Tag Archives: print your own fabric

Textile Collection Animalistic Innocence

This year’s big chill has had us dreaming of warmer climates, and in anticipation for sun drenched adventures and hot summer nights, our design team has been working hard on a new range of exotic prints for our fabric shop. We are very excited to introduce our new Animalistic Innocence Collection.

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To create this playful range we we’re taking creative cues straight out of the Jungle Book, and wanted to create a visual narrative around the serene beauty of temperate forests, the thrill of being wild and the romance of being far away from home.

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The gorgeous jungle inspired artwork for this range was painted using both inky watercolours and rugged dry brush techniques to create a variety of textures, line and form. It was important to maintain a naivety to the style of the design elements to give a sense of child-like wonder and curiosity.

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Colour was central when designing this collection and a palette of luxurious greens, blues, golds and blush pinks were chosen. All of the motifs were then digitally manipulated and layered to create lush repeat patterns, full of interest and drama.

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The Animalistic Innocence Collection has been designed to help you shake off those winter blues by taking you off the beaten path, so go wild for your next DIY textiles project and let our playful range of prints stir up some creative instincts. We’d love to know what you think these designs would be perfect for so get in touch! Prints are available in our Design Library now.

New Oliver Fabric

Lately we’ve been committed to finding gorgeous new fabrics that we can offer to all of our customers! After plenty of research, sourcing and testing we are very excited to announce that we have a NEW fabric! Introducing Digital Fabrics’ newest polyester fabric – the Oliver. For those looking for a new fashion fabric the Oliver is definitely something you’ll be interested in.

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The Oliver is a lightweight, 127 GSM Polyester Spandex blend (95% Polyester / 5% Spandex), which provides the fabric with a little stretch, making it a really comfortable option for fashion garments. Oliver has a bright white base with a matte surface, which results in strong colour reproduction when printing! The fabric is breathable, super-soft to touch and has an excellent drape.

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This fabric is ideal for fashion applications, especially for those designing easy to wear, relaxed garments. Oliver is perfect for dresses, skirts, tops, soft accessories and loose-fitting Activewear.

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Sample swatches of the Oliver are available now through our Sample Pack Order Form. If you’ve got an idea you think the Oliver might be perfect for, we’d love to hear from you!

Nailed It: Q & A Style Interview With Sarah Kalidis From Studio Onethirty

Nailed It. Creative business success story

Here at Digital Fabrics we love finding a new and interesting success story on a brand or business that is inspiring to the creative community. We thought it would be useful and informative to find out how these creative businesses nailed it, lessons learned on the way and tips they might have. We have asked them to share important “How to’s” and growth hacking tips for start-ups and emerging designers. Read it, get motivated and nail it yourself!

Today we are talking to Sarah Kalidis, the artist and designer behind Textile label and self-named bricks and mortar shop: Studio Onethirty. We will be chatting to her about how and why she began, what challenges she faces and what she sees for the future of her growing brand.

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Studio_one_thirty_nailed_it_10Tell us about your creative business, what do you create, how did it begin and where did the name for the brand come from?

Hello I am a textile designer, furniture designer and artist. The business began while I was taking time off as a new mum; I started drawing and painting in my down time. After trying to source fabric for homewares pieces, I found there was a lack in the market for something bold and playful, and at that moment I decided that I would create something myself. Thus began the transition from drawings to textile pattern.  The name ‘Studio Onethirty’ is where my studio first began; my home address number of 130. It would be a reminder of a humble beginning, and those few precious years being a new mum and juggling a new venture.

You began your career in interior design, what led you to start your own business and if you could go back and tell yourself anything what would it be.

After becoming a mum and taking time off, it gave me plenty of thinking and reflection time. I decided I wanted to forge my own path rather than help some someone else achieve their dream. Having my own business would give me flexibility of choosing my own adventure. It hasn’t been easy, as working solo from the beginning meant that all responsibilities were mine, and working on designs, prototypes, sampling; meant plenty of back and forth while carrying an infant around.

If I could go back and tell myself something, it would be not to stress the small stuff; things may seem difficult and every day you may feel like you are pushing up a very steep hill, but keep looking forward and try to remember the reasons why you took this path. The pure joy and satisfaction of creating your own collection is far worth it.

What did you learn through the interior design industry that has helped you with building your own brand and what skills are transferable?

Being an interior designer has definitely helped with conceptual development of the range, and I give myself a brief and manage all aspects of the product from initial sketch through to assembly. I not only see each piece aesthetically, but it is important that there is a relationship between form and function. Certainly the skills of being able to visualise a product from conceptual stage has helped. I have a vision right at the beginning of how the piece should look, and having the material knowledge allows me to liaise with different local artisans and collaborate on the manufacture process.

Studio_one_thirty_nailed_it_4You opened a bricks and mortar shop earlier in the year, a designer’s dream some would say. What were the biggest challenges in doing this and what led you to make the bold move.

Yes it is a dream move most certainly! And having only started the business a little over a year before, it was a very quick progression. However a store came up in my local area, in a lovely boutique little shopping strip, and it was a blank canvas. I thought what an amazing opportunity to provide locals with something unique and inspiring, and bring something different to the area. The space is my retail flagship store, and it also houses my art studio upstairs. I love that I can create pieces entirely onsite, and customers can visit to experience the whole design process.

Studio_one_thirty_nailed_it_9What do you love most about what you do, what does a typical day in the shop look like and do you ever miss elements your old job?

The thing I enjoy most is being able to design and create each piece myself. It is a real sense of pride to be able to introduce people to the collection and explain that the art, textiles, homewares & furniture are my very own designs. And they are proudly made in Sydney! A typical day in the store during opening hours, is working in-store serving customers, along with tending to emails, orders & social media. And if there is some quiet time I can work on some new concepts and art pieces. I do miss my old job where I worked with some fabulous people and clients, however having the opportunity to be creative in a completely hands-on way is a really lovely new direction.

What would your advice be to someone dreaming about opening a shop or creative space? Have you faced anything you didn’t foresee as a challenge?

Making the decision to open up a creative space is one that takes a lot of consideration. You need to have a clear goal of what you are setting out to achieve, and know the risks at hand. The retail market is not an easy during this economic climate, so you need to offer your customers a unique experience and a level of service that would make them want to return. The challenge I faced right at the beginning was educating the local community on the store concept. The site had been a beauty salon for over 15years, and not expecting a creative space in an area such as this; it took a little while for people to realise what Studio Onethirty was all about.

Studio_one_thirty_nailed_it_8As well as having a real life shop you also do the independent design markets, what do you think the main benefit of these are to Studio one thirty and what would your advice be to someone keen to showcase their brand at these events.

I love doing design markets! I feel that my products need to be experienced first-hand; and what better way to see a product than to touch and feel, and meet the artist themselves. My first ever launch to the public was at The Finders Keepers Market 2017 in Sydney, and over 3 days 20,000 people came through the doors! So the exposure my brand gained in the early days was incredible. Exhibiting at a design event is something I highly recommend when developing your brand. You will be exposed to a diverse range of customers, & gain feedback on your product that enables you to grown and adapt to the retail market.

What are your biggest inspirations and favourite materials to work with and is there a material or discipline you would like to work with in the future?

I love painting botanicals and native flora, and I do like to give my pieces a contemporary feel. It is all about colour and texture. I do enjoy working with linen as I love the organic feel of the fibre, and there is something about the way my designs translate to the cloth; it adds dimension to the artwork yet achieves a softness. I try to be eco conscious when developing the range, working with more recycled materials would be a great step.

How do you approach new work or designs, do you create for seasons or trends? In your experience is this valuable or do you prefer to follow your own path and see what comes naturally.

I prefer to follow my own path when designing pieces. My range is quite unique, and so it is important for me to keep inspired by external influences other than trends. I do feel that my work is a reflection of the season; I am often inspired by the natural environment, and so many of my artworks include colours that I am surrounded by at the time of their conceptualisation. It is generally a natural progression while painting and drawing.

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Studio_one_thirty_nailed_it_1What do you see for the future of Studio One Thirty, do you have any projects in the pipeline you want to let us know about? 

I hope that my pieces can continue to bring a smile 🙂 and one day I would love to see my upholstery fabrics in an amazing hotel somewhere fabulous, like New York or Paris. Dreaming BIG I know!

What is the best piece of business advice anyone has ever given you and if you can pass on any words of wisdom what are they.

One of the best pieces of advice was that you should believe in yourself and have the confidence in your product, as it will evidently show in the quality of work you produce. Words of wisdom would be to find something creative that you really enjoy, even if it is just a small hobby, and make some ‘me’ time to really enjoy it.

Studio_one_thirty_nailed_it_6Thank you Sarah! We loved having you as part of our Nailed It series.

You can follow what Studio Onethirty is upto: Website, Instagram

Snippets: Chats With Creatives – Series 2, Snippet 1

Snippets’. Chats with Creatives. We are back with series two! Here at Digital Fabrics we love everything print, pattern and colour and we love to know what makes designers tick. This second series is all about asking some fun and different questions and learning about the inspirations and ideas behind the artist and their work. We hope to inspire others by sharing snippets of these creative stories. We gave the artists and designers featured a varied and different set from series one list of questions to choose from so we will learn something new from everyone involved, should be fun!

Today on Snippets we are talking to Katelyn Tso, the textile designer behind Indigo Thread, a beautiful brand creating homewares, accessories and clothing as part of the slow fashion movement.

Tell us a bit about yourself, your brand/label name what your creative practice is, how and when you began:

I’m Katelyn, the designer and maker behind Indigo Thread. I’ve always loved design. All through high school I would make my own clothes, screen printing, sewing and adjusting op shop finds. After school I started studying Interior Design, however after the first year I realised that interior design wasn’t for me, rather I loved designing individual textile products. It wasn’t until I became a mum that I found the time to sew again and I started Indigo Thread. I’m now a self-taught textile designer, making accessories, homewares and a clothing range coming soon.

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Indigo_thread_wares_snippets_2_image4Where do you call home?

I currently live in Sydney but I grew up on The Central Coast of NSW and it still feels like home to me.

What 3 words best describe your creative style.

Simple Shapes – Fun Prints (sorry that’s more than 3 words)

Which part of the creative process is your favourite and why?

Seeing the finished product come together for the first time. Sometimes I skip ahead, not completing the steps in the most effective order because I’m so excited to see the finished product.

Indigo_thread_wares_snippets_2_image2How would you describe your work, and what influences your style?

Simple designs and shapes with stylised and fun floral prints inspired by Australian native flowers. My desire for practical yet attractive products fuels my designs.

What does a typical creative day look like for you? How do you stay on plan and organised? 

Being a work from home/stay at home mum means that it can be a bit all over the place and my work is very disrupted. I have a little more time now that my eldest has started preschool 3 days a week but I still have to fit work into small time slots throughout the day. I stay organised by writing lists. Daily, weekly and monthly to-do-lists help me keep focused.

Depending on the time of year and if I have a market to prep for, I could be just sewing sewing sewing. Whereas other quieter times I get a chance to design some new products and fabrics, so it varies a lot.

Tell us about your creative space, what are your tips for keeping a creative studio space organised.

My studio isn’t really a studio. It’s a big desk in the living room of my 2 bedroom apartment. My husband hates that I take up so much space in our home, especially when I take over the dining table as well (it’s the perfect place for screen printing and cutting out fabric). I would love to have a studio one day, or at least a separate room that I can shut the door on the mess but for now it’s working for me. I don’t mind a little bit of creative clutter but I do regularly have to re-organise so that I have the space to work and I always feel like I can work better with a clean workspace. The best tip I have is get a good storage system. I have these amazing deep drawers in my work desk (custom built by my dad out of an old pallet) that store all my sewing bits and pieces as well as a cupboard full of fabric.

Indigo_thread_wares_snippets_2_image6Indigo_thread_wares_snippets_2_image7What/who inspired you to take the leap in to your creative venture, how did you get started?

I just started Indigo Thread as a hobby while I was on maternity leave and I think that made it not feel like a leap, it just kind of happened naturally. I didn’t have the pressure to make money from it straight away which was nice and I think I’ve enjoyed the process more because of it.

Tell us about how you get your creative juices flowing, what is your process?

I am inspired constantly by the beautiful world around me. By colours, shapes and nature. I’m often taking photos of flowers or colour combinations to reference later as well as looking at clothing styles and figuring out how they were made.

Indigo_thread_wares_snippets_2_image1What projects or collaborations from last year stuck out, good or bad and what is coming up this year that you would like to plug!

I loved working with my bestie, Nicole from Better Together Paper, on a collaboration of Prezzie Sacks last year. We love a chance to catch up and be creative together.

This year I’m so excited to be launching a range of women’s tops. I’m currently still in the design phase but they will be released in the next month or so. Think simple boxy tops in my Australian botanical fabrics.

Indigo_thread_wares_snippets_2_image9You can follow what Katelyn is upto: Website, Instagram, Facebook.

Check your artwork repeats seamlessly with Offset Filter in Photoshop.

  • Open your file in Photoshop. Main menu > File > Open
  • Check size of your image. Main menu > Image > Image size. Take note of the pixel dimension (PX) at the full resolution size.

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  • Change the resolution to half of its value and take note of the changed pixel dimension. Keep these numbers handy as you will need them to offset your artwork. Don’t click OK at this stage, as you don’t want to change the resolution size, you only need the pixel information.

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  • Once you have pixel dimensions noted you can offset and check your file for seamless repeat. Go to Main menu > Filter > Other > Offset. In the open box enter that half pixel values that you have noted down. Select option Wrap Around and tick the Preview option, so you can preview what is happening to your artwork. The side edges of the artwork will now be visible in the middle and the middle will become the sides. In other words the artworks sides got folded into the middle.

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  • If your artwork in not in seamless repeat, you will see it in the middle of your artwork, through vertically and horizontally missed joins and miss matched lines. In some artwork this will not be obvious and you will need to zoom right in to the joining pixels to spot the issue.

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  • When your artwork repeats seamlessly, there is no miss matched lines and elements of the artwork flows seamlessly.

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If you are at the beginning of your textile and surface design journey you might want to consider our workshops and classes on offer or continue learning more online through our available tutorials.

Textile Collection Tropicana

We are right in the middle of a gorgeous Sydney Summer, and for most of us have gone back to work after a (hopefully) relaxing festive break. What better way to feel like we’re still on holidays than with the launch of a new range of summery prints- our Tropicana range. Time to take a very grown up trip to the tropics!

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All of the designs began by taking inspiration from tropical flora and carefully hand painting a series of detailed Banana Palms and Monstera leaves. At Digital Fabrics we love all things textural, and by using one of our favourite mediums, watercolours, we were able to create really luscious leaf motifs to start creating textile designs from.

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We wanted to rework classic tropical designs to create elegant and accessible prints. To achieve this we determined each design as a large scale print to celebrate the gorgeous watercolour aesthetic. We then primarily used a colour palette of contrasting neutrals with muted colours such as blush pink and sage to ensure the designs as timeless.

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We see these designs being suitable for both interiors and fashion and just looking at these new prints has us dreaming about fabulous statement curtains or retro swimsuit designs. We’d love to hear about the kind of project you envision these designs for!

The Tropicana Collection is available for purchase in our Design Library!

Holiday Break

This year Digital Fabrics will be closed on 22rd of December and re-opened on 8th of January with a skeleton staff, production commencing on the 15th January 2018.

How about if you still want to order fabric? Don’t worry, we will be accepting all online orders during holiday to be printed when we are back in action in 2018.

After the holiday first orders will be due to dispatch on Wednesday the 17th January.

Stay smart during pre-holiday rush, don’t rely on couriers services, they are busy! If possible, arrange a pick-up of your order from our Marrickville studio, we will be happy to say Hi.

Digital Fabrics Holiday Break

CREATE YOUR OWN FABRIC CREATE YOUR OWN CUSHION COVER

To avoid pre-holiday stress and to receive your fabric before Christmas please note super important dates below:

Cut off times, if you require shipping

·         4th December – for Print and Make orders such as cushion covers, banners, scarves etc

·         11th December – All fabric printing orders that needs to be shipped and delivered before holiday. As much as we would love to, we cannot guarantee that orders submitted after this date will reach to you on time before Christmas.

·         12th December – last Express order for fabric printing or Print and Make orders

Orders for delivery, submitted after 15th December more likely to be printed and dispatched in New Year unless it’s an express order.

Pick-up orders cut off time

·         11th December Print and Make orders such as cushion covers, banners, scarves etc

·         15th December fabric printing orders

·         18th December last express order for fabric printing or Print and Make orders.

3 pm is our daily production cut off time, which means, if you placed an order after 3 pm, your order will be rolled over to the next day. Be that just an extra little careful when planning your fabric printing orders.

And as always, if you have any question, we are only a phone call away.

CREATE YOUR OWN FABRIC CREATE YOUR OWN CUSHION COVER

happy x-mas

Colourful Bunch by Sharon Wilson

floral design Sharon WilsonNot going to lie it’s very nice getting sweet notes of appreciation from our customers, but more than anything we love receiving photos of makes and completed projects. We just love seeing what fabrics that we have printed has become. Sharon Wilson surprised us recently with images of her amazing colourful creations, box pleated skirt & boxer shorts, she used her photo to create this beautiful floral fabric. Her honest feedback and tips and tricks on working with Aerocorp fabric are truly appreciated and we are sure will be really helpful and inspiring to other sewers. Here is what Sharon wrote:

About 7 years ago I took a digital photo of this colourful bunch of flowers in Switzerland.  After seeing what Digital Fabrics could offer with their range of fabric types, I couldn’t wait to order the Aerocorp fabric and make a knee length box pleated skirt with waist yoke.  It turned out beautifully and there was even enough remnant to make a pair of boxer shorts .

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  • I found the Aerocorp not difficult to work with.  As the website said, it did have a soft handle and cotton look and feel, however it was resilient, as 100% polyester is, but with a good press, it is easy to tame into place or make a crisp line where necessary.
  • Aerocorp fabric has a tendency to unravel immediately after being cut.  So don’t over handle it, and make sure that raw edges are tamed as soon as possible. 
  • The skirt has a lovely drape and swing to it.
  • I probably would not make a top out of it unless it was for a cooler climate and a dressier look.  
  • If the print is very busy (as this one was) you could even possibly get away with not ironing it – great for traveling. 

The fabric order delivery was on time and well packed.  Inside was also a sample pack which I really appreciated because sewers really need to feel a fabric to gain good judgement on what to use.  I would definitely recommend this service and am tempted to order again some time in future.

If you are like Sharon have a creative project in mind and would like to print your own fabric, you can upload your design and start creating right away here.

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Design your own leggings – How to prepare legging pattern for fabric printing in Photoshop

Garment making and production can be daunting and a complicated process especially placement or engineered printing. A lot of time and effort goes into research and understanding where to start. We have put together tutorials on how to design, work with and prepare legging pattern for digital placement fabric printing. For this tutorial  you need to be proficient in Photoshop and Illustrator or at least have basic knowlage. Our tutorial is based on industry standards. This technic can be applied to printing other products such as bikinis, t-shirts, singlets , dresses etc.

How to prepare legging pattern for fabric printing in Photoshop

Open the PDF file in Illustrator. You can purchase our digital leggings pattern on our website or use your own.

Copy and paste the size you would like to use within the same file, we have selected size 10.

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Delete all details and notches within the pattern piece and select the pattern shape and fill in black.

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while legging is selected copy and take note on the sizing.

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Open Photoshop and select a new artboard, keep the pixels and resolution the same, just make sure you’ve selected RGB color mode. Click OK and Paste pattern piece as a smart object, click enter to place.

Double check that the sizing is correct by selecting Image>image size, in this case it is only a few points off which will be fine.

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Next you’ll need to increase your artboard size to fit the other leg, change the width of your artboard to the width of the fabric you’d like to use and select the anchor points to extend from corner.

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Copy Layer and while selected transform (Ctrl+t), while still selected right click on top of the layer and select Flip Horizontally, you know have a pair.

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With both layers selected you will need to select transform again (ctrl+t) and while select cover over to rotate, when rotating make sure you hold down shift to make sure it rotates correctly.

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Copy and paste the design you would like on your leggings and place layer on top of the one of the pattern legs.

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Right click on the design layer and in the drop down menu select create clipping mask.

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Repeat for other leg

Group all layers and centre.

Your file is now ready to print!

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Soon you’ll have your printed fabric which you’ll be able to whip up into these comfy leggings

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Designing Fabric: How To Make A Repeat Pattern – Half Drop Repeat in Illustrator

Using Illustrator for repeats can sometimes be quicker and less labour intensive than using Photoshop, but it all comes down to the type of file you start with or the style of artwork you’re after. Stick to illustrator for vector files and images with a very “graphic” orientation, bearing in mind how the artwork was originally generated. Avoid using a jpg, tiff, psd or Photoshop eps you will lose the inherent quality of the original artwork.

Half Drop Repeat in Illustrator

To practise your fabric design skills you can use an existing illustrator artwork. Open up an existing illustrator artwork or create a new vector graphic to your specifications. Set up your art board to the repeat size that you’d prefer. Here I’m using a 64 cm repeat. Starting off with squares can be easier to work out half measurements at a late step.

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When you are happy with your artwork, move it to the top left corner of your art board so it hangs off the edge. Double click on the move tool to duplicate (click copy) the object the exact repeat size vertically.

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Now with all objects selected, use the move tool again. This time you will duplicate the objects across the full repeat width but down by HALF the repeat size, in this case 64 x 32 cm. Click copy.

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At this stage you can adjust the scale of the original object or add in additional motifs. This is not always necessary and depends on your individual artwork but it has the potential to add variety and interest
in the overall design.

N.B. Don’t forget that what happens on the top ‘line’ of your artboard must happen on the bottom i.e. repeat

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When you are happy with the layout for your half drop, delete any duplicated objects (across the right side and bottom of art board) so that you only have one group of objects.

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Adjust the artboard dimension to to be a full print width, in this case 147cm and proceed to duplicate the objects so that it fills and over hangs the artboard. Remember that it is a half drop, so follow the previous steps for duplication.

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A colour overlay was added purely for aesthetic purposes. Save as pdf as previous tutorial.

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