Tag Archives: home decoration

New Fabric – Cooper

Recently, we’ve been testing some fabulous fabric print bases to hopefully add to our print fabric range! One fabric that we are very excited to introduce is called Cooper. This is a fantastic commercial-grade interior fabric suitable for any creative upholstery or drapery projects.

Keep on reading to find out all about this brand-new print base fabric and get inspired for your next project!

Digital Fabrics_Stock fabrics_custom fabric printing_Cooper

Unprinted Cooper Fabric Print Base showing linen-look texture

Our Cooper is a high-quality, heavyweight 100% Polyester fabric that is both durable and versatile, it has a heavy weight of 380 GSM with a printable width 145 cm. This woven fabric has the most stunning linen-look texture and a vivid white base colour with a slight sheen in the slub texture. The vivid white colour of the fabric insures the strongest colour reproduction of digital designs.

Digital Fabrics_Stock fabrics_custom fabric printing_Cooper 3

Digitally printed Cooper fabric

This fabric has undergone the Martindale Test, which tests the durability and abrasion resistance of the fabric. Test results are given as a score of 1000’s of rubs or cycles, and the higher the number is, the more suitable the fabric is for heavier usage. Cooper fabric went through 50,000 cycles…wow! Meaning it’s a suitable fabric for heavy-duty commercial use, heavy-duty domestic use, and all commercial furniture applications and environments. It is important to note that the rub tests were performed on unprinted fabric.

Digitally printed Cooper fabric samplesAs Cooper is a polyester fabric, it’s easy to care for. Depending on the finished product it can be washed in cool or warm water using a gentle or standard machine cycle. To reduce wrinkles we recommend washing it in a half-loaded washing machine and for drying to air dry or tumble dry on low-temperature settings in a half-loaded machine.

This fabric is easy to work with, non-slippery, and has great movement whilst holding its shape very well. This makes it ideal for upholstery and drapery purposes such as sofas, chairs, throw cushions, table linen, and curtains. It’s also a perfect choice for some small DIY homewares and accessories projects like tote bags, wall hangings, and picnic rugs. We have put together a small collection of reference images to inspire you to create with Cooper fabric.

Colourful cushions. Source.

Bright sofa throw. Source.

Elegant bedhead. Source.

Upholstered dining chairs. Source.

Sample swatches of the Cooper are available through our Sample Pack Order Form in Interior and Super Pack packs on the website. Contact us to find out if this fabric is a suitable option for a textile project you’re working on!

Textile Collection Wildflower

It’s that time again – our design team has been busy working to deliver new range of textile designs for our Fabric Shop that delight and inspire. Having focused solely on digital methods to create designs for our previous launch we’ve returned to hand-drawn and hand-painted motifs, texture and line for our latest range. Introducing our Wildflower Collection.

Once again we found ourselves being inspired by nature. It’s hard not to be when it still feels like Summer in Sydney. Our research began by collecting imagery of picture perfect gardens and the creatures that lie within them. These were then used to start drawing and painting interesting forms and surfaces.

From the variety of motifs drawn, a selection of watercolour elements were chosen to develop further for the range, with detail rich designs being an area of focus. We wanted to create a range of prints where the designs could work on their own as well as complement each other when used together. By choosing the unifying feature of watercolour motifs across the range we knew we could be experimental with colour and still create a balanced and harmonious collection.

The Wildflower Collection plays with primary colours throughout the designs, with warm and cool variations of reds, yellows and blues being seen throughout. This balancing of undertones and vibrant colours results in a fun range of designs perfect for those who love to make a statement by mixing and matching bold prints together. We’ve included some reference imagery below that show not only designs comparable to those in this collection, but also those that celebrate the art of clashing prints.

image via Pinterest

The Wildflower Collection is full of dramatic colours, textural hand-drawn elements and motifs that feel both ‘naughty and nice’. Whilst ‘Viper Sun’ and ‘Tea Party’ are best suited for fashion rather than homewares, ‘Eclipse’ and ‘Zephyr’ can definitely work well for both. We’d love to know what sort of applications you think these designs would be perfect for – so get in touch! Designs are available in our Fabric Shop now.

Textile Collection Luxe

Recently when we’ve launched a new range of prints we’ve taken the time to put together a blog post that details the creative process behind the collection. We thought it would be a fabulous opportunity to revisit some of the past textile collections in our Fabric Shop and share the inspiration, techniques and methods that went into the creation of these designs. For this textile retrospective we’re focusing on one of our most popular ranges – The Luxe Collection. The range features 6 key designs, with some available in multiple colourways, resulting in a rich 10 piece collection.

Palazzo Colonna Rome – nikyrovis.com.au

Dulux Styling – we-are-scout.com

Villandry Wallpaper Styling – stylelibrary.com

The Luxe Collection wanted to celebrate the essential role that textiles and prints play in designing really sumptuous interiors. The layering of different colours and textures together elevates a space and gives it that luxurious feel. Our design team wanted to apply this same logic to a textile collection by playing around with different colours, techniques and imagery.

The first design element we worked on was colour. We wanted to select a colour palette that created a sense of opulence all on its own. The secondary colours of green and purple were selected as focal points, with distinct choices for each being used, including hot pink, sage green, indigo and spearmint. The colour palette has cool undertones throughout and is reminiscent of gem stones.

The creative process then varied for each of the designs. For the ‘Bold Rose’ prints, photographs taken at The Royal Botanic Garden were digitally manipulated to create moody large scale prints. The ‘Watercolour Pink’ and ‘Circular Peony’ were created from hand drawn watercolour illustrations which gives the designs a free-flowing aesthetic. ‘Mramor Ice’ was created using marbling techniques, which also provides an organic feel, whilst ‘Elephant Ear’ and the ‘Cutout’ prints were designed entirely digitally as a point of difference within the range.

This variation between designs creates a really interesting narrative throughout the collection where the prints can either work alone or harmonise beautifully together. The Luxe Collection is a series of statement prints certain to give any space a touch of flair.

We’d love to know what sort of project you would like to use these designs for, or perhaps the projects you’ve already used them for – so please get in touch! Designs are available in our Fabric Shop now.

Nailed It: Q & A Style Interview With Stavroula Adameitis From Frida Las Vegas

Nailed It. Creative business success story

Here at Digital Fabrics we love finding a new and interesting success story on a brand or business that is inspiring to the creative community. We thought it would be useful and informative to find out how these creative businesses nailed it, lessons learned on the way and tips they might have. We have asked them to share important “How to’s” and growth hacking tips for start-ups and emerging designers. Read it, get motivated and nail it yourself!

We are back for 2019 and we have a fabulous designer to get your creative juices flowing and your mind ticking! To get the year going we are chatting to Stavroula Adameitis, the artist and designer behind the fabulous label ‘Frida Las Vegas‘ an Australian brand known for its bright colours, pop art themes and humorous work with a big kitsch kick and homage to the 80’s. We had the pleasure of asking her a few questions about how she is nailing it and what she has learnt along her journey so far.

Firstly, please tell us about how Frida las Vegas was born and how you came up with the very fun name?

The name ‘Frida Las Vegas’ was given to me by a dear friend when I unceremoniously signed up for an OKCupid.com profile some time in 2012 and didn’t want to use my real name on screen. I stayed on the platform for a grand total of 10 minutes before getting creeped out and leaving the online dating world forevermore but I noted the name ‘Frida Las Vegas’ had a catchy ring to it. I felt the combination of artistic feminine expression a la Frida Kahlo with a side order of tack-a-rama Las Vegas glamour really summed up who I was and what I wanted to express, so it was perfect to create work under this name a year later!

Your artwork is uber unique! What messages are you trying to share and what does your brand represent?

Thank you! My work is super nostalgic and reflects my personal obsessions with icons of popular culture, architecture, fashion and memory – many of which are distinctly Australian, which I feel is missing from the pantheon of Pop Art. Glamour and humour are central to the FRIDA LAS VEGAS ideology as these terms usually contradict themselves and I don’t think they necessarily should.

Visually, I’m interested in creating a universe that exists in its own timewarp, like a mash-up between art deco linework, 1980s Memphis Milano graphics and 1950s atomica. Ultimately my brand represents the self-actualising power of positivity, colour, confidence and humour.

Your colour palette is bold and bright, do you ever see this changing or is it integral to your work?

My colour palette is somewhere between a Barbie Campervan and a bag of mixed lollies and I can’t see this changing too much across mediums. I connect with bright colours on a deep level as they give me energy. If I ever use black as a major colour, I’m pretty sure will only be used as a background for multicoloured neon lights!

Do you work on Frida las Vegas full time? If so how did you make the transition and what experience have you found most valuable on the way? What advice can you give to fellow creatives thinking about making the leap?

Presently, I work freelance and split my time between clients, agencies and my own work under the FRIDA LAS VEGAS label. It’s all a juggle but I love constantly learning and evolving. There’s no roadmap through a career and I’m excited to see where the path twists and turns as new technologies and opportunities present themselves in the future. It’s important to stay open and flexible, regardless of your medium or industry.

Do you think you have a specific demographic, if so who are they and what do you think they love most about your work?

Anyone who appreciates vintage-inspired styling, a keen sense of humour and a love of colour is probably going to connect with my work. I’ve been told by customers that wearing FRIDA LAS VEGAS makes them feel fabulous and confident, which is the ultimate double-whammy compliment in my books and also the reason I do what I do!

Sydney is a BIG source of inspiration for you (obviously, because she’s fabulous dahhh-ling). Can we expect to see any work inspired by any of our other glorious Aussie cities?

I adore Sydney and feel incredibly inspired to call Sydney home, but am equally pumped to explore the mythologies, signs, symbols, faces and places of other Australian locales – especially the Gold Coast (so gloriously tropical and tacky!) and Adelaide always holds a giant slice of my heart, as that’s where I grew up and spent my first 25 years on the planet.

Who are your biggest inspirations and who tops your dream collaboration list?

I’d love to collaborate with Black & Gold or Home Brand, but this is definitely a pipe dream as they are both very elusive and exclusive! Fashion-wise, I love the work of Elio Fiorucci, Jeremy Scott, Thierry Mugler, Gianni Versace and 80s Barbie, amongst others. Cinema is also a massive passion, especially costume and set design – which is truly creative across the spectrum and allows filmmakers and their teams to construct entire ‘worlds’, something I find really appealing.

Ethical manufacturing is clearly very important to you (yass!). As another local business supporting the ethical fashion movement we’d love to hear what your motivations with this cause are.

Ethical manufacturing makes perfect sense. From a production perspective, it’s more efficient to foster relationships with local suppliers whom you can jump on the phone and workshop ideas with in the same timezone rather than dealing with overseas companies by email. My artwork celebrates Australia in all its forms, so it’s only fair my clothing truly reflects that celebration in how it is produced and constructed. I’m a big believer in practicing what you preach!

You recently entered the world of fashion with a product list growing fast! What led to you designing and creating these pieces and what might be next?

I’m always motivated to design what I personally want to wear and can’t find on the market. I’m not interested in trying to reach a mass audience, which gives me freedom to follow my instincts and design without boundaries. Presently I’m on the hunt for the perfect swimsuit that is fun AND flattering, with no luck from what’s on the market – so I’m working on making that happen!

What projects are on the horizon for Frida Las Vegas for 2019? Can you share any juicy plans or new product launches?

I’m working on an exhibition of neon and acrylic art that I’m MEGA pumped about, which is shaping up to be an extravaganza of extreme 80s glamour!

What is your advice for creatives at the beginning of their journey? Perhaps they are not sure on the product to create or the path to go down. If you could go back and give yourself advice, what would it be?

The best way to do is by doing. Skill up. Tool Up. Bar a few established professions, the concept of a career with a capital C is 100 per cent in flux right now – so stay ahead of the game with real, practical, hands-on skills that render you valuable and flexible for a changing world.

Find your own unique style. Don’t seek to emulate the work of one or two of your favourite artists. Instead, find inspiration from the random things that TRULY speak to you. Aim to ‘channel’ your influences rather than ‘copy’. Creating a style is all about how you mix up the mediums, styles, symbols and feelings of the things you love to create a product that is more cohesive than the sum of all its parts. Do this with your own personal flourishes.

Social media now consumes so much of our time and mental space, how do you manage this area and do you have any tips on how to stay relevant and fresh?

Social platforms are purposefully addictive by the nature of their interface design. With minimal ‘exit points’, it’s important to maintain boundaries with yourself and not get lost ‘in the scroll’. I strive to share my work in a tone that is authentic, relatable and not-too-serious. If a photo or video takes more than a minute to write a caption, I don’t post it because it means I’m probably thinking about it too much. Ultimately it’s important to not take social too seriously or let it define you – we are all human, not numbers!

As a business owner these days you have to have the ability to wear lots of hats, what is your favourite and least favourite hat to wear and why?

Posting orders at the post office isn’t my favourite part of the process but I’m trying to find beauty in the banal and see it as a chance to leave the computer and stop ‘n’ smell the (Cadbury) Roses!

Thanks Stav, what a fun and inspiring read!

You can follow along with what Stavroula from Freda Las Vegas is upto Website, Instagram,

Snippets: Chats With Creatives, You Are Brave – Series 2, Snippet 7

Snippets’. Chats with Creatives. We are back with series two! Here at Digital Fabrics we love everything print, pattern and colour and we love to know what makes designers tick. This second series is all about asking some fun and different questions and learning about the inspirations and ideas behind the artist and their work. We hope to inspire others by sharing snippets of these creative stories. We gave the artists and designers featured a varied and different set from series one list of questions to choose from so we will learn something new from everyone involved, should be fun!

Today we are chatting to Michelle from You are Brave, a textile brand that creates hand printed apparel, tableware and interior decor pieces inspired by nature in all it’s glorious forms. Her work has earthy tones and emulates a relaxed Australian vibe. She worked as a commercial textile graphic designer for years before stepping out on her own, inspired by the words of her Aunt Mabel ”You are Brave” her products are hand printed and made locally, an important part of the brands ethos.

Tell us a bit about yourself, your brand/label name what your creative practice is, how and when you began:

YOU ARE BRAVE textiles is known for it’s hand screen printed fabrics (although I’ve also produced digital prints in the past). I think my style of print design is simple, relaxed + has a coastal and tropical Australian feel.

My prints tend to focus on single aspects of natural forms. I’m trying to isolate “the one thing” or essence of natural things that can seem complex + mind blowing at the outset. This is how I gather my inspiration + it becomes like a meditation for me.

Uplifting everyday practicalities is also central to the ethos at YOU ARE BRAVE as are the benefits of natural + sustainable fibres … the offering is of printed meterage, hand made interior décor and most recently, women’s apparel which is all locally produced.

My leap of faith into YOU ARE BRAVE textiles came in 2014 when I left a long career in commercial textile design. It was a brave move at the time. But I knew I had to do something more meaningful with my creative energy + my time on earth.

Where do you call home?

Sydney’s Inner West is now firmly my home although I grew up in & still have close family ties in Cape Town, South Africa.

What 3 words best describe your creative style.

Relaxed. Natural. Australian

What would your dream creative project look like? Who or what is your dream project, client or job? Tell us about why you would love to collaborate with them and what you find inspiring about their work.
I love travelling. And there’s something about the tropics that not only appeals to me but more than that, tropical places make me feel alive. So I would love to work with a boutique resort on updating or designing their textile furnishings.

What would you say is the biggest challenge when working for yourself ?

As a person with many ideas + interests, I would say staying focused + motivated has been my biggest challenge. I think being creatively self employed requires not only a commitment to yourself but a large amount of self belief. These are things that constantly ebb + flow for me so it’s something I’m always working on.

What/who inspired you to take the leap in to your creative venture, how did you get started?

My Great Aunt Mabel has always been inspirational to me but as most people who ask about the origin of my label’s name know, she was also the reason why YOU ARE BRAVE has it’s name. The story behind it is posted on my website but in a nutshell, my Aunty Mabel believed in me when I didn’t, she showed me that with a little self confidence, I could do anything.

Tell us about how you get your creative juices flowing, what is your process?

Two things here … I respond to being immersed in nature. Line, colour, pattern, shapes + smells in nature are powerful stimuli both visually + spiritually.

But I’ve recently learned that I respond creatively when I take on a big challenge, see it through + do a good job of it. It energises me + it seems to provide more motivation to explore future endeavours.

What projects or collaborations from last year stuck out, good or bad and what is coming up this year that you would like to plug!

I worked in fashion for a long time but after 14 years in the industry, I felt I needed to work with my hands again + produce things that were meaningful as well as beautiful, so I returned to my roots in interior decor when I started YOU ARE BRAVE in 2014. Recently I’ve produced some prints that were just calling out to be made into apparel, so I guess I’ve come full circle. I now offer printed meterage for all those talented makers out there as well as decor + a small range of apparel.

You can follow what Michelle from You are Brave is upto Website, Instagram, Facebook.

Snippets: Chats With Creatives – Series 2, Snippet 4

Today on snippets we are talking to Bianca from Bianca Smith Designs who creates artworks that are about empowering women and combine her love for theatre, ballet and beauty in a majestic and magical way. Her style is very unique and she creates a variety of artworks that translate across mediums.

Tell us a bit about yourself, your brand/label name what your creative practice is, how and when you began:

My name is Bianca, known affectionately by friends as ‘Bi’, which I also use to sign all of my work.

I’m a Graphic Designer and Visual Artist by trade and I am based in Adelaide. I’ve been a Graphic Designer for close to 20 years where I am able to use my flair for design, but my true passion is art, so over the past 10 years I have invested every moment I can into refining and developing my visual art skills. I love to draw, paint and create. My utopia is producing art all day every day!

My art work always addresses the empowerment of women – almost a goddess status. Bringing together my love of theatre/ballet and beauty, I try to capture the strength and beauty of my characters in an almost theatrical way. I take inspiration from the novels that I read featuring female heroines as well as the inspiring women that I meet. My use of dramatic light and beautiful models assists in portraying the strength and resilience of women.

Drawing from my other love, fashion, I did a series of illustrative for Australian Fashion Labels. My works focused on capturing the strength and confidence of the girls that wear their clothing, whilst portraying the playful essence of the brand. By mixing monotone drawings with a splash of colour, I aimed to change the tone and strength, creating images of women who are powerful yet delicate. This is universally at the core of what I produce.

Where do you call home?

Adelaide

What 3 words best describe your creative style.

Illustrative, Modern, Contemporary.

Which part of the creative process is your favourite and why?

I love the conception of a piece of artwork. The tumbling of images in my mind, which eventually form and crystallise from an idea, a concept, into a clear vision. That vision then becomes an obsession, a desperate struggle to be formed with exact replication. I obsess over sharing my image with precision and that drive continues throughout the process, that desire to replicate perfectly is a bitter, sweet scuffle.

How would you describe your work, and what influences your style?

Although my artistic style can, and does vary, depending on my life and surroundings, I’m also heavily influenced by fashion illustration and my own passion for clothing. The textures, the colours, the cut, and the design all inspire me. I predominantly work in pastel and watercolour and although I create every piece of artwork by hand, I then use the finished original image, together with various digital techniques to create a series of pieces, combining my art with my design skills.

Fashion and women heavily influence my style. I love, love, love fashion, perhaps another personal obsession!

What does a typical creative day look like for you? How do you stay on plan and organised?

After getting up at the crack of dawn to exercise and then get my kids ready and off to school, I usually start my working day with a much-needed coffee and the checking of emails. Unfortunately, the reality of life means some days I don’t leave my computer, but whenever time permits, I surrender to my obsessive desire to escape to my studio and create.

Depending on which stage in the process a piece of artwork is, you will either find me upstairs in my studio drawing life into an image or enhancing that original piece of art in Photoshop as I design something for my unique collection of diary covers, pillows, cards, and homewares.

I’m a deadline kind of a girl, it’s the only way I can stay on task. That’s why I love projects where there is an objective and a deadline. I thrive under pressure and produce my best work with adrenaline, conflicting priorities and a little chaos.

What would your dream creative project look like? Who or what is your dream project, client or job? Tell us about why you would love to collaborate with them and what you find inspiring about their work.

My absolute dream creative project would be working collaboratively with a ‘fashion house’ to illustrate their models and garments for window display and the associated promotional campaign. Having unrestricted access to their design method, the inner workings of a label and seeing their creative process unfold would be nothing less than inspirational. To then have the honour of representing that in art form, bringing that vision to life is my ultimate goal.

If you could spend a day in another artist’s studio shoes who would that artist be?

Kelly Smith of ‘Birdyandme’ fame, works with all the top fashion labels around the world and I’m a massive fan of her work. If I could be in her shoes for a day I would honestly be living my dream. Or Gabriel Moreno – who is an AMAZING artist overseas. He has a remarkable ability to capture the delicacy, strength, and sensuality of women in his drawings. They are just astonishing! I would love to even have a day in his studio to watch him work.

What would you say is the biggest challenge when working for yourself ?

Staying positive about your work!

Social media can be a double edge sword as it both inspires and intimidates. It is full of people posting about their successes and digital platforms have a knack of focusing on the positives whilst minimising or eliminating the negatives, the sacrifices, struggles and setbacks. It is easy to assume “their” life is perfect, easy, and unattainable when there a no posts about failure.

The truth is, for every success there has usually been many challenges, rejections, and disappointments. It’s important to learn from them all and allow it to fuel your growth, stretch you, and inspire you. I often question my skills and direction, but sometimes you just need to believe in yourself and your vision. And then of course practice, practice and practice some more until your craft is refined to its full potential.

If you could go back and tell yourself one hot tip or piece of advice when you started out what would it be?

Believe in yourself and follow your heart

What has been your proudest creative business achievement to date?

Doing an artist residency with Australian Fashion Labels. I worked from their creative hub in Adelaide City for 3 months, putting together a dedicate exhibition, which was then displayed in their store windows throughout SALA (South Australian Living Artist).

What projects or collaborations from last year stuck out, good or bad and what is coming up this year that you would like to plug!

The project that stood out for me last year was doing all the illustrations for the wine labels of an established winery in Mclaren Vale. They will be launching very soon, I cant wait to share them.

You can follow what Bianca is up to: Website, Instagram, Facebook.

Snippets: Chats With Creatives – Series 1, Snippet 6

Snippets’. Chats with Creatives. Here at Digital Fabrics we love everything print, pattern and colour and we love to know what makes designers tick. This series is all about asking some fun and different questions and learning about the inspirations and ideas behind the artist and their work. We hope to inspire others by sharing snippets of these creative stories. We gave the artists and designers featured a varied list of questions to choose from so we will learn something new from everyone involved, should be fun!

Today on Snippet’s we are talking to Margot Warre from Margot Design, a Sydney based Textile artist and designer with a passion for supporting Local and Ethical Production.

Tell us a bit about yourself and what your creative practice is, how and when you began:

Creative practice for me is all about telling a story through my designs. That story will be carried all the way through the complete integrity of the design – where the designs are printed, finishing style and packaging.

I want to tell stories about the city I love. When I first started designing it was all about the trends in NY, London etc which didn’t resonate with me. I felt that my country and city is so unique that we didn’t have to look to others for inspiration it is all around us. Inspiration and stories such as uniqueness of Sydney summer, the beach on a winters day and more recently the beautiful Art Deco buildings all over Sydney.

After I have the realised the story – I start researching images, sketching, painting patterns sometimes in gauche, water colour, texta, collecting scraps of fabrics, paper – a real mixture of process, never are two collections developed the same way.

The sketches are scanned and then played with in illustrator and photoshop to create the designs digitally. I started designing my own range of textiles after years of designing for some of the industry leaders, such as Warwick Fabrics. I moved back to Sydney after living in Melbourne and began my own ranges.

Which part of the creative process is your favourite and why?

Putting a concept / mood boards together, sourcing images that communicate your idea and colour palette. I could look for images for hours.

Which five words best describe you?

I have been told and don’t disagree: Energetic, Fun, Personable.

How would you describe your work, and what influences your style?

It has a very distinctive style, it not pretty style but handsome and I would hope reflects how we live in Australia.

What does a typical day look like for you?

I am up early and generally do most of my work after a morning workout before heading to my “day” job.

What would your dream creative project look like?

I would love to work on a full collection of prints, weaves, knits, embroideries all made here in Australia and then work with an amazing photographer to shoot the collection.

Which other Australian designers, artists or creative people are you enjoying at the moment?

Loving what the Mirador team are doing with their textiles and knits

What has been your proudest achievement to date, creative or otherwise?

That changes, I had so many amazing moments working with Mokum and Warwick, travelling to international mills and textile trade fairs. But I do get a huge buzz when someone buys one of my designs.

If you could spend a day in another artist’s studio shoes who would that artist be?

Ahhhh that is SO hard – Sonia Dealunay

In another life what natural talent would you wish for?

I would love to be a dancer….. Another way of using my energy and being creative

If you could only use one colour in your work what would it be?

PINK! And all is shades.

Love your Locals:

City/Town/Village where you currently reside:

Sydney

Favourite spot for a bite:

Love Supreme, Oxford Street

Secret Inspirational spot:

Swims at Bronte pool on a winters day

You can follow what Margot is upto: Website, Instagram, Facebook

Snippets: Chats With Creatives – Series 1, Snippet 4

Today on Snippet’s we are talking to Gabby Malpas, an artist with a flair for painting detailed still life of Australian grown flora and fauna with a hint of what Gabby calls ‘chinoiserie.’

The Snippety Snips:

Tell us a bit about yourself and what your creative practice is, how and when you began:

I’m Chinese, I was born in NZ and adopted into a white family of 9 children making me #10. I trained as a potter in Dunedin, after Art school I started using inks and watercolour on paper – as it is very much like liquid glaze. I left NZ in 1988, lived in the UK until 2003 and arrived in Sydney later that year. I’ve been a professional artist since late 2014 but exhibited and painted the whole way through since leaving art school.

I’ve been a digital project manager in agency and corporate since around 1992 – girl’s gotta eat and pay for holidays! These days I license my work, exhibit regularly, work with clients on creative stuff and get involved in a lot of adoption and community causes.

I am still learning how not to be a dick.

Which five words best describe you?

Most can’t be repeated in public but how about: scary, mad, loyal, loud, and dependable.

How would you describe your work, and what influences your style?

My work is figurative watercolours. It has been dismissed as purely decorative but a lot of my work actually communicates my life experiences as a trans racial, Chinese adoptee. Some of the messages are a little hard to swallow – which is why I temper these with lavish and engaging imagery. I am influenced by a lot of artists and things: from Paul Klee, Matisse and Elizabeth Blackadder as European artists, to Japanese woodcuts and traditional SE , Central and West Asian imagery, textiles and ceramic designs.

What would your dream creative project look like?
Anything that gives me free rein to do what I like and I get paid for it… hang on – that’s a lot of what I do now.

Which other Australian designers, artists or creative people are you enjoying at the moment?

Well I discovered Cressida Campbell when I got here and she’s my idol but there are a heap of fabulous designers I follow on Instagram and Facebook – I appreciate artists who just do their thang and are not worried about fashion or what’s hot. Oh and I’ve loved Ken Done since 1988 when I went to Brisvegas expo.

What has been your proudest achievement to date, creative or otherwise?

There have been a few: Getting some artwork into Liberty of London in the 90s, getting into the Affordable art Fair Sydney in 2009 was the first step to getting somewhere in Oz but finally calling myself a professional artist in Dec 2014 has got to be up there after nearly 30 years of slog.

In another life what natural talent would you wish for?

It would be infinitely cool to be good at math.

If you could have your portrait painted by any artist dead or alive, who would you choose?

Not one for portraits but would love to see what Robert Crumb would do.

If you could only use one colour in your work what would it be?

PINK!

Love your Locals:

City/Town/Village where you currently reside:

Alexandria Sydney – yep, a local

Favourite spot for a bite:

Fratelli Fresh, Mitchell Road or Tuki Kanuki Erko. Fave pho place is Phd in Marrickville

Secret Inspirational spot: can I have 3?

The Asian Galleries at the AGNSW, the lotus pond in the botanic gardens and Kinokunya bookshop though I wish they’d let you sit on the step stools.

You can follow what Gabby is upto: Website, Instagram, Facebook

Snippets: Chats With Creatives – Series 1, Snippet 3

Today on Snippet’s we are talking to Darren Church, graphic designer behind ‘Raw Inc’ a street design division based in Australia. Inspired by graffiti and street culture they design and create unique apparel, cushions and accessories.

The Snippety Snips:

Tell us a bit about yourself and what your creative practice is, how and when you began:

I’m currently based out in Penrith in Sydney’s lower Blue Mountains, but personally I enjoy the days out into the city and other areas I have to go, walking between stores and checking out what’s new on the streets in the graffiti scene catching up with shop owners.

How would you describe your work, and what influences your style?

I base 99% of our designs around graffiti and the classic sneaker culture, and we’re all about bold clean lines with fresh colours, using illustrations and different elements in photographs to create for that next cushion design. It’s our little niche and very different to what is out there in the industry.

We find people can relate to our different types of cushions, by bringing out what they grew up with a twist and purely for the love of the novelty of the item. We get contacted all the time by paint companies asking when are we going to do a cushion of their design.

What does a typical day look like for you?

Always finding myself sketching up new designs and redrawing artwork ready for print for clients. And always hunting around Sydney fabric stores to find that perfect fabric to match artwork being printed. Cutting and sewing up fabric for those store orders.

It does get chaotic sometimes and a little stressful but very satisfying and it’s worth it in the end to see people loving the products.

What has been your proudest achievement to date, creative or otherwise?

After many years of Managing retail stores here in Sydney and while living in the UK for 10 years, I got to the point of having enough and had to do something I enjoyed. So I studied Diploma in Graphic Design and a quick 12 month course in Screen Printing and realized I had so much to artwork and ideas I could do.

Now I have people coming up to me here in Sydney and in other states, that don’t even know me and treat me with a lot of respect. When we get emails weekly from European and US stores asking for order forms, it makes your day.

Tell us something people may not know about you

I’ve been doing graffiti since the late 80’s and I like to combine the elements and influences into my work and whilst living in the UK I studied fashion and design for 2 years. It really opens up your eyes to how things are designed and so easily produced.

Love your Locals:

City/Town/Village where you currently reside:

Sydney West

Favourite spot for a bite:

I don’t really have a favourite food spot, I like to try new things all the time and sometimes catch up with friends for lunch or drinks and talk about new projects and ideas.

Secret Inspirational spot:

I’m always out and about in the city. I like to walk around the city and look at all the different graffiti, art, stickers, advertisements and t-shirts people wear, I carry around a little sketch book and I’m always stopping and sit down somewhere doodling ideas down.

You can follow what Darren is upto: Website, Instagram, Facebook

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Snippets: Chats With Creatives – Series 1, Snippet 2

Today on Snippet’s we are talking to Jasmin Owen, the designer behind Jazminbell, a homewares brand that designs and creates heat packs from fabrics she designs and prints.

The Snippety Snips:

Tell us a bit about yourself and what your creative practice is, how and when you began:

Hi there, my name is Jasmin Owen and I am the founder of the jazminbell® brand. The dream of running my own business all started at the age of 4 when I decided that I would work within Australia’s creative industry. After completing my design degree I went on to deliver my products to the world. I never realised how much there is to learn in the world of business and it has been the most amazing journey.

Jazminbell® began as a homewares brand, offering a unique range of cushion covers. With a pile of scrap fabric I sought to make mini hand warmers and they instantly took within the market. I never really saw success until I took the brave initiative to turn the business into a cold/heat pack brand and it has thrived ever since. It is hard to imagine now that it all began with tiny hand warmers – That is the incredible and unpredictable journey of business, I guess!

Working with Digital Fabrics has given me the opportunity to deliver a unique range of textile designs for my products and also create a relationship with another local business within the Australian industry.

Which five words best describe you? Quirky, happy, bright, inspirational, goal-digger.

Which other Australian designers, artists or creative people are you enjoying at the moment? I am forever inspired by the creative practice of Nicola Cerini. Her beautiful studio and printed textiles are so inspirational for me and what I do.

What has been your proudest achievement to date, creative or otherwise? Completing a Bachelor of Design Arts and Graduate Certificate in Accounting, bringing the most wonderful daughter into the world and having the opportunity to work on my business and have the freedom of my own career.

If you could only use one colour in your work what would it be? Pink!

Love your Locals:

City/Town/Village where you currently reside: Canberra, Australia

Favourite spot for a bite: Canberra Yacht Club

Secret Inspirational spot: Lake Burley Giffin

You can follow what Jasmin is upto: Website, Instagram, Facebook

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Tag Archives: home decoration

New Fabric – Cooper

Textile Collection Wildflower

Textile Collection Luxe

Nailed It: Q & A Style Interview With Stavroula Adameitis From Frida Las Vegas

Snippets: Chats With Creatives, You Are Brave – Series 2, Snippet 7

Snippets: Chats With Creatives – Series 2, Snippet 4

What does a typical creative day look like for you? How do you stay on plan and organised?

Staying positive about your work!

If you could go back and tell yourself one hot tip or piece of advice when you started out what would it be?

Believe in yourself and follow your heart

What projects or collaborations from last year stuck out, good or bad and what is coming up this year that you would like to plug!

Snippets: Chats With Creatives – Series 1, Snippet 6

Snippets: Chats With Creatives – Series 1, Snippet 4

Snippets: Chats With Creatives – Series 1, Snippet 3

Snippets: Chats With Creatives – Series 1, Snippet 2

What does a typical creative day look like for you? How do you stay on plan and organised?

Staying positive about your work!

If you could go back and tell yourself one hot tip or piece of advice when you started out what would it be?

Believe in yourself and follow your heart

What projects or collaborations from last year stuck out, good or bad and what is coming up this year that you would like to plug!

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