Tag Archives: print design

New Whisper Fabric

We’ve been really committed of late to sourcing gorgeous new fabrics to offer all of our customers, and are very pleased to introduce the second NEW addition to Digital Fabric’s polyester range – the Whisper. If you’ve been dreaming of a fantastic alternative to silk, with a hint of stretch and zero sheen, then this dreamy fabric’s for you!

Whisper is a light-weight fabric with a matte finish and a bright white base, which provides excellent colour reproduction when printed. The fabric’s smooth textured surface makes visible the fine details of designs making it perfect for prints with lots of elements and / or texture.

The fabric is a polyester / spandex blend with a good amount of stretch, and has an ultra-fine surface. Whisper’s feel and flexibility makes it a perfect choice for fashion garments and accessories as it is really comfortable to wear, and soft to touch. Whisper’s slinky, liquid-like drape makes it a great matte substitute for silk, and is most similar to our Dilly fabric. We think this fabric will be just perfect for scarves, skirts, dresses, blouses, lounge-wear, undergarments and soft accessories.

Sample swatches of Whisper are available now through our Sample Pack Order Form. Get in touch with any projects you feel the Whisper would be fabulous for!

Nailed It: Q & A Style Interview With Sarah Kalidis From Studio Onethirty

Nailed It. Creative business success story

Here at Digital Fabrics we love finding a new and interesting success story on a brand or business that is inspiring to the creative community. We thought it would be useful and informative to find out how these creative businesses nailed it, lessons learned on the way and tips they might have. We have asked them to share important “How to’s” and growth hacking tips for start-ups and emerging designers. Read it, get motivated and nail it yourself!

Today we are talking to Sarah Kalidis, the artist and designer behind Textile label and self-named bricks and mortar shop: Studio Onethirty. We will be chatting to her about how and why she began, what challenges she faces and what she sees for the future of her growing brand.

Tell us about your creative business, what do you create, how did it begin and where did the name for the brand come from?

Hello I am a textile designer, furniture designer and artist. The business began while I was taking time off as a new mum; I started drawing and painting in my down time. After trying to source fabric for homewares pieces, I found there was a lack in the market for something bold and playful, and at that moment I decided that I would create something myself. Thus began the transition from drawings to textile pattern. The name ‘Studio Onethirty’ is where my studio first began; my home address number of 130. It would be a reminder of a humble beginning, and those few precious years being a new mum and juggling a new venture.

You began your career in interior design, what led you to start your own business and if you could go back and tell yourself anything what would it be.

After becoming a mum and taking time off, it gave me plenty of thinking and reflection time. I decided I wanted to forge my own path rather than help some someone else achieve their dream. Having my own business would give me flexibility of choosing my own adventure. It hasn’t been easy, as working solo from the beginning meant that all responsibilities were mine, and working on designs, prototypes, sampling; meant plenty of back and forth while carrying an infant around.

If I could go back and tell myself something, it would be not to stress the small stuff; things may seem difficult and every day you may feel like you are pushing up a very steep hill, but keep looking forward and try to remember the reasons why you took this path. The pure joy and satisfaction of creating your own collection is far worth it.

What did you learn through the interior design industry that has helped you with building your own brand and what skills are transferable?

Being an interior designer has definitely helped with conceptual development of the range, and I give myself a brief and manage all aspects of the product from initial sketch through to assembly. I not only see each piece aesthetically, but it is important that there is a relationship between form and function. Certainly the skills of being able to visualise a product from conceptual stage has helped. I have a vision right at the beginning of how the piece should look, and having the material knowledge allows me to liaise with different local artisans and collaborate on the manufacture process.

You opened a bricks and mortar shop earlier in the year, a designer’s dream some would say. What were the biggest challenges in doing this and what led you to make the bold move.

Yes it is a dream move most certainly! And having only started the business a little over a year before, it was a very quick progression. However a store came up in my local area, in a lovely boutique little shopping strip, and it was a blank canvas. I thought what an amazing opportunity to provide locals with something unique and inspiring, and bring something different to the area. The space is my retail flagship store, and it also houses my art studio upstairs. I love that I can create pieces entirely onsite, and customers can visit to experience the whole design process.

What do you love most about what you do, what does a typical day in the shop look like and do you ever miss elements your old job?

The thing I enjoy most is being able to design and create each piece myself. It is a real sense of pride to be able to introduce people to the collection and explain that the art, textiles, homewares & furniture are my very own designs. And they are proudly made in Sydney! A typical day in the store during opening hours, is working in-store serving customers, along with tending to emails, orders & social media. And if there is some quiet time I can work on some new concepts and art pieces. I do miss my old job where I worked with some fabulous people and clients, however having the opportunity to be creative in a completely hands-on way is a really lovely new direction.

What would your advice be to someone dreaming about opening a shop or creative space? Have you faced anything you didn’t foresee as a challenge?

Making the decision to open up a creative space is one that takes a lot of consideration. You need to have a clear goal of what you are setting out to achieve, and know the risks at hand. The retail market is not an easy during this economic climate, so you need to offer your customers a unique experience and a level of service that would make them want to return. The challenge I faced right at the beginning was educating the local community on the store concept. The site had been a beauty salon for over 15years, and not expecting a creative space in an area such as this; it took a little while for people to realise what Studio Onethirty was all about.

As well as having a real life shop you also do the independent design markets, what do you think the main benefit of these are to Studio one thirty and what would your advice be to someone keen to showcase their brand at these events.

I love doing design markets! I feel that my products need to be experienced first-hand; and what better way to see a product than to touch and feel, and meet the artist themselves. My first ever launch to the public was at The Finders Keepers Market 2017 in Sydney, and over 3 days 20,000 people came through the doors! So the exposure my brand gained in the early days was incredible. Exhibiting at a design event is something I highly recommend when developing your brand. You will be exposed to a diverse range of customers, & gain feedback on your product that enables you to grown and adapt to the retail market.

What are your biggest inspirations and favourite materials to work with and is there a material or discipline you would like to work with in the future?

I love painting botanicals and native flora, and I do like to give my pieces a contemporary feel. It is all about colour and texture. I do enjoy working with linen as I love the organic feel of the fibre, and there is something about the way my designs translate to the cloth; it adds dimension to the artwork yet achieves a softness. I try to be eco conscious when developing the range, working with more recycled materials would be a great step.

How do you approach new work or designs, do you create for seasons or trends? In your experience is this valuable or do you prefer to follow your own path and see what comes naturally.

I prefer to follow my own path when designing pieces. My range is quite unique, and so it is important for me to keep inspired by external influences other than trends. I do feel that my work is a reflection of the season; I am often inspired by the natural environment, and so many of my artworks include colours that I am surrounded by at the time of their conceptualisation. It is generally a natural progression while painting and drawing.

What do you see for the future of Studio One Thirty, do you have any projects in the pipeline you want to let us know about?

I hope that my pieces can continue to bring a smile 🙂 and one day I would love to see my upholstery fabrics in an amazing hotel somewhere fabulous, like New York or Paris. Dreaming BIG I know!

What is the best piece of business advice anyone has ever given you and if you can pass on any words of wisdom what are they.

One of the best pieces of advice was that you should believe in yourself and have the confidence in your product, as it will evidently show in the quality of work you produce. Words of wisdom would be to find something creative that you really enjoy, even if it is just a small hobby, and make some ‘me’ time to really enjoy it.

Thank you Sarah! We loved having you as part of our Nailed It series.

You can follow what Studio Onethirty is upto: Website, Instagram

New Fabric Designs – Wearable Art

We’re very pleased to announce that we can finally share the new prints that we’ve been working on. Introducing our latest designs: Hand Dyed and Green Lily! For these new prints we’ve drawn inspiration from the ‘wearable art’ trend! Whilst the term can be used broadly, when it comes to print design think heavily textured dry brush strokes, pools of inky watercolours, emotive gestures of line and colour and scratchy pencil illustrations.

Image source

To create our first print we experimented with tie-dying techniques to create a watercolour effect. To steer away from the ultra-colourful, psychedelic designs that tie-dye is often associated with, we wanted to create a print that felt more abstract.

The final design chosen was one with sporadic ink blots, plenty of negative space and a softer colour palette of denim blues and muted corals. The design’s organic feel and chosen colours gives the print a contemporary feel that we think would work beautifully for both fashion and interiors.

With the success of using tie-dyed fabric as a way of creating a repeat pattern we then tried painting directly onto silk using batik techniques. For this print we wanted to create floral motifs that felt looser in their form than those used in our other floral designs.

Image source

The dyes allowed not only for the creation of flowing motifs, but also an inky, spontaneous feeling background. The final design has a free-flowing, tropical quality, and is desperate to be made into gorgeous wardrobe staples such as dresses, trousers and head scarves.

Both designs were resolved as repeat patterns by scanning the original dyed fabric, and then manipulating the artwork digitally. These photographs show the repeats designs digitally printed onto our silk-like fabric Dilly, which beautifully maintains the hand-painted quality of the original artworks.

Whether you like prints that are crisp and minimal, or big, bold and colourful, the wearable art trend is certainly one to try! These prints are now available for purchase in our Design Library.

Snippets: Chats With Creatives – Series 2, Snippet 2

Snippets’. Chats with Creatives. We are back with series two! Here at Digital Fabrics we love everything print, pattern and colour and we love to know what makes designers tick. This second series is all about asking some fun and different questions and learning about the inspirations and ideas behind the artist and their work. We hope to inspire others by sharing snippets of these creative stories. We gave the artists and designers featured a varied and different set from series one list of questions to choose from so we will learn something new from everyone involved, should be fun!

Today on Snippets we are talking to Kate Blairstone, a US based artist, illustrator and designer who’s work can be seen across textiles, wallpaper and art prints with a unique and nostalgic botanical theme running throughout.

Tell us a bit about yourself, your brand/label name what your creative practice is, how and when you began:

I design custom wallpaper and draw lots of stuff (mostly plants) under my own name. My formal education is in Printmaking – I build up images in layers, sometimes using ink on tissue, sometimes digitally. My business launched officially in the Fall of 2016.

I worked behind the scenes in restaurants for years before going full freelance. In that time I accumulated every possible creative hobby (leatherworking, beadwork, gardening) before figuring out that I could combine all those things into surface design and illustration. The restaurant where I worked always needed design help, so I resurrected my art degree to maintain their menu and website. Eventually when we opened a new location, the owner gave me the opportunity to help design the space, including a huge focal wallpaper.

Where do you call home?

I live in the St. Johns neighborhood of Portland, Oregon with my husband and 15 month old son.

What 3 words best describe your creative style?

Lush, Loud, Adventurous.

Which part of the creative process is your favourite and why?

I enjoy combing the visual world for inspiration, building color palettes, finding unexpected ways to communicate with color. Taking time to draw from life, getting into a meditative headspace and using my pencil to observe how a thing is structured. Mark making, especially with brushes and black india ink, where color isn’t a consideration at all, and I can just focus on the shape my brush makes. Twist my arm, and I might say my absolute favorite part is coloring my images, when I’ve been through all these other steps and the pieces finally come together.

How would you describe your work, and what influences your style?

I think of what I do like looking at the world through tinted glasses, or at a photograph that’s yellowed as it’s aged. The color of light has a wonderful way of evoking memory and a sense of time and place; it’s a distorted reality. My palettes are designed to enhance this feeling. I spend lots of time looking at plants and working in my garden, and when I travel I pay particular attention to how the plants I grow are contextualized differently in other places, through both landscape and surface design traditions. It helps me to see things anew. I’m delighted by the cycles of my garden, of food and of fashion – I especially love when an iconic style can be seen through the lens of another era or culture and across media, like 70s Victorian Revival, or Art Deco Architecture via Latin America, or 60s MOD as seen through Italian Horror. My husband is a comic book artist: we are always playing with mashups to describe our work and find new inspiration.

If you could go back and tell yourself one hot tip or piece of advice when you started out what would it be?

Though I’ve always been creative and went to art school, it took me a long time – too long, maybe – to really own it. And it took me a long time to find a medium that really took hold of me the way that illustration has. Looking back, I can say confidently that everything I dabbled in has its place in my creative heart, and made my work what it is now. But I wish that I hadn’t been so scared to call myself Artist, to give myself to making things with my whole being. For years I thought I needed some kind of credential; the only thing that mattered ultimately was the permission I gave myself. An Artist is a person who makes art, and that’s what I do. If this resonates for you, go read Elizabeth Gilbert’s “Big Magic.” Living a creative life is what it’s all about, y’all. Also a reminder to myself, always: doing your life’s work is a long game, give yourself the time and make the commitment to get there.

What has been your proudest creative business achievement to date?

It gives me great pride to have built my portfolio to a point where my clients recognize my style, see what I can do for them and – for the most part – give me the freedom to do it. As a commercial artist there is sometimes enormous pressure to conform in order to get enough paid work to make it. It is such a privilege to have this kind of trust, and an absolute joy to deliver on it. Also I hired an accountant this year, which felt like such a big girl move, I literally teared up in the parking lot after our first meeting.

Which other artists/ designers/ makers, artists or creative people are you enjoying at the moment?

Right now I’m inspired by Petra Borner, Andy Dixon, Tyler Keeton Robbins, Michelle Morin, Sonia Pulido, Marisol Ortega, Anisa Makhoul, and Gucci Gucci Gucci. All great follows.

What would your dream creative project look like? Who or what is your dream project, client or job? Tell us about why you would love to collaborate with them and what you find inspiring about their work.

For me, great projects involve trust, the opportunity to solve good problems, research and analysis, collaboration, strategy and beauty. I’ve been lucky enough be a part of a few such projects in my career; those experiences have shaped the way I find meaning in what I do, and defined the kind of work I’m looking for going forward. I love to participate in translating feelings visually – I get really excited about differentiating brands. There are so many small-scale production methods available to us now, why use the same stuff when we can be fantastically different?

My dream clients are great collaborators, passionate about what they do, confident in communicating their vision, and hire the right people for the right job. The beauty of seeing my work this way is that there are lots of dream clients to be had out there, but if Gucci wanted to hire me I might literally throw myself at Alessandro Michele’s feet.

You can follow what Kate is upto: Website, Instagram

Snippets: Chats With Creatives – Series 2, Snippet 1

Today on Snippets we are talking to Katelyn Tso, the textile designer behind Indigo Thread, a beautiful brand creating homewares, accessories and clothing as part of the slow fashion movement.

Tell us a bit about yourself, your brand/label name what your creative practice is, how and when you began:

I’m Katelyn, the designer and maker behind Indigo Thread. I’ve always loved design. All through high school I would make my own clothes, screen printing, sewing and adjusting op shop finds. After school I started studying Interior Design, however after the first year I realised that interior design wasn’t for me, rather I loved designing individual textile products. It wasn’t until I became a mum that I found the time to sew again and I started Indigo Thread. I’m now a self-taught textile designer, making accessories, homewares and a clothing range coming soon.

Where do you call home?

I currently live in Sydney but I grew up on The Central Coast of NSW and it still feels like home to me.

What 3 words best describe your creative style.

Simple Shapes – Fun Prints (sorry that’s more than 3 words)

Which part of the creative process is your favourite and why?

Seeing the finished product come together for the first time. Sometimes I skip ahead, not completing the steps in the most effective order because I’m so excited to see the finished product.

How would you describe your work, and what influences your style?

Simple designs and shapes with stylised and fun floral prints inspired by Australian native flowers. My desire for practical yet attractive products fuels my designs.

What does a typical creative day look like for you? How do you stay on plan and organised?

Being a work from home/stay at home mum means that it can be a bit all over the place and my work is very disrupted. I have a little more time now that my eldest has started preschool 3 days a week but I still have to fit work into small time slots throughout the day. I stay organised by writing lists. Daily, weekly and monthly to-do-lists help me keep focused.

Depending on the time of year and if I have a market to prep for, I could be just sewing sewing sewing. Whereas other quieter times I get a chance to design some new products and fabrics, so it varies a lot.

Tell us about your creative space, what are your tips for keeping a creative studio space organised.

My studio isn’t really a studio. It’s a big desk in the living room of my 2 bedroom apartment. My husband hates that I take up so much space in our home, especially when I take over the dining table as well (it’s the perfect place for screen printing and cutting out fabric). I would love to have a studio one day, or at least a separate room that I can shut the door on the mess but for now it’s working for me. I don’t mind a little bit of creative clutter but I do regularly have to re-organise so that I have the space to work and I always feel like I can work better with a clean workspace. The best tip I have is get a good storage system. I have these amazing deep drawers in my work desk (custom built by my dad out of an old pallet) that store all my sewing bits and pieces as well as a cupboard full of fabric.

What/who inspired you to take the leap in to your creative venture, how did you get started?

I just started Indigo Thread as a hobby while I was on maternity leave and I think that made it not feel like a leap, it just kind of happened naturally. I didn’t have the pressure to make money from it straight away which was nice and I think I’ve enjoyed the process more because of it.

Tell us about how you get your creative juices flowing, what is your process?

I am inspired constantly by the beautiful world around me. By colours, shapes and nature. I’m often taking photos of flowers or colour combinations to reference later as well as looking at clothing styles and figuring out how they were made.

What projects or collaborations from last year stuck out, good or bad and what is coming up this year that you would like to plug!

I loved working with my bestie, Nicole from Better Together Paper, on a collaboration of Prezzie Sacks last year. We love a chance to catch up and be creative together.

This year I’m so excited to be launching a range of women’s tops. I’m currently still in the design phase but they will be released in the next month or so. Think simple boxy tops in my Australian botanical fabrics.

You can follow what Katelyn is upto: Website, Instagram, Facebook.

New Fabric Designs for Mother’s Day

We’re launching a new range of prints at Digital Fabrics! It’s been a little while since we brought you our last set of designs and this time we took a different approach to bringing you new prints. Rather than focus on one cohesive collection, we’ve had three artists create three different prints for you just in time for Mother’s Day!

The collection of prints range from flirty to psychedelic to sophisticated, and feature both hand-painted illustration and digital manipulation. With three very different styles represented, we’re sure there’s something for everyone.

If you’re needing fresh ideas on what to spoil mum with this Mother’s Day, we’ve got you covered and have put together a few DIY ideas that we just know you’ll both love. A custom made gift speaks volumes, and is guaranteed to be a winner with mum this year!

Got accessories in mind for a mum who always looks fabulous? How about making a gorgeous and versatile scarf? For something bold or bright you might want to use either our Roxy or Dilly fabrics. If you were thinking of something a little more sheer we would recommend our super soft Chiffon.

If you think home-wares might be better suited, how about a tablecloth? Our Cotton Linen is an absolute dream for a decadent feeling table setting and our Waratah and Panama fabrics are excellent polyester options for durability. You could also make napkins to match! And we can’t forget the ever perfect gift of a stunning, custom-made cushion! It could be the perfect opportunity to try out our new Organic Cotton Canvas that we’re very excited to introduce! Of course our Cotton Linen, Waratah and Panama fabrics are also perfect for cushion covers too.

So whatever your, or your mum’s style, there’ something here to get you started on any handmade Mother’s Day gifts you might have been thinking about. Let us know how we can help you realise your next DIY textile project!

These prints are now available for purchase in our Design Library!

Textile Collection Babushka

Exciting news from us at Digital Fabrics, we have launched a new textile collection! This time we dove head first into a private collection of vintage European textiles and found just the inspiration we needed! The Boho-Chic trend is one that pops up time and time again, and it’s for good reason. We just can’t get enough of bohemian patchwork, colours and textures, and have designed a range of prints heavily inspired by collected embroidery treasures.

Whilst the boho design aesthetic is undoubtedly fabulous, the statement style can be a little overwhelming for some. We wanted to create timeless re-imaginings that pared-back the heavily embellished designs typical of bohemian textiles, resulting in versatile and accessible designs.

Elements of vintage textiles were scanned, redrawn and redesigned to create the Babushka collection. Finding the balance between streamlined design and textured details was key in maintaining the essence of folk embroidered pieces whilst still giving them a more contemporary feel, and negative space became as important a feature to focus on as the motifs and designs themselves.

The collection features both flirty, feminine motifs and minimal, geometric design elements, whilst using bold contrasting colours to maintain a crisp aesthetic throughout the range. The range revamps vintage embroidered textiles, resulting in elegant, graphic designs that can be used for so much more than the blouses and table-wear that we so often associate with the bohemian style. We cannot wait to see what you create with these prints!

The Babushka Collection is available for purchase in our Design Library!

Snippets: Chats With Creatives – Series 1, Snippet 10

Snippets’. Chats with Creatives. Here at Digital Fabrics we love everything print, pattern and colour and we love to know what makes designers tick. This series is all about asking some fun and different questions and learning about the inspirations and ideas behind the artist and their work. We hope to inspire others by sharing snippets of these creative stories. We gave the artists and designers featured a varied list of questions to choose from so we will learn something new from everyone involved, should be fun!

Today on Snippets we are talking to Lara Cross, the textile designer behind Glorybox Designs, a bright and eclectic range of fabrics, fashion and jewellery based on prints. She has a vibrant passion for colour and her quirky style is evident throughout her work.

The Snippety Snips:

Tell us a bit about yourself and what your creative practice is, how and when you began:

Looking back on my upbringing, it seems so obvious that I would end up being a textile designer- but really, I didn’t even know it was a thing until I was in my third year of studying fashion. Even fashion design was a late start for me, I had initially planned on being some sort of creative director and studied Drama and Film at uni, then lived in China for five years and came home to ‘start’ my life. It took a long time to find that field where my skills just clicked in to place, but I did have a great time getting there! Being surrounded by beautiful textiles, colours and prints was just normal to me, I didn’t know that I could be ‘good enough’ to do that too. I think I have always struggled to prove to everyone that so-called normal people can love colour, and that just because you’re creative it doesn’t mean you’re an idiot. It’s probably not your experience if you grow up in a city, but I grew up in a small town and there is certain pressure to conform- so a lot of my work and ranges tend to have a story behind them, a little provocation and thought to give it meaning as well as beauty.

I enjoy word-play, puns and often have a bit of tongue-in-cheek when I come up with a new theme- my last range was called ‘Iconoscopy‘ which was a tribute to our aging rock icons, and the next range is battle Armor for modern feminists, so no doubt there will be subtle references to female anatomy as well as some more blatant imagery. I have been compiling war words that we use daily, and I’ll start sketching off those, from there I’ll probably end up in mixed media experimentation and move into digital. I work with both screen and digital prints, but the designs always go through the computer before they get there. Digital design is definitely one of the late great discoveries of my life. I use my prints in my clothing and in my resin jewellery, I am very hands-on.

Which part of the creative process is your favourite and why?

I love colour mixing when I screen print. I don’t really plan ahead I just go in with an open mind and play. I was also pretty surprised to discover how much I love the minutiae of digital design and getting right into the pixels to create repeats. It’s a secret language. There’s lots to enjoy.

What would your dream creative project look like?

The day I get the phone call from Romance Was Born to collaborate on a range….that will be a pretty great day. (Just to be clear, they can also email me)

Which other Australian designers, artists or creative people are you enjoying?

I am thoroughly enjoying the work of Haus of Dizzy and Doodad and Fandango– they are both forging great paths in sticking it to the patriarchy, all while looking awesome. The rise of dressing for yourself is something that really appeals to me and my customers.

In another life what natural talent would you wish for?

I would love to write raunchy high-society books like Jackie Collins and Rebecca Chance. Maybe I still will….

Love your Locals:

City/Town/Village where you currently reside:

Dulwich Hill (Sydney’s hipster Inner West)

Favourite spot for a bite:

IKEA, not a popular choice I know but I get really freaked out by how obsessed people are with “good’ coffee or things served on wooden boards.

Secret Inspirational spot:

I love the run-down and industrial, behind my house there is a derelict lot that has lots of tire piles, runaway bamboo and fabulous rusty things. It’s being demolished bit by bit (there was an amazing old warehouse I could sketch in and spray paint on) but for now it still a bit of a secret garden of crap that I can enjoy.

You can follow what Lara is upto: Website, Instagram, Facebook

Textile Collection Stripped Back

Stripes are an absolutely timeless design staple! But with them always being in style it’s easy to sometimes forget just how fabulous and versatile they are. Here at Digital Fabrics we wanted to shine the spotlight on stripes again, and have created a gorgeous range of prints that re-imagines classic stripe designs – introducing our Stripped Back Collection.

Our most recently designed textile collections drew focus to luscious textures and the organic nature of hand drawn motifs. What better way to keep things interesting than to launch a series of designs that celebrates crisp lines, formal shapes and a timeless aesthetic. It was crucial to adopt interesting considerations of both colour and form since we were working in the continuous design space of ‘stripes’. Not only did the designs need to feel fresh, it was also essential to create a diverse collection to avoid designing prints that were too similar to each other.

Variation in band width was key in generating a distinct range of textiles. This allowed us to develop wide, colour-blocked styles as well as contemporary revivals of the pinstripe. Colour was also a major element when it came to designing striking stripe prints. The collection re-imagines neutrals, using soft blush pinks in the same way that you would typically use brown and cream colours. The range pairs these neutrals with dreamy sorbet inspired hues, bold mustards and deep navy accents.

The collection features prints which are both minimal and edgy, with some designs undeniably inspired by the rich history of stripe patterns in print design. These designs would be fabulous in both the home and the wardrobe, and we can’t wait to see what you do with them!

The Stripped Back Collection is available for purchase in our Design Library!

Check your artwork repeats seamlessly with Offset Filter in Photoshop.

Open your file in Photoshop. Main menu > File > Open
Check size of your image. Main menu > Image > Image size. Take note of the pixel dimension (PX) at the full resolution size.

Change the resolution to half of its value and take note of the changed pixel dimension. Keep these numbers handy as you will need them to offset your artwork. Don’t click OK at this stage, as you don’t want to change the resolution size, you only need the pixel information.

Once you have pixel dimensions noted you can offset and check your file for seamless repeat. Go to Main menu > Filter > Other > Offset. In the open box enter that half pixel values that you have noted down. Select option Wrap Around and tick the Preview option, so you can preview what is happening to your artwork. The side edges of the artwork will now be visible in the middle and the middle will become the sides. In other words the artworks sides got folded into the middle.

If your artwork in not in seamless repeat, you will see it in the middle of your artwork, through vertically and horizontally missed joins and miss matched lines. In some artwork this will not be obvious and you will need to zoom right in to the joining pixels to spot the issue.

When your artwork repeats seamlessly, there is no miss matched lines and elements of the artwork flows seamlessly.

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If you are at the beginning of your textile and surface design journey you might want to consider our workshops and classes on offer or continue learning more online through our available tutorials.

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Tag Archives: print design

New Whisper Fabric

Nailed It: Q & A Style Interview With Sarah Kalidis From Studio Onethirty

New Fabric Designs – Wearable Art

Snippets: Chats With Creatives – Series 2, Snippet 2

Snippets: Chats With Creatives – Series 2, Snippet 1

New Fabric Designs for Mother’s Day

Textile Collection Babushka

Snippets: Chats With Creatives – Series 1, Snippet 10

Textile Collection Stripped Back

Check your artwork repeats seamlessly with Offset Filter in Photoshop.

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