Tag Archives: illustration

Snippets: Chats With Creatives – Series 2, Snippet 3

Snippets’. Chats with Creatives. We are back with series two! Here at Digital Fabrics we love everything print, pattern and colour and we love to know what makes designers tick. This second series is all about asking some fun and different questions and learning about the inspirations and ideas behind the artist and their work. We hope to inspire others by sharing snippets of these creative stories. We gave the artists and designers featured a varied and different set from series one list of questions to choose from so we will learn something new from everyone involved, should be fun!

Today on Snippets we are talking to Stephanie and Amy, Sydney based couple behind Outer Island. A design label that prides themselves on creating products inspired by nature such as ornaments and textiles, all made from natural or recyclable materials in Australia with a colourful and fun vibe as well as being educational and respectful to the environment.

Outer_Island_snippets_series2_image9Tell us a bit about yourself, your brand/label name what your creative practice is, how and when you began:

Outer Island is the collaboration of Sydney based couple Stephanie Chambers (artist) and Amy Ranck (graphic designer). We love traveling, collecting and being in nature. I’m from New York and Amy is from Australia so we joke that we’re both from islands, which is where the name Outer Island comes from, but really what connects us is our love for collecting and making things. Two years ago we moved to Sydney from Brooklyn and had our first Aussie Christmas together. Inspired by our endless birding and bushwalking, we wanted to bring the magic of Australian nature to our own Christmas tree. We moved here with our beloved ornament collection, but found it hard to find unique, colourful, well designed Aussie ornaments, so we started there. After making ornaments we expanded to fabric items. Everything produced by Outer Island is made in Australia using only natural or recyclable materials. Sustainability is a big part of our mission statement and we work with ethically minded vendors and manufacturers. We work out of our sunny studio in Darlinghurst and our business is a year and a half old.

Outer_Island_snippets_series2_image1Where do you call home?

Sydney, NSW

What 3 words best describe your creative style.

Magical, Colourful, Purposeful

Which part of the creative process is your favourite and why?

The beginning is always the most fun. When we’re working on a new design, we work together to decide what we want it to look like, then I do the drafting and Amy does the art directing. Running a business, we try to divide and conquer to make the best use of our time, so this beginning part is always the most fun because we get to work together.

Outer_Island_snippets_series2_image6Outer_Island_snippets_series2_image2.jpgWhat does a typical creative day look like for you? How do you stay on plan and organised?

Each day varies, but after about 10 months in business, we sat down to create a schedule that we felt would keep our business on track. We scheduled weekly meetings and also started calling Mondays ‘Marketing Mondays’ to force us to step away from painting and designing and to focus on getting our product out into the world. We use google drive to organise our documents and really started treating our business like a business around 10 months as well. Think: BINDERS. We also use spreadsheets to track our productivity and a free online project management tool called Kanban-chi. I use an old school paper and pen planner to stay on track and each month we have different larger projects that we try to get done so we can make sure to stay out of the weeds. I love to paint and Amy loves to design so it’s important for us to have easy tools and systems to work with to keep our productivity on track and to also move the vision for Outer Island forward. We try to think ahead and put systems in place now that will make it easier for us to scale.

If you could spend a day in another artist’s studio shoes who would that artist be?

[Stephanie] I’d actually love to see how it worked in large workshops during the 1600’s in Northern Europe. I’m obsessed with Dutch still life paintings and would very much like to be a fly on the wall to understand how it all came together. I’m a big Northern Renaissance nerd. I love how their paintings represented nature better than nature could have through their compositions and richness which then really emphasised for the viewer how beautiful nature truly was.

Tell us about your creative space, what are your tips for keeping a creative studio space organised?

Buy a label maker! Every now and again we have a big strategy meeting and in our last one we realised our studio was a mess. So we went out and got proper storage things and a label-maker and went to town. It’s been so much easier for us to work efficiently since we did that. We also regularly clean the studio because it makes us feel crazy if it’s a mess, especially if it’s during a busy time.

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If you could go back and tell yourself one hot tip or piece of advice when you started out what would it be?

Don’t rush.

What projects or collaborations from last year stuck out, good or bad and what is coming up this year that you would like to plug!

We’re expanding our line of ornaments with lots of new ones and will also be expanding our Christmas crackers this year. We really want to be able to give people items to enjoy that will bring the magic of Australian nature into their homes and create special memories. Nature needs all the help it can get and we believe if people have reminders in their homes then they’ll feel more connected to nature and if they feel more connected to it then they can begin to protect it.

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Outer_Island_snippets_series2_image7You can follow what Outer Island are upto: Website, Instagram, Facebook.

Snippets series 2 – Snippet 5 Kalaii Creations.

 Snippets’. Chats with Creatives. We are back with series two! Here at Digital Fabrics we love everything print, pattern and colour and we love to know what makes designers tick. This second series is all about asking some fun and different questions and learning about the inspirations and ideas behind the artist and their work. We hope to inspire others by sharing snippets of these creative stories. We gave the artists and designers featured a varied and different set from series one list of questions to choose from so we will learn something new from everyone involved, should be fun!

Today on snippets we are talking to Stacey from Kalaii Creations who is an artist and designer who loves working with watercolour, creating textile art, and helping creative brands with their surface pattern and design needs as well as teaching workshops! She has a flair for colour and a style that is elegant, playful and enchanting.

Kalaii_Creations_snippets_1_image_5Tell us a bit about yourself, your brand/label name what your creative practice is, how and when you began:

My name is Stacey and I established Kalaii Creations in 2016 when I was on maternity leave with my second baby. I needed a little bit of me time, and participated in a creative workshop and from there I was hooked! My creative streak was reignited. I was always very interested in drawing in my school years, and did art through high school, but lost track of it all during my later years. I am so glad to have found it again! I started by making an Instagram page, and sharing some of my artwork, and soon had orders coming in for custom pieces and I just decided to explore it all, and it has opened up a lot of doors for me. Now I host creative workshops with Workshop Brisbane, The Craft Parlour on the Gold Coast, in shopping centres, and I am soon to help teach a textile design workshop, with you here at Digital Fabrics which I am very excited about! Currently I focus on watercolour art, graphic design, textile design and creative workshops ranging from knitting, watercolour art and textiles. I can’t wait to see what’s in store for the future.

Stacey_Biggs_Kalaii_CreationsWhere do you call home?

I have been based in South Brisbane, Queensland, for most of my life (I moved from NSW when I was just a baby).

What 3 words best describe your creative style.

Feminine, Boho inspired, Vibrant

Which part of the creative process is your favourite and why?

I love the initial stages of creating, when a client comes to you with their vision, and their inspiration, and you get a rush of exciting ideas and ways in which you can help them. I love being able to see what I will paint in my mind, and then how I can manipulate that in Adobe Photoshop or Illustrator and then still always be pleasantly surprised at the finished result.

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Kalaii_Creations_snippets_1_image_10What does a typical creative day look like for you? How do you stay on plan and organised?

A typical day for me is a little bit of a hot mess actually! I have two kiddies under 5, and I also work at a Brisbane based university for 3 days a week and thus arrange my creative design work at varying stages around this. Mostly I work at night, once the kiddies are asleep and I host my creative workshops on the weekends. I stay on top of my workload by completing little bits every day, and stay organized by using a Passion Planner. I write down all my clients needs and deadlines, and I also write down all the personal designs, and tasks I want to achieve within my business, which keeps me focused!

What would your dream creative project look like? Who or what is your dream project, client or job? Tell us about why you would love to collaborate with them and what you find inspiring about their work.

I would love to further explore the possibilities of having my designs feature more on active wear and swimwear out in the market place. I would love to be custom creating designs for people left right and centre! I find it so exhilarating when you see your artwork making a product pop! I am so thankful to have been given the opportunity to work with Sarah from @saltysparrowbikini on her new line release coming later in the year. I would also love to work with @midoribikinis. I love their designs and aesthetics and feel my designs would fit well with this brand.

Kalaii_Creations_snippets_1_image_3 Kalaii_Creations_snippets_1_image_4Which other artists/ designers/ makers, artists or creative people are you enjoying at the moment?

I am currently in love with @jessswan_art I love the colours she uses, the shapes, tones everything! It is mesmerizing watching her work!

Tell us about your creative space, what are your tips for keeping a creative studio space organised?

It is my dream to soon create a creative space. Currently I work from my dining table (I know there are many of you out there just like me) and I also have a very small old fashioned house which does not leave a lot of room for arts and crafts and product storage. I use a combination of storage draws and desk space to stay on top of my organisation at home. I am hoping soon to extend our house for multiple reasons, and I may just sneak in a little studio while I am at it!

What has been your proudest creative business achievement to date?

My proudest creative business achievement to date and a dream come true is an upcoming swimwear design project I have been able to assist with. Sarah from Salty Sparrow Bikini (@saltysparrowbikini), has chosen my designs to feature on her first swimwear line which I am over the moon about! I am also super excited to be working with Jemma from Newymummyblogger on the designs for an upcoming project she will be releasing soon. But I will keep that hush hush for now 🙂 Another major achievement for me is being able to work so closerly with Digital Fabrics to help teach textile design classes. I keep pinching myself about this amazing opportunity!

Tell us about how you get your creative juices flowing, what is your process?

I love speaking with new clients about their design ideas and inspirations, as often their ideas require me to push my artistic and creative boundaries each time. They make me think outside the box and think of ideas/combinations that I would not have ventured into, if it was not for their influence! This is my favourite part! Then I usually research their inspiration and competitors to get a vibe for the type of project I am working on and then I get to creating. I usually see the end product first, and then work towards creating the elements to bring this to reality.

Kalaii_Creations_snippets_1_image_6What projects or collaborations from last year stuck out, good or bad and what is coming up this year that you would like to plug!

I have loved working with Workshop Brisbane, The Craft Parlour, Sarah and Jemma, and also Lauren from @cocokini_ (another bikini designer who has also featured my designs)

Kalaii_Creations_snippets_1_image_1I am super excited to further develop my relationship with Digital Fabrics and help by teaching textile design class for beginners, and I look forward to printing some more fabrics for some special pieces I have in mind. Watch this space! My next venture is the release of a cute little day clutch, great for the beach, where I have collaborated with Kate from  @blue_eyed_girl_creations who has helped to sew the clutches for me. I can’t wait to see what people think of them.

Stacey_Biggs_Kalaii_CreationsYou can follow what Stacey is upto: Website, Instagram, Facebook

Textile Collection Animalistic Innocence

This year’s big chill has had us dreaming of warmer climates, and in anticipation for sun drenched adventures and hot summer nights, our design team has been working hard on a new range of exotic prints for our fabric shop. We are very excited to introduce our new Animalistic Innocence Collection.

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To create this playful range we we’re taking creative cues straight out of the Jungle Book, and wanted to create a visual narrative around the serene beauty of temperate forests, the thrill of being wild and the romance of being far away from home.

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The gorgeous jungle inspired artwork for this range was painted using both inky watercolours and rugged dry brush techniques to create a variety of textures, line and form. It was important to maintain a naivety to the style of the design elements to give a sense of child-like wonder and curiosity.

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Colour was central when designing this collection and a palette of luxurious greens, blues, golds and blush pinks were chosen. All of the motifs were then digitally manipulated and layered to create lush repeat patterns, full of interest and drama.

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The Animalistic Innocence Collection has been designed to help you shake off those winter blues by taking you off the beaten path, so go wild for your next DIY textiles project and let our playful range of prints stir up some creative instincts. We’d love to know what you think these designs would be perfect for so get in touch! Prints are available in our Design Library now.

Snippets: Chats With Creatives – Series 2, Snippet 4

Snippets’. Chats with Creatives. We are back with series two! Here at Digital Fabrics we love everything print, pattern and colour and we love to know what makes designers tick. This second series is all about asking some fun and different questions and learning about the inspirations and ideas behind the artist and their work. We hope to inspire others by sharing snippets of these creative stories. We gave the artists and designers featured a varied and different set from series one list of questions to choose from so we will learn something new from everyone involved, should be fun!

Today on snippets we are talking to Bianca from Bianca Smith Designs who creates artworks that are about empowering women and combine her love for theatre, ballet and beauty in a majestic and magical way. Her style is very unique and she creates a variety of artworks that translate across mediums.

biancasmithdesigns_snippets_series_2_image4Tell us a bit about yourself, your brand/label name what your creative practice is, how and when you began:

My name is Bianca, known affectionately by friends as ‘Bi’, which I also use to sign all of my work.

I’m a Graphic Designer and Visual Artist by trade and I am based in Adelaide. I’ve been a Graphic Designer for close to 20 years where I am able to use my flair for design, but my true passion is art, so over the past 10 years I have invested every moment I can into refining and developing my visual art skills. I love to draw, paint and create.  My utopia is producing art all day every day!

My art work always addresses the empowerment of women – almost a goddess status. Bringing together my love of theatre/ballet and beauty, I try to capture the strength and beauty of my characters in an almost theatrical way. I take inspiration from the novels that I read featuring female heroines as well as the inspiring women that I meet. My use of dramatic light and beautiful models assists in portraying the strength and resilience of women.

Drawing from my other love, fashion, I did a series of illustrative for Australian Fashion Labels. My works focused on capturing the strength and confidence of the girls that wear their clothing, whilst portraying the playful essence of the brand. By mixing monotone drawings with a splash of colour, I aimed to change the tone and strength, creating images of women who are powerful yet delicate. This is universally at the core of what I produce.

biancasmithdesigns_snippets_series_2_image2Where do you call home?

Adelaide

What 3 words best describe your creative style.

Illustrative, Modern, Contemporary.

Which part of the creative process is your favourite and why?

I love the conception of a piece of artwork.  The tumbling of images in my mind, which eventually form and crystallise from an idea, a concept, into a clear vision.  That vision then becomes an obsession, a desperate struggle to be formed with exact replication.  I obsess over sharing my image with precision and that drive continues throughout the process, that desire to replicate perfectly is a bitter, sweet scuffle.

How would you describe your work, and what influences your style?

Although my artistic style can, and does vary, depending on my life and surroundings, I’m also heavily influenced by fashion illustration and my own passion for clothing.  The textures, the colours, the cut, and the design all inspire me. I predominantly work in pastel and watercolour and although I create every piece of artwork by hand, I then use the finished original image, together with various digital techniques to create a series of pieces, combining my art with my design skills.

Fashion and women heavily influence my style. I love, love, love fashion, perhaps another personal obsession!

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What does a typical creative day look like for you? How do you stay on plan and organised?

After getting up at the crack of dawn to exercise and then get my kids ready and off to school, I usually start my working day with a much-needed coffee and the checking of emails. Unfortunately, the reality of life means some days I don’t leave my computer, but whenever time permits, I surrender to my obsessive desire to escape to my studio and create.

Depending on which stage in the process a piece of artwork is, you will either find me upstairs in my studio drawing life into an image or enhancing that original piece of art in Photoshop as I design something for my unique collection of diary covers, pillows, cards, and homewares.

I’m a deadline kind of a girl, it’s the only way I can stay on task. That’s why I love projects where there is an objective and a deadline. I thrive under pressure and produce my best work with adrenaline, conflicting priorities and a little chaos.

biancasmithdesigns_snippets_series_2_image7What would your dream creative project look like? Who or what is your dream project, client or job? Tell us about why you would love to collaborate with them and what you find inspiring about their work.

My absolute dream creative project would be working collaboratively with a ‘fashion house’ to illustrate their models and garments for window display and the associated promotional campaign.  Having unrestricted access to their design method, the inner workings of a label and seeing their creative process unfold would be nothing less than inspirational.  To then have the honour of representing that in art form, bringing that vision to life is my ultimate goal.

If you could spend a day in another artist’s studio shoes who would that artist be?

Kelly Smith of ‘Birdyandme’ fame, works with all the top fashion labels around the world and I’m a massive fan of her work. If I could be in her shoes for a day I would honestly be living my dream. Or Gabriel Moreno – who is an AMAZING artist overseas. He has a remarkable ability to capture the delicacy, strength, and sensuality of women in his drawings. They are just astonishing! I would love to even have a day in his studio to watch him work.

biancasmithdesigns_snippets_series_2_image6.jpgbiancasmithdesigns_snippets_series_2_image1What would you say is the biggest challenge when working for yourself ?

Staying positive about your work!

Social media can be a double edge sword as it both inspires and intimidates. It is full of people posting about their successes and digital platforms have a knack of focusing on the positives whilst minimising or eliminating the negatives, the sacrifices, struggles and setbacks.  It is easy to assume “their” life is perfect, easy, and unattainable when there a no posts about failure.

The truth is, for every success there has usually been many challenges, rejections, and disappointments. It’s important to learn from them all and allow it to fuel your growth, stretch you, and inspire you. I often question my skills and direction, but sometimes you just need to believe in yourself and your vision. And then of course practice, practice and practice some more until your craft is refined to its full potential.

If you could go back and tell yourself one hot tip or piece of advice when you started out what would it be?

Believe in yourself and follow your heart

What has been your proudest creative business achievement to date?

Doing an artist residency with Australian Fashion Labels. I worked from their creative hub in Adelaide City for 3 months, putting together a dedicate exhibition, which was then displayed in their store windows throughout SALA (South Australian Living Artist).

What projects or collaborations from last year stuck out, good or bad and what is coming up this year that you would like to plug!

The project that stood out for me last year was doing all the illustrations for the wine labels of an established winery in Mclaren Vale. They will be launching very soon, I cant wait to share them.

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biancasmithdesigns_snippets_series_2_image8You can follow what Bianca is up to: Website, Instagram, Facebook.

New Print Designs – Garden Party

Flowers and lemons and popsicles oh my!

During winter it’s just so easy to find yourself drawn to a neutral colour palette and minimal prints. To help unshackle you from the unlikely effects of the cold we’ve launched a new range of playful textile prints which are anything but drab. Introducing our Garden Party collection!

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For this range we wanted to use sweeter than pie motifs, a mixture of neutral and bold colours and a consistently light-hearted theme.The quirky designs all began on paper, using pens, pencils and watercolours to create a variety of textures and lines. The artwork was then manipulated, edited and layered digitally to resolve and polish the designs.

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Figurative designs can sometimes feel a bit too kitsch. To avoid this we combined bold colours with softer hues and mixed both textural and minimal elements within the same design. Negative space was also played around with, and as a result is varied across the designs, as they range from heavily detailed to simplistic.

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The collection delivers a series of grown up novelty prints for the young at heart with whimsical designs and a statement colour palette! Designs are available in our Fabric Shop now! We’ll be keeping a keen eye on what you create with these prints, so get in touch if you have a project in mind!

New Fabric Designs – Wearable Art

We’re very pleased to announce that we can finally share the new prints that we’ve been working on. Introducing our latest designs: Hand Dyed and Green Lily! For these new prints we’ve drawn inspiration from the ‘wearable art’ trend! Whilst the term can be used broadly, when it comes to print design think heavily textured dry brush strokes, pools of inky watercolours, emotive gestures of line and colour and scratchy pencil illustrations.

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To create our first print we experimented with tie-dying techniques to create a watercolour effect. To steer away from the ultra-colourful, psychedelic designs that tie-dye is often associated with, we wanted to create a print that felt more abstract.

The final design chosen was one with sporadic ink blots, plenty of negative space and a softer colour palette of denim blues and muted corals. The design’s organic feel and chosen colours gives the print a contemporary feel that we think would work beautifully for both fashion and interiors.

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With the success of using tie-dyed fabric as a way of creating a repeat pattern we then tried painting directly onto silk using batik techniques. For this print we wanted to create floral motifs that felt looser in their form than those used in our other floral designs.

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The dyes allowed not only for the creation of flowing motifs, but also an inky, spontaneous feeling background. The final design has a free-flowing, tropical quality, and is desperate to be made into gorgeous wardrobe staples such as dresses, trousers and head scarves.

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Digital Fabrics_custom fabric printing_tropical floral design_wearable art_watercolour prints_5Both designs were resolved as repeat patterns by scanning the original dyed fabric, and then manipulating the artwork digitally. These photographs show the repeats designs digitally printed onto our silk-like fabric Dilly, which beautifully maintains the hand-painted quality of the original artworks.

Whether you like prints that are crisp and minimal, or big, bold and colourful, the wearable art trend is certainly one to try! These prints are now available for purchase in our Design Library.

Snippets: Chats With Creatives – Series 2, Snippet 2

Snippets’. Chats with Creatives. We are back with series two! Here at Digital Fabrics we love everything print, pattern and colour and we love to know what makes designers tick. This second series is all about asking some fun and different questions and learning about the inspirations and ideas behind the artist and their work. We hope to inspire others by sharing snippets of these creative stories. We gave the artists and designers featured a varied and different set from series one list of questions to choose from so we will learn something new from everyone involved, should be fun!

Today on Snippets we are talking to Kate Blairstone, a US based artist, illustrator and designer who’s work can be seen across textiles, wallpaper and art prints with a unique and nostalgic botanical theme running throughout.

Kate_blairstone_snippets_series2_image4.jpgTell us a bit about yourself, your brand/label name what your creative practice is, how and when you began:

I design custom wallpaper and draw lots of stuff (mostly plants) under my own name. My formal education is in Printmaking – I build up images in layers, sometimes using ink on tissue, sometimes digitally. My business launched officially in the Fall of 2016.

I worked behind the scenes in restaurants for years before going full freelance. In that time I accumulated every possible creative hobby (leatherworking, beadwork, gardening) before figuring out that I could combine all those things into surface design and illustration. The restaurant where I worked always needed design help, so I resurrected my art degree to maintain their menu and website. Eventually when we opened a new location, the owner gave me the opportunity to help design the space, including a huge focal wallpaper.

Kate_blairstone_snippets_series2_image8Where do you call home?

I live in the St. Johns neighborhood of Portland, Oregon with my husband and 15 month old son.

What 3 words best describe your creative style?

Lush, Loud, Adventurous.

Which part of the creative process is your favourite and why?

I enjoy combing the visual world for inspiration, building color palettes, finding unexpected ways to communicate with color. Taking time to draw from life, getting into a meditative headspace and using my pencil to observe how a thing is structured. Mark making, especially with brushes and black india ink, where color isn’t a consideration at all, and I can just focus on the shape my brush makes. Twist my arm, and I might say my absolute favorite part is coloring my images, when I’ve been through all these other steps and the pieces finally come together.

Kate_blairstone_snippets_series2_image1Kate_blairstone_snippets_series2_image6.jpgHow would you describe your work, and what influences your style?

I think of what I do like looking at the world through tinted glasses, or at a photograph that’s yellowed as it’s aged. The color of light has a wonderful way of evoking memory and a sense of time and place; it’s a distorted reality. My palettes are designed to enhance this feeling. I spend lots of time looking at plants and working in my garden, and when I travel I pay particular attention to how the plants I grow are contextualized differently in other places, through both landscape and surface design traditions. It helps me to see things anew. I’m delighted by the cycles of my garden, of food and of fashion – I especially love when an iconic style can be seen through the lens of another era or culture and across media, like 70s Victorian Revival, or Art Deco Architecture via Latin America, or 60s MOD as seen through Italian Horror. My husband is a comic book artist: we are always playing with mashups to describe our work and find new inspiration.

Kate_blairstone_snippets_series2_image3If you could go back and tell yourself one hot tip or piece of advice when you started out what would it be?

Though I’ve always been creative and went to art school, it took me a long time – too long, maybe – to really own it. And it took me a long time to find a medium that really took hold of me the way that illustration has. Looking back, I can say confidently that everything I dabbled in has its place in my creative heart, and made my work what it is now. But I wish that I hadn’t been so scared to call myself Artist, to give myself to making things with my whole being. For years I thought I needed some kind of credential; the only thing that mattered ultimately was the permission I gave myself. An Artist is a person who makes art, and that’s what I do. If this resonates for you, go read Elizabeth Gilbert’s “Big Magic.” Living a creative life is what it’s all about, y’all. Also a reminder to myself, always: doing your life’s work is a long game, give yourself the time and make the commitment to get there.

What has been your proudest creative business achievement to date?

It gives me great pride to have built my portfolio to a point where my clients recognize my style, see what I can do for them and – for the most part – give me the freedom to do it. As a commercial artist there is sometimes enormous pressure to conform in order to get enough paid work to make it. It is such a privilege to have this kind of trust, and an absolute joy to deliver on it. Also I hired an accountant this year, which felt like such a big girl move, I literally teared up in the parking lot after our first meeting.

Kate_blairstone_snippets_series2_image10.jpgWhich other artists/ designers/ makers, artists or creative people are you enjoying at the moment?

Right now I’m inspired by Petra Borner, Andy Dixon, Tyler Keeton Robbins, Michelle Morin, Sonia Pulido, Marisol Ortega, Anisa Makhoul, and Gucci Gucci Gucci. All great follows.

What would your dream creative project look like? Who or what is your dream project, client or job? Tell us about why you would love to collaborate with them and what you find inspiring about their work.

For me, great projects involve trust, the opportunity to solve good problems, research and analysis, collaboration, strategy and beauty. I’ve been lucky enough be a part of a few such projects in my career; those experiences have shaped the way I find meaning in what I do, and defined the kind of work I’m looking for going forward. I love to participate in translating feelings visually – I get really excited about differentiating brands. There are so many small-scale production methods available to us now, why use the same stuff when we can be fantastically different?

My dream clients are great collaborators, passionate about what they do, confident in communicating their vision, and hire the right people for the right job. The beauty of seeing my work this way is that there are lots of dream clients to be had out there, but if Gucci wanted to hire me I might literally throw myself at Alessandro Michele’s feet.

Kate_blairstone_snippets_series2_image5.jpgYou can follow what Kate is upto: Website, Instagram

New Fabric Designs for Mother’s Day

We’re launching a new range of prints at Digital Fabrics! It’s been a little while since we brought you our last set of designs and this time we took a different approach to bringing you new prints. Rather than focus on one cohesive collection, we’ve had three artists create three different prints for you just in time for Mother’s Day!

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The collection of prints range from flirty to psychedelic to sophisticated, and feature both hand-painted illustration and digital manipulation. With three very different styles represented, we’re sure there’s something for everyone.

Vanity Fair_Custom Fabric Printing_Digital Fabrics_Novelty PrintsIf you’re needing fresh ideas on what to spoil mum with this Mother’s Day, we’ve got you covered and have put together a few DIY ideas that we just know you’ll both love. A custom made gift speaks volumes, and is guaranteed to be a winner with mum this year!

Sunshower_Custom Fabric Printing_Digital Fabrics_Floral Fabric_Colourful Floral PrintsGot accessories in mind for a mum who always looks fabulous? How about making a gorgeous and versatile scarf? For something bold or bright you might want to use either our Roxy or Dilly fabrics. If you were thinking of something a little more sheer we would recommend our super soft Chiffon.

Woodlands_Custom Fabric Printing_Digital Fabrics_Floral Fabric_Handpainted Botanical Prints_Custom ScarfIf you think home-wares might be better suited, how about a tablecloth? Our Cotton Linen is an absolute dream for a decadent feeling table setting and our Waratah and Panama fabrics are excellent polyester options for durability. You could also make napkins to match! And we can’t forget the ever perfect gift of a stunning, custom-made cushion! It could be the perfect opportunity to try out our new Organic Cotton Canvas that we’re very excited to introduce! Of course our Cotton Linen, Waratah and Panama fabrics are also perfect for cushion covers too.

Sunshower_Custom Fabric Printing_Digital Fabrics_Floral Fabric_Colourful Floral Prints_Custom CushionSo whatever your, or your mum’s style, there’ something here to get you started on any handmade Mother’s Day gifts you might have been thinking about. Let us know how we can help you realise your next DIY textile project!

These prints are now available for purchase in our Design Library!

Nailed It: Q & A Style Interview With Megan Mckean From Mckean Studio

Nailed It. Creative business success story

Here at Digital Fabrics we love finding a new and interesting success story on a brand or business that is inspiring to the creative community. We thought it would be useful and informative to find out how these creative businesses nailed it, lessons learned on the way and tips they might have. We have asked them to share important “How to’s” and growth hacking tips for start-ups and emerging designers. Read it, get motivated and nail it yourself!

First up in this new series is Megan Mckean from Mckean Studio, an inspiring design label based in Sydney who create colourful, fun travel keepsakes with a modern twist.

nailed_it_megan_mckean_studioTell us about your creative business, what’s it all about and how did it begin?

McKean Studio is a design label with a focus on contemporary souvenirs. We’ve been running our business for almost 4 years now, and it came about after working on some passion projects to soothe the post-travel blues! Inspired by our time spent holidaying around the world, our pieces are a modern take on travel keepsakes.

Do you work on Mckean Studio full time now?

I work full time in McKean Studio, and am coming up on my 1 year anniversary of full time self employment! It’s been a rocky road for retail in the past year, but an interesting challenge in diversifying my skill set and exploring other avenues that I might not have otherwise considered. It’s been really great to have the time to focus more on what I’m passionate about, and try out so many different projects.

If so, how long did it take you to get to that place and what advice do you have on career transitioning for creatives hoping to do the same. 

I’ve been really fortunate with the timing of all my transitions, and each stage of change in the business has come about quite organically. I was working part time on McKean Studio and part time in a retail role for several years after studying, and this was perfect as it allowed me to create for McKean Studio without huge overheads or financial commitments (and still bringing in enough income to pay my rent each week). Having the flexibility of a casual position alongside the business also allowed for travel, which has been really vital for both my inspiration and product development. I think everyone finds the groove that works best for them, and there’s certainly no shame in having a ‘day job’ or part time role if it facilitates the creative work you want to be doing.

nailed_it_megan_mckean_studioWhat goals do you think are important to achieve before you can make that leap?

For me, making the decision to go full time in my business was mostly influenced by time; I was down to just one day per week in my previous role, and finding that I still wasn’t able to fit everything I needed to into my week. I had a couple of years of business data to look over and ensure that it was going to be sustainable, so eventually just had to bite the bullet and make the jump!

With your experience in mind, would you recommend to jump full steam ahead into a business giving it your full energy, with big intentions right away or would you suggest doing it slowly and giving the business time to grow before making the leap? 

I think if the opportunity is there to grow the business slowly and steadily, then I tend to lean more towards ‘cautious optimism’ and continue on that path. But at the same time, you can’t leap a chasm in two jumps, so it comes to a point where you’ve just got to make a decision. I always told myself that if the worst happened and I wasn’t able to sustain the business, then I’m still totally employable and can go and work elsewhere!

nailed_it_megan_mckean_studioManufacturing is a complicated process, there are so many angles to consider. Do you have any disaster stories? If so, what did you learn from that experience?

There are no major disaster stories, but plenty of ‘face-palm’ moments and frustrations at not always being able to achieve the end result I had in mind. I’ve worked with such a wide range of materials and manufacturing processes, between handmaking myself, local production, and offshore production, and have learned that sometimes trial and error is the only way to figure out what’s best! I’ve had some annoying communication errors with international suppliers that have meant the quality of a product isn’t where it needs to be (even just simple things like a print resolution not being high enough for the product) and other projects locally that I’ve sunk a LOT of money into but haven’t been able to find an affordable solution for the final production. I’m still working on that one! 😉

What is your advice on working with manufacturers for those who are just at the beginning of their journey?

Local is best wherever possible, there’s nothing better than being able to problem solve in person, or communicate directly with a business who knows exactly what the problem you’re having is, and how to solve it. I would always say it’s better to start small and closer to home, until you’ve got a better understanding of the processes and the outcomes to scale up from there.

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nailed_it_megan_mckean_studioYou do a lot of the trade shows and big markets such as Finders Keepers and the Big Design Market. What are the biggest benefits other than sales that you think come from attending them as a brand?

We don’t do any trade shows, only a couple of the big markets each year, and it’s such a great chance to get to spend time with our customers and chat directly with them. We get invaluable feedback from this face to face contact (even just on colour choices, or product suggestions) and it’s always lovely to chat with our audience and trade travel stories!

If you were to start your creative journey all over again, would you begin differently and what avenue you would take to accelerate your venture, if any?
I’ve been incredibly fortunate to have had my creative journey run quite smoothly, so the only thing I would change if I could go back in time would be to tell myself to chill out a little bit! I’m a big worry wart when it comes to future planning, and wish I could have been a little more relaxed about trusting the timing. So many great projects I’ve been able to work on have popped up out of nowhere, and there’s no amount of planning I could have done to have made them happen. Even the books, which are such an important part of my career now, I had no plans to pursue at the time I was approached by my publisher. It was a wonderful, serendipitous meeting and something that I was able to find a new passion for and work into our range perfectly.

nailed_it_megan_mckean_studioWe saw that you have been nominated for small publishers Children’s Book of the Year, which is pretty impressive! Do you have any exciting projects coming up that you can tell us about? 

I’m so delighted to have long listed for an Australian Book Industry Award, and I’m still pinching myself! Working on the books the last 2 years has been such a different way of working and a great brain stretch… so keep an eye out for something new in that category later in the year!

You have travelled the globe soaking up souvenir inspiration, where is on your list for the future and could you ever see yourself living somewhere other than Australia? 

I am always dreaming of living overseas, and we’ve been so fortunate to spend time in some beautiful cities all around the world. I’d love to live in New York one day, or retire early in Palm Springs (or live bi-coastally between the two!). We also often talk about moving to Sweden, so you just never know! We love Sydney for now though. We’ve got some other travel coming up this year to Japan, but after that we’ll see where the wind blows us!

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nailed_it_megan_mckean_studioTell us something people might not know about Mckean Studio.

I think something that people don’t always know about McKean Studio is that everything is made/designed by just the two of us! I do all of the illustration work, and handle all of the production down to packing and sending out every order. People often think we’re a much bigger operation than we are, and I always chuckle when we get work experience and internship requests (as flattering as they are!). Our Mini Cities are entirely handmade and hand painted here in Sydney, and all of the new pieces are connected and work-shopped for quite a long time before they’re produced.

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You can follow what Mckean Studio is upto: Website, Instagram, Facebook.

Snippets: Chats With Creatives – Series 1, Snippet 9

Snippets’. Chats with Creatives. Here at Digital Fabrics we love everything print, pattern and colour and we love to know what makes designers tick. This series is all about asking some fun and different questions and learning about the inspirations and ideas behind the artist and their work. We hope to inspire others by sharing snippets of these creative stories. We gave the artists and designers featured a varied list of questions to choose from so we will learn something new from everyone involved, should be fun!

Today on Snippet’s we are talking to Sara Johnson, the artist behind ‘Travelling Alice’ a printmaker based in Sydney who designs and prints her own fabric before making it into unique accessories.

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The Snippety Snips:

Tell us a bit about yourself and what your creative practice is, how and when you began:

Travelling Alice is a range of hand printed travel accessories, made in my Sydney Studio.

I studied Fine Arts just out of High School as I just wanted to Draw, while there I learnt Printing (wow ) I could turn my drawings into prints.

At nineteen I got the opportunity to volunteer in India for three months, and this is where my love of fabrics and Crafts came from and of course my travelling obsession began, seeing all these amazing artist, crafts people. Traveling Alice Started from a need to make light weight and colourful travel accessories for myself and friends. I am such an organised traveller I like to pack things so they are easy to find but of course they have to look good as well.

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Travelling Alice_digital fabrics_custom fabric_fabric printing 3Which part of the creative process is your favourite and why?

Drawing drawing and drawing. My Mum is a sign writer so I have always been around pencils, pens and brushes my whole life so it feels as natural as eating. By the way I have the worst hand writing, so I did not get this talent.

How would you describe your work, and what influences your style? 

I design fabric that I can sew into accessories. Travel definitely influences my style and my life. I became obsessed with it when I first travelled to India when I was 19. This was also where my love of Fabrics and pattern came from, you get exposed to colour and patterns, it’s a feast for the eyes.

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Travelling Alice_digital fabrics_custom fabric_fabric printing 4If you could have your portrait painted by any artist dead or alive, who would you choose?

Louise Bourgeois, that would be amazing and fun, she was known for her Sculptures but I love her printmaking. Louise Bourgeois was also known for her dry humour so we could have a laugh at the same time.

Love your Locals:

City/Town/Village where you currently reside:

Sydney South

Favourite spot for a bite:

I am a Coffee lover so food is a second thought so my favourite place to get coffee is White Horse Coffee in Sutherland

Secret Inspirational spot:

To be honest I find inspiration anywhere and anytime of the day or night. I have numerous note books so I can quickly write the inspiration down.

Travelling Alice_digital fabrics_custom fabric_fabric printing 2You can follow what Sara is upto: Website, Instagram, Facebook