me here where I am now. So no, I would not change a single thing of what I did so far. Textiles is more than a passion and is a way of living. My creative journey has been very natural for me and I hope I will always stay as exciting and inspiring as it currently is every day.

 What skills do you think are necessary to have in order to become a textile designer that specialises in developing fabric prints for the fashion market?

– Definitely a strong passion for patterns and colours

– love to create and drawing skills

– strong eye and observation skills to constantly look around yourself and always inspire and get inspired

– strong knowledge of Adobe software (Photoshop, Illustrator, InDesign..)

– lots of patience and determination to keep believing in yourself and your art because it’s worth it!

Digital_Fabrics_Nailed_it_creative_interview_Betta_Designs_11What words of wisdom do you have for others wanting to do what you do?

It’s not an easy industry like many other creative carriers. It’s challenging to constantly be creative and share hoping that someone else will like what you have drawn (and eventually wear a dress with your design).

So many times I have asked myself what I was doing and why, but I could never stop because my imagination was bigger than any fear of failing. And failing is actually a good thing sometimes. Whatever your passion is just follow it, it’s never going to be wrong as long as it makes your soul smile.

 “Creativity means enjoying any work as meditation; doing any work with deep love.” 

What would you like to see in the future of Betta Design Studio, any dream collaborations, projects or ideas that haven’t come to life as yet?

In the future of Betta Design I can see so many things that I don’t even know where to start. So I try to stay optimistic while trying not to overwhelm myself with expectations either. I would love Betta Design to keep learning and keep sharing prints around and get inspired by collaborating with different people and projects hopefully around the world and I will do my best!

Digital_Fabrics_Nailed_it_creative_interview_Betta_Designs_5Thanks Roberta, what a fun and colourful read full of inspiration.

You can follow along with what Roberta from Betta Designs is upto Website, Instagram, Facebook

Snippets: Chats With Creatives, Illustrator & Pattern Designer Amber Davenport – Series 3, Snippet 3

Snippets. Chats with Creatives.

Here at Digital Fabrics we love everything print, pattern and colour and we love to know what makes print designers tick.

This series we are focusing on textile designers as our creatives to get into the nitty gritty of the thing we love the most, textiles and surface design! We have asked a different set of questions relative to this and as always we hope to inspire others by sharing snippets of these creative stories.

Today we are chatting to Amber Davenport, a British illustrator and surface pattern designer with a flair for hand painting bright and colourful artworks inspired by travel, botanicals and her surroundings.

She aims to make people happy with her artwork and accessories and we have to agree that she does! Her style is unique and she captures scenes in such a wonderful way with brushstrokes, patterns and colours used and details captured.

She has worked with Urban Outfitters, Birchbox, Target and OhhDeer and been featured in some great publications including Mollie Makes, Brownpaperbag and Artistic Moods. Her work is aesthetically pleasing and works in a variety of spaces and we had fun asking her the snippets questions:

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Tell us a bit about yourself, your brand/label name what your creative practice is, how and when you began:

I’m Amber, I’m an Illustrator and Surface Pattern Designer from England. I sell my Illustrations as prints via my website and through companies such as Urban Outfitters, Target and Paperchase. I also create surface patterns for a range of different products including Cushions, Tote Bags and Wall Hangings. My business started in my bedroom in 2016 whilst I was studying Textiles at University in Manchester. Fast forward 3 years and my hobby and passion project has turned into a full time dream as a shop owner and Freelance Illustrator! Since graduating University last year I work from my studio at home where I’m kept company by my three cats and endless potted plants.

Amber_Davenport_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_10Amber_Davenport_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_12Where do you call home and what is your favourite thing about where you live?

I live in a Warrington in the North West of England, it’s great because it sits between two great cities; Manchester and Liverpool.

What 3 words best describe your creative style.

Botanical, Naïve and Colourful.

Amber_Davenport_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_7Amber_Davenport_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_4Tell us about your creative space, what are your tips for keeping a creative studio space organised? What would your dream space look like?

My studio is currently packed into the spare room of my home. It has very good natural light and is filled with plants as continuous inspiration. It’s great because I always have my cats to keep me company although sometimes I do get a bit of cabin fever, its so important to leave the house at least once a day! I’d love a bigger studio as I’m currently surrounded by boxes of stock with limited space to spread out. My dream studio would be a large white room, a blank canvas, filled with lots of desk space. Id love a designated area for packing stock and another area where I could paint and be messy!

Amber_Davenport_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_2What does a typical creative day look like for you? Do you follow a routine or are you project led? 

Typically, in the morning I focus on replying to emails, updating my website, sorting content for social media and heading to the post office with lots of prints! These areas are the parts of my business I enjoy the least so I try to get these things done first so I can enjoy the rest of my day. After lunch I sit down at my desk and paint, whether it be for personal projects or client led projects. I love this part of my job and I get totally lost in it, sometimes I don’t leave my desk until the early hours of the morning.

Tell us about how you get your creative juices flowing, what is your process? Do you have a source of inspiration you want to share with us?

I love to travel, I recently got home from a four-month trip to Malaysia, Australia, New Zealand, Fiji, Hong Kong and Thailand. So at the moment I’m definitely ready to burst with ideas! Obviously I cant afford to travel all the time, so when I’m not travelling I like to visit Botanical Gardens and watch lots of David Attenborough documentary’s, on repeat!

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Amber_Davenport_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_11Do you have a favourite medium and/or method to work with, if so what is it and why?

Acrylic and Gouache paints. I also like to collage with painted bits of paper, screenprint and sometimes like to papercut too! I’m a very hands on designer, I’ve never really been interested in digital design as the process isn’t as fun for me.

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What would you say is the biggest challenge when running your own business, what is your favourite and least favourite part?

Time management! Its difficult juggling marketing, accounts, post office trips and replying to emails when all you really want to do is create. These things don’t come naturally to me so I have a habit of pushing them aside. My favourite part is completing personal projects. I consider myself so lucky that I get to create the art that I want the majority of the time. Some days I get to paint whatever I feel like in that moment, I find that sometimes these pieces become my best sellers and that’s just the best feeling ever. My least favourite part is the uncertainty of running your own business, my monthly income varies and this is quite daunting. I suppose organization and self motivation is key to feeling like you’re keeping on top of everything.

Where would you like to see your work featured?

Id love my surface pattern to be featured in Anthropology, it would just be a dream. Aside from that I would love to grow my brand enough so that I could start selling wholesale to high street stores. I’m currently working on expanding my product range to include more of my Surface Pattern Designs so if I could pull that off id be so happy.

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Amber_Davenport_Digitalfabrics_textiledesign_surfacedesign_fabricprinting_8You can read more about what Amber is upto Website, Instagram, Facebook.

Textile Collection Wildflower

It’s that time again – our design team has been busy working to deliver new range of textile designs for our Fabric Shop that delight and inspire. Having focused solely on digital methods to create designs for our previous launch we’ve returned to hand-drawn and hand-painted motifs, texture and line for our latest range. Introducing our Wildflower Collection.

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Once again we found ourselves being inspired by nature. It’s hard not to be when it still feels like Summer in Sydney. Our research began by collecting imagery of picture perfect gardens and the creatures that lie within them. These were then used to start drawing and painting interesting forms and surfaces.

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From the variety of motifs drawn, a selection of watercolour elements were chosen to develop further for the range, with detail rich designs being an area of focus. We wanted to create a range of prints where the designs could work on their own as well as complement each other when used together. By choosing the unifying feature of watercolour motifs across the range we knew we could be experimental with colour and still create a balanced and harmonious collection.

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The Wildflower Collection plays with primary colours throughout the designs, with warm and cool variations of reds, yellows and blues being seen throughout. This balancing of undertones and vibrant colours results in a fun range of designs perfect for those who love to make a statement by mixing and matching bold prints together. We’ve included some reference imagery below that show not only designs comparable to those in this collection, but also those that celebrate the art of clashing prints.

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The Wildflower Collection is full of dramatic colours, textural hand-drawn elements and motifs that feel both ‘naughty and nice’. Whilst ‘Viper Sun’ and ‘Tea Party’ are best suited for fashion rather than homewares, ‘Eclipse’ and ‘Zephyr’ can definitely work well for both. We’d love to know what sort of applications you think these designs would be perfect for – so get in touch! Designs are available in our Fabric Shop now.

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Cotton Poplin Fabric

This time on the blog we’re focusing on one our most popular fabric choices from our range of Natural Fabrics – the Cotton Poplin! Even if you haven’t printed on our Cotton Poplin before there’s a good chance you’ve seen, used or worn similar Cotton Poplin fabrics. It’s a first choice fabric fora variety of products, garments and homewares.

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Our Cotton Poplin is a high quality lightweight 100% cotton fabric which is both durable and versatile, and has a maximum printable width of 140cm. This plain weave natural fabric has a smooth surface making it great for designs with intricate and fine details. It has a warm white base colour and a matte finish. The Cotton Poplin’s tight weave allows for good colour reproduction when printed.

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When selecting the Cotton Poplin please keep in mind that some fading as a result of washing is normal for digital printing on natural fabrics. The fading often gives the Cotton Poplin a charming and soft ‘worn’ look. Fading can be minimized through the use of cold hand-washing and phosphate free detergent.

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Cotton Poplin is 105 GSM and has no stretch. It has a crispness to its drape and holds it shape very well, making it ideal for fashion garments such as shirts, dresses, skirts and kids clothing. It is a particularly good choice for Summer fashion! The fabric is also a popular choice for pillowcases, napkins, displays and beeswax wraps. We’ve included some reference images below which

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Sample swatches of the Cotton Poplin are available through our Sample Pack Order Form on the website. Contact us to find out if this fabric is a suitable option for a textile project you’re working on!