Tag Archives: textile design

Textile Collection Tropicana

We are right in the middle of a gorgeous Sydney Summer, and for most of us have gone back to work after a (hopefully) relaxing festive break. What better way to feel like we’re still on holidays than with the launch of a new range of summery prints- our Tropicana range. Time to take a very grown up trip to the tropics!

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All of the designs began by taking inspiration from tropical flora and carefully hand painting a series of detailed Banana Palms and Monstera leaves. At Digital Fabrics we love all things textural, and by using one of our favourite mediums, watercolours, we were able to create really luscious leaf motifs to start creating textile designs from.

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We wanted to rework classic tropical designs to create elegant and accessible prints. To achieve this we determined each design as a large scale print to celebrate the gorgeous watercolour aesthetic. We then primarily used a colour palette of contrasting neutrals with muted colours such as blush pink and sage to ensure the designs as timeless.

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We see these designs being suitable for both interiors and fashion and just looking at these new prints has us dreaming about fabulous statement curtains or retro swimsuit designs. We’d love to hear about the kind of project you envision these designs for!

The Tropicana Collection is available for purchase in our Design Library!

Snippets: Chats With Creatives – Series 1, Snippet 8

Snippets’. Chats with Creatives. Here at Digital Fabrics we love everything print, pattern and colour and we love to know what makes designers tick. This series is all about asking some fun and different questions and learning about the inspirations and ideas behind the artist and their work. We hope to inspire others by sharing snippets of these creative stories. We gave the artists and designers featured a varied list of questions to choose from so we will learn something new from everyone involved, should be fun!

Today on Snippet’s we are talking to Anna Hayman, a UK based print designer who creates fabrics, wallpaper and other homewares from original lino printing and ink drawings. Her work is influenced by the art and craft era as well as the sixties and seventies which is clear in her current work.

Anna-Hayman-digital_fabrics_custom_fabric_printing_5The Snippety Snips:

Tell us a bit about yourself and what your creative practice is, how and when you began:

I am a British print designer specialising in printed lampshades, wallpapers, fabrics and cushions. I create my designs from linoprints and ink paintings. I began trading in February 2016

Which part of the creative process is your favourite and why?

My favourite part is transforming artwork – in my case a Lino print or an ink painting – into a pattern. Pattern is my utter obsession so creating repeat designs from artwork is a really exciting point for me, often there are literally endless possibilities of how it can be repeated, mirrored or formed, and seeing that take shape is completely thrilling. That comes just before the worst part, getting the pattern to repeat, which can take forever and is truly boring! Luckily I’m a bit of a geek 🙂

How would you describe your work, and what influences your style? I would describe my work as half hippy, half traditionalist, intricate, relaxed and colourful. I’m influenced by old English styles, I visit a lot of old places, and 1920’s places, but also love Bohemian 70’s style. Creatives I’m influenced by are Celia Birtwell, Biba, The Bloomsbury Group, Olaf Hajek, Aubrey Beardsley and many more.

Anna-Hayman-digital_fabrics_custom_fabric_printing_4Anna-Hayman-digital_fabrics_custom_fabric_printing_6In another life what natural talent would you wish for?

Writing! I have been reading a lot about the lives of writers recently and I must say it does seem an appealing occupation. I’ve always told myself I am terrible at writing, especially copy, but really I just haven’t had the space to explore it. I would love to take a summer learning how to construct a book, for instance.

Which other Australian designers, artists or creative people are you enjoying at the moment?

Estelle Briedis, for her exacting palettes of colour, Nine Lives Bazaar for their beautiful brand building skills and photography, and Instagram legend @labohemehouseofthewishingtrees for her inspiring and abundant use of brights with white, and layering of textures.

If you could only use one colour in your work what would it be?

Hard question! But I’m crushing hard on jade at the moment, a sort of greenish turquoise, a colour which can be hot and cool, and quenching somehow. I’d find it hard to live without orange though, deep vibrant orange, warm and fresh at the same time.

Anna-Hayman-digital_fabrics_custom_fabric_printing_7If you could have your portrait painted by any artist dead or alive, who would you choose?

Lucian Freud, not just because I love his work (I love flat looking paintings with a lot of detail) but because I feel I have the right sort of face for his portraiture.

Which five words best describe you?

English, rebellious, clever, arty, fun.

Love your Locals:

City/Town/Village where you currently reside:

Ringmer in Sussex, England.

Favourite spot for a bite:

Any good seafood restaurant, or sushi place.

Secret Inspirational spot:

Charleston farmhouse, the Bloomsbury group country house hotspot of the 1920’s, which is 15 minutes from where I live.

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You can follow what Anna is upto: Website, Instagram, Facebook

Textile Collection Artful Simplicity

We’re very excited here at Digital Fabrics to be dropping another range of yummy prints! This time we’re inspired by bold earthy colours and organic forms, bringing to you a collection of hand painted, textural abstract designs.

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Our Sunset Gum design is a small scale abstract print with bold contrasting colours. Who doesn’t love a splash of red?

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Our Blush Pebble design is a medium scale graphic print. We just can’t get enough of pink!

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Our Ochre Scatter design is a small scale print with a fabulous burnt vermilion colourway, able to liven up any space or outfit!

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Our Clay design is a medium scale print with bold geometric shapes and a deep warm colour palette.

The Artful Simplicity collection is available for purchase in our Design Library. We can’t wait to see what you do with them!

Designing Fabric: How To Make A Repeat Pattern – Half Drop Repeat in Illustrator

Using Illustrator for repeats can sometimes be quicker and less labour intensive than using Photoshop, but it all comes down to the type of file you start with or the style of artwork you’re after. Stick to illustrator for vector files and images with a very “graphic” orientation, bearing in mind how the artwork was originally generated. Avoid using a jpg, tiff, psd or Photoshop eps you will lose the inherent quality of the original artwork.

Half Drop Repeat in Illustrator

To practise your fabric design skills you can use an existing illustrator artwork. Open up an existing illustrator artwork or create a new vector graphic to your specifications. Set up your art board to the repeat size that you’d prefer. Here I’m using a 64 cm repeat. Starting off with squares can be easier to work out half measurements at a late step.

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When you are happy with your artwork, move it to the top left corner of your art board so it hangs off the edge. Double click on the move tool to duplicate (click copy) the object the exact repeat size vertically.

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Now with all objects selected, use the move tool again. This time you will duplicate the objects across the full repeat width but down by HALF the repeat size, in this case 64 x 32 cm. Click copy.

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At this stage you can adjust the scale of the original object or add in additional motifs. This is not always necessary and depends on your individual artwork but it has the potential to add variety and interest
in the overall design.

N.B. Don’t forget that what happens on the top ‘line’ of your artboard must happen on the bottom i.e. repeat

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When you are happy with the layout for your half drop, delete any duplicated objects (across the right side and bottom of art board) so that you only have one group of objects.

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Adjust the artboard dimension to to be a full print width, in this case 147cm and proceed to duplicate the objects so that it fills and over hangs the artboard. Remember that it is a half drop, so follow the previous steps for duplication.

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A colour overlay was added purely for aesthetic purposes. Save as pdf as previous tutorial.

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Save